CT PICKS

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  • // KITCHEN AND THE PLASTIC SPOONS ‘SCREAMS TO GOD’ LP

    // KITCHEN AND THE PLASTIC SPOONS ‘SCREAMS TO GOD’ LP

    KITCHEN AND THE PLASTIC SPOONS
    ‘SCREAMS TO GOD’ LP
    CT-Picks // DARK ENTRIES DE-039

    Kitchen And The Plastic Spoons formed at a basement rehearsal studio in Stockholm, Sweden during the spring of 1980. The band consisted of Anne Taivan (vocals), Helena Lönnqvist (synthesizer), Iggo Karlsson (synthesizer), Jackie Pazda (bass), and Mats Wigerdal (drums). After a few concerts, Kitchen booked some free studio time and recorded their first single “Serve You!” in two days. Six months later Patrik Lindvall (guitar) joined the group and the band recorded their second single “Ice Cream To God” in early 1981. Kitchen’s sound was getting darker and heavier and so was the mood in the band. Anne shortly left and was replaced by Iodine Jupiter on vocals. This new line up recorded a few songs for local compilations. The band broke up in November 1981 before recording their debut LP.
    “Screams To God” collects Kitchen And The Plastic Spoons two 7″ EPs, two compilation tracks as well as three demos from 1980 never before released on vinyl. Kitchen were part of the new DIY generation starting bands, making self- produced singles and rapidly breaking up. Their sound echoes the speedy chaotic energy with the synthesizer as its driving pulse. Anne’s vocals are barely understandable but they have a sense of urgency. They didn’t’ sound like any other band in Sweden at the time, having more in common with American bands, Devo, The Screamers and Pere Ubu.
    All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a full color spot gloss jacket with a photo of Anne with bright magenta hair. Each LP includes an insert with liner notes, song descriptions and photos. Although the group burned out after a year, this compilation shows their energy and attitude to be just as liberating and unusual today.

  • In Bars
  • Blätta
  • Happy Funeral
  • Fantastic
  • Ice Cream To God
  • (-)
  • The Poet
  • Liberty
  • Filmen
  • Psch
  • Pajazzo


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  • // Q4U ‘Q1 DELUXE EDITION 1980-1983′ LP

    // Q4U ‘Q1 DELUXE EDITION 1980-1983′ LP

    Q4U
    ‘Q1 DELUXE EDITION 1980-1983′ LP
    CT-Picks // DARK ENTRIES DE-040

    Q4U was born the winter of 1980-1981 in Reykjavík, inspired by the British punk movement. It’s original members were Elínborg Halldórsdóttir (Ellý) (vocals), Berglind Garðarsdóttir (Linda) (vocals), Steinþór Stefánsson (guitar), Gunnþór Sigurðsson (bass), Helgi (drums) and Már (synthesizer). Helgi and Már soon left the band and Helgi was replaced by Kormákur Geirharðsson (Kommi) on the drums. By early 1982 they self-released a full length cassette, “Skaf Í Dag” and appeared in the documentary “Rokk í Reykjavík,” which showcased the Icelandic punk scene. This version of the band ended and only two members continued on. In the summer of 1982 Ellý and Gunnþór recruited Óðinn Guðbrandsson (guitar) and Árni Daníel (synthesizer) from the band Taugadeildin. Their drummer was replaced by a Roland TR-808 drum machine they named “Elísabet II”. signaling a change in the group’s sound toward synthesizer-driven post punk. In August 1983 Q4U reinstated Kormákur to record a final set of demos and then called it quits.
    This compilation collects 16 songs from 1980-1983. SIde A features the original six songs from the “Q1″ EP, plus 2 songs from the “Rokk í Reykjavík” soundtrack. Side B collects 4 demos from 1982 and 4 demos from 1983, all presented on vinyl for the first time ever. Q4U began with a stylish, aggressive punk image before experimenting with drum machines and synthesizers, which almost nobody did in Reykjavík at the time. The later sound had gothic leanings,often compared with Siouxsie and the Banshees and Xmal Deutschland. Their body of work is united by the powerful vocals of Ellý, who mostly sings in Icelandic about controversial, political experiences, much like Ari Up of The Slits.
    All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a full color jacket using the original artwork from the “Q1″ EP. Each LP includes a double sized fold-out poster with lyrics, photos and drawings by the band plus a Q4U sticker! 30 years after their break-up Q4U are finally getting the vinyl reissue treatment they deserve, shedding a light on this pre-Riot grrrl act, more relevant today than ever.

  • Böring
  • PLO
  • Breiðabόlsstaður
  • ADMP
  • Tískufrík
  • Why
  • Onward
  • Creeps
  • Barbie
  • Sigurinn
  • Draugasaga
  • Miracle Man
  • Skemmtistaður
  • Plastic Vision
  • Turninn
  • Family


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  • // BELABORIS ‘ONCE UPON A TIME’ LP

    // BELABORIS ‘ONCE UPON A TIME’ LP

    BELABORIS
    ‘ONCE UPON A TIME’ LP
    CT-Picks // DARK ENTRIES DE-041

    Belaboris was born in 1982 as the brainchild of Finnish producer Kimmo Miettinen. What Malcolm McLaren had been to The Sex Pistols, Miettinen was to Belaboris. He would put together an all-girl band that looked great in photographs but were backed by professional musicians. The first line-up was Vilma Vainikainen on main vocals, Sisko Vainikainen and Rita on back-up plus Jake and Mari who did not sing at all. The backing band behind Belaboris was a local New Wave group called Tyhjät Patterit ( which translates to Empty Batteries). The main songwriter was Esa Ijäs (guitar, synthesizer) along with his bandmates Ari Ijäs (bass) and Martti Jalonen (drums). Belaboris’ debut 12″ single “Kuolleet Peilit” was released in November 1982. It was followed by the “Odotus” 7″ single in February 1983. The B-side was a cover of the Serge Gainsbourg song “Baby Pop”. The band broke up and posthumously released a mini-LP called “Olipa Kerran” in 1984. WIthin a few months, an all new Belaboris line-up was put together. This version was a trio consisting of Saara Soisalo (lead vocals), Sallamaari Muhonen (backing vocals) and Minna Soisalo (“moral support”). They released a 7″ single “Rakkauden Jälkeen”, an atmospheric electronic version of 60’s Scandinavian pop hit by Carola. Shortly thereafter this line-up was quietly shelved and no further efforts were made.
    “Once Upon A Time” collects songs from all three EP releases and the “Olipa Kerran” mini-LP as well as two unreleased demos never before on vinyl. In Finland the synthetic Futurist/New Romantic pop was simply called “Futu”. Belaboris were in their own peculiar, undefinable no-woman’s-land, in between the Finnish Futu and Gothic scenes. Between 1982 and 1984 Belaboris crafted catchy, melodic synthpop with the occasional guitar. Their lyrics were stylistically “kitchen sink melodramas” with occasional Gothic elements inspired by movies. The name Belaboris, is a combination of the horror actors Bela Lugosi and Boris Karloff.
    All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a full color jacket and includes an insert with liner notes, lyrics and photos. Three decades on, Belaboris have grown a considerable posthumous cult reputation that has spread also outside their native country, even defying the language barrier. Maybe Miettinen’s idea worked, after all.

  • Kuolleet Peilit
  • Yo Vanhassa Talossa
  • Odotus
  • Kolme Askelta
  • Baby Pop
  • Monsteribaari
  • Mitä Lapsille Tapahtui
  • Odotus (Demo)
  • Kolme Askelta (Demo)
  • Rakkauden Jalkeen


    Belaboris – Kuolleet Peilit from Dark Entries Records on Vimeo.

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  • // ANONYMOUS ‘Inside The Shadow’ LP

    // ANONYMOUS ‘Inside The Shadow’ LP

    Anonymous
    ‘Inside The Shadow’ LP
    CT-Picks / PICCHU 001

    “Originally released in 1976 in an edition of 300 copies, the sole album by Indianapolis’ Anonymous stands today as a high-water mark in rock ‘n’ roll, combining the adventure of west coast ballroom groups, the 12-string majesty of Byrds, and breathtaking multi-part harmonies to forge something inimitable and one-of-a-kind, with powerful songs that pushed the limit and raised the bar at the same time. Long time top ten favorite with almost every head we know, a true classic recommended for everyone into amazing rock records of all varieties. First officially licensed reissue of this classic in almost twenty years; issued with the group’s full cooperation and assistance. Remastered and restored by Warren Defever for best-ever sound. Sleeve notes from Aaron Milenski (co-author of the essential reference guide The Acid Archives), and recollections from Ron Matelic, Anonymous’ visionary songwriter.”

    Who’s Been Foolin’?
    J. Rider
    Up To You
    Shadow Lay
    Pick Up And Run
    We Got More
    Sweet Lilac
    Baby Come Risin’

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  • // SUN DIAL ‘REFECTOR’ LP

    // SUN DIAL ‘REFECTOR’ LP

    Sun Dial
    ‘Refector’ LP
    CT-Picks / MM 018LP

    “First time vinyl reissue from the masters of this classic 1992 psych album, now long out of print. This was the band’s second album release, but was in fact their third album after Return Journey (which wasn’t issued until 1994) that went top five in the UK Indie charts at the time. Comes complete with a poster insert.”

    Reflecter
    Easy For You
    I Don’t Mind
    Slow Motion
    Tremelo
    Never Fade
    Sunstroke
    Mind Train

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  • // BRAIN POLICE ‘S/T’ LP

    // BRAIN POLICE ‘S/T’ LP

    Brain Police
    ‘S/T’ LP
    CT-Picks / GUESS 104LP

    “San Diego’s only psychedelic cops” is how this brilliant California band presented themselves in their promo posters. Psychedelic they certainly were, though they might better be described as a British-influenced garage/psychedelic band. They recorded a demo LP back in 1968, in a plain white cover, that is a top rarity only living in a few of the warmest collectors’ houses. Unavailable on vinyl for some time now, here’s a welcome new reissue of this powerful organ/guitar garage rock beauty. Housed in a silk-screened fabric bag with insert, pressed on 180 gram vinyl. New liner notes courtesy of music historian Clark Faville.

    Election For Mayor/ Ride My Train Of Love
    I’ll Be On The Inside, If I Can
    I’d Rather See You Dead
    Find Me A Moment
    Getting Too Much Higher
    Adler
    Gyspy Fast Woman
    I’ll Find Love
    There’s A Light Over The City
    My World Of Wax

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  • // Merrell Fankhauser & H.M.S. Bounty ‘Things (Goin’ Round In My Mind)’ LP

    // Merrell Fankhauser & H.M.S. Bounty ‘Things (Goin’ Round In My Mind)’ LP

    Merrell Fankhauser & H.M.S. Bounty
    ‘Things (Goin’ Round In My Mind)’ LP
    CT-Picks / GUESS 049LP

    2013 repress. One of the all-time ’60s classics, coming out from the California desert of Antelope Valley where HMS leader Merrell Fankhauser lived for a couple of years. This was released on Uni in late 1968, and gosh it’s a killer! Flower power psychedelia, great all original songs, this is one of those albums you shouldn’t miss under any circumstance. Remastered sound, original artwork and an insert with liners by Merrell and a great photo from his own archive.

    Things (Goin’ Round In My Mind)
    Girl (I’m Waiting for You)
    What Does She See In You
    Lost in the City
    Your Painted Lives
    Drivin’ Sideways (On a One Way Street)
    In a Minute Not Too Soon
    A Visit with Ashiya
    The Big Gray Sky
    Rich Man’s Fable
    Ice Cube Island
    Madame Silky

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  • // Peter Jefferies ‎’The Last Great Challenge In A Dull World’ LP

    // Peter Jefferies ‎’The Last Great Challenge In A Dull World’ LP

    Peter Jefferies
    ‘The Last Great Challenge In A Dull World’ LP
    CT-Picks / Ajax Records

    “Peter Jefferies’s extraordinary debut solo album, The Last Great Challenge in a Dull World, first saw life as a cassette via the Xpressway label of Port Chalmers, New Zealand, in 1990. As a result of some international underground acclaim in fanzines and mailorder catalogs — for both the album and a striking 7-inch, ‘The Fate of the Human Carbine,’ released around the same time — it soon appeared on LP and CD as well, through the Ajax label of Chicago. Within a couple of years it slipped out of print and out of sight. Twenty years later we’re putting it back on wax which includes the songs from the attendant single, and no amount of remastering, whatsoever. Though no one’s gotten around to writing a book on it yet, The Last Great Challenge in a Dull World nonetheless stands as one of the singular singer-songwriter albums of all time, existing on a sparsely populated plane with Pink Moon, Blues Run, the Game, Our Mother the Mountain and not many others. In a sandy voice that soothes and slashes, Jefferies offers a piercingly, crushingly lucid view of the endeavor of life, all our pain and small glories rendered in tones both harrowing and tender. On piano, drums and percussion, he pounds out melodies that roar, sweep and lilt, accompanied on many songs by the serrated guitars of a variety of players. Featuring a small team of South Island heavy-hitters — all three members of the Dead C as well as David Mitchell (3Ds), Alastair Galbraith, Kathy Bull (Look Blue Go Purple, Cyclops), Nigel Taylor and Robbie Muir (who’s co-billed on the single) — Last Great Challenge provides a pivot point in Jefferies’s formidable recording career, which included two bands he shared with his brother Graeme in the ’80s, Nocturnal Projections and This Kind of Punishment, and four further solo albums, as well as stints in bands here (Mecca Normal, Two Foot Flame) and there (Plagal Grind, Cyclops).”

  • Chain Or Reaction
  • Domestica
  • On An Unknown Beach
  • Guided Tour Of A Well Known Street
  • The House Of Weariness
  • Cold View
  • Likewise
  • The Last Great Challenge In A Dull World
  • While I’ve Been Waiting
  • Neither Do I
  • The Other Side Of Reason
  • Listening In

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  • // DRUMMOND, DON ‘BEST OF DON DRUMMOND’ LP

    // DRUMMOND, DON ‘BEST OF DON DRUMMOND’ LP

    DON DRUMMOND
    ‘BEST OF DON DRUMMOND’ LP
    CT-Picks // STUDIO ONE
  • Ringo
  • Confucious
  • The Reburial
  • Easter Standard Time
  • Occupation
  • Don D Lion
  • Cool Smoke
  • Alipang
  • Silver Dollar
  • Heavenless
  • Rock On Sweet Don
  • Elevator Rock
  • Schooling The Duke
  • African Beat
  • Corner Stone


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  • // VARIOUS ARTISTS ‘ROCK STEADY COXONE STYLE’ LP

    // VARIOUS ARTISTS ‘ROCK STEADY COXONE STYLE’ LP

    VARIOUS ARTISTS
    ‘ROCK STEADY COXONE STYLE’ LP
    CT-Picks // STUDIO ONE
  • Winston & Robin – Bad Mind Grudgeful
  • Bennet & Dennis – Puppy Love
  • Cannon & The Soul Vendors – Bad Treatment
  • Bumps Oakley – A Get A Lick
  • Sultans – Hip Hug Her
  • Jacob Miller – Let Me Love You
  • Termites – Rub Up Push Up
  • Winston & Robin – Wailing Time
  • Eric Frater – Venus
  • Marshall Williams – Norwegian Wood
  • The Soul Vendors – Love Me Girl
  • Winston Holness – You Shouldn’t Be The One


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  • // JAH WOOSH ‘JAH WOOSH COLLECTION’ LP

    // JAH WOOSH ‘JAH WOOSH COLLECTION’ LP

    JAH WOOSH
    ‘JAH WOOSH COLLECTION’ LP
    CT-Picks // ORIGINAL MUSIC
  • Mr. Batwing
  • Religious Dread
  • Lie Them A Tell
  • African Sound
  • Set Up Yourself
  • World Stage
  • Version
  • Selassie I Show I
  • Version
  • Lick Him Wid The Dust Bin


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  • // SMART, LEROY ‘BEST OF LEROY SMART’ LP

    // SMART, LEROY ‘BEST OF LEROY SMART’ LP

    LEROY SMART
    ‘BEST OF LEROY SMART’ LP
    CT-Picks // HIT BOUND/CHANNEL ONE
  • Sharon
  • Wish You Good Luck
  • Babylon Don’t Like Dreadlocks
  • Ballistic Affair
  • Without Love
  • Jahovia (Extended Mix)
  • Marcus
  • Badness No Pay
  • Pride And Ambition
  • Jah Jah


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  • // ANDY, HORACE ‘HORACE ANDY’S DUB BOX: RARE DUBS’ LP (180 GRAM VINYL)

    // ANDY, HORACE ‘HORACE ANDY’S DUB BOX: RARE DUBS’ LP (180 GRAM VINYL)

    HORACE ANDY
    ‘HORACE ANDY’S DUB BOX: RARE DUBS’ LP (180 GRAM)
    CT-Picks // JAMAICAN RECORDINGS UK
  • Why Of Why Dub
  • Dub Larking
  • Zion Dub
  • Dub Money
  • A True Dub
  • Dub Guidance
  • Dub Say Who
  • Dub On My Mind
  • Love Of A Dub Band
  • Use This Dub
  • Dub Letter
  • Dub Angel


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  • // PRINCE JAZZBO ‘CHOICE OF VERSION’ LP

    // PRINCE JAZZBO ‘CHOICE OF VERSION’ LP

    PRINCE JAZZBO
    ‘CHOICE OF VERSION’ LP
    CT-Picks // STUDIO ONE
  • Imperial I
  • Jah Dread
  • School
  • Fire Coal Version
  • Takeover Dub
  • Choice Of Version
  • Fool For Love
  • Rock For Dub
  • Dub From The Skies
  • Impossible
  • Pepper
  • Jah Dip
  • Apollo 13
  • Night Owl


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  • // KELLY, PAT ‘JAMAICAN SOUL’ LP (180 GRAM VINYL)

    // KELLY, PAT ‘JAMAICAN SOUL’ LP (180 GRAM VINYL)

    PAT KELLY
    ‘JAMAICAN SOUL’ LP (180 GRAM VINYL)
    CT-Picks // KINGSTON SOUNDS UK
  • It’s A Good Day
  • How Long (Will I Love You)
  • Somebody’s Baby
  • I’m So Proud
  • I’m In The Mood For Love
  • Little Boy Blue
  • Talk About Love
  • Give Love A Try
  • Keep On Trying
  • What Am I To Do
  • If It Don’t Work Out
  • Twelfth Of Never
  • Queen Minstrel
  • Dark End Of The Street


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  • // KING TUBBY ‘SHALOM DUB’ LP (180 GRAM VINYL)

    // KING TUBBY ‘SHALOM DUB’ LP (180 GRAM VINYL)

    KING TUBBY
    ‘SHALOM DUB’ LP (180 GRAM VINYL)
    CT-Picks // JAMAICAN RECORDINGS UK
  • Natty Dub
  • Lee’s Dub
  • Wonder Why Dub
  • I’m Gone Dub
  • Country Boy Dub
  • True Believer Dub
  • Care Free Dub
  • Rasta Train Dub
  • Move Out Of Babylon Dub
  • Give A Little Man A Great Big Hand Dub
  • Feel So Good Dub
  • When Will I Find My Way Dub
  • I’m Leaving Dub
  • Feel Lost Dub
  • Dawn Dub


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  • // KING JAMMY ‘DUB EXPLOSION’ LP (180 GRAM VINYL)

    // KING JAMMY ‘DUB EXPLOSION’ LP (180 GRAM VINYL)

    KING JAMMY
    ‘DUB EXPLOSION’ LP (180 GRAM VINYL)
    CT-Picks // JAMAICAN RECORDINGS UK
  • Darker Shade Of Dub
  • Magic Dub
  • He Prayed Dub
  • More Dub
  • Water Dub
  • Money Dub
  • Down To Dub
  • King Of Dub
  • Fight I Dub
  • I Love Dub
  • Take You Dub
  • Better Dub


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  • // SLY & ROBBIE ‘MASTER OF CEREMONY DUB’ LP

    // SLY & ROBBIE ‘MASTER OF CEREMONY DUB’ LP

    SLY & ROBBIE
    ‘MASTER OF CEREMONY DUB’ LP
    CT-Picks // ATTACK
  • The Mighty Dub of Dubs
  • Stone Age Dub
  • Top Ranking Style Dub
  • Dub Hold I & I
  • Sly & Robbie Rock Steady Dub
  • Liquidation Dub
  • Sly And Robbie The King Of Dubs
  • Legalize It Dub Style
  • A Roots This A Dub
  • Blazing Away Dub Style


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  • // KING TUBBY ‘DUB FROM THE ROOTS’ LP (180 GRAM VINYL)

    // KING TUBBY ‘DUB FROM THE ROOTS’ LP (180 GRAM VINYL)

    KING TUBBY
    ‘DUB FROM THE ROOTS’ LP (180 GRAM VINYL)
    CT-Picks // JAMAICAN RECORDINGS UK

    UK pressing on 180 gram vinyl.

  • Dub From The Roots
  • Iyahta
  • Mine Field
  • Hijack The Barber
  • African Roots
  • Double Cross
  • East Of (Arrows Hi Fi)
  • Invasion
  • Dub Of A Woman
  • Stelling
  • Dub Experience
  • Declaration of Dub
  • A Truthful Dub


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  • // SCIENTIST ‘SCIENTIST MEETS THE CRAZY MAD PROFESSOR AT CHANNEL ONE’ LP (180 GRAM VINYL)

    // SCIENTIST ‘SCIENTIST MEETS THE CRAZY MAD PROFESSOR AT CHANNEL ONE’ LP (180 GRAM VINYL)

    SCIENTIST
    ‘SCIENTIST MEETS THE CRAZY MAD PROFESSOR AT CHANNEL ONE’ LP (180 GRAM VINYL)
    CT-Picks // JAMAICAN RECORDINGS UK

    “Lots of GREAT dub here! No Mad Professor on this album. It’s all King Tubby and some Scientist. Includes some seriously heavy mixes of Drifter, Armagideon, Heavenless, etc. Lots of early 1980′s rhythms from those impossible to find albums on the Vista Sounds label (dubs from Don Carlos, John Wayne, Linval Thompson, etc.) Nice UK pressing on 180-gram vinyl.”

  • Everlove Dub
  • Earths Rightful Ruler
  • Can’t Keep Love Down
  • Solve It Dub
  • Rush Dem Dub
  • Enjoyment Dub
  • Goodtime
  • Come In Dub
  • Real Dancehall Dub
  • Cutting Edge Dub
  • Wondering Drifter Dub
  • Sailors Dub
  • Wise Dancehall Dub
  • Send Them Dub
  • Leggo Badness
  • Groovin Dub


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  • // FRANCIS, WINSTON ‘MR. FIX IT’ LP

    // FRANCIS, WINSTON ‘MR. FIX IT’ LP

    WINSTON FRANCIS
    ‘MR. FIX IT’ LP
    CT-Picks // STUDIO ONE
  • Same Old Song
  • Fools Fall In Love
  • Games People Play
  • Too Experienced
  • Eretta
  • Send Me Some Loving
  • Love Me Today Not Tomorrow
  • Don’t Change
  • Venus
  • Mr. Fix It
  • Chain Gang
  • I’ll Make You My Own


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  • // MCCOOK, TOMMY ‘DUBBING WITH HORNS’ LP (180 GRAM VINYL)

    // MCCOOK, TOMMY ‘DUBBING WITH HORNS’ LP (180 GRAM VINYL)

    TOMMY MCCOOK
    ‘DUBBING WITH HORNS’ LP (180 GRAM VINYL)
    CT-Picks // JAMAICAN RECORDINGS UK
  • Tommy’s Hop
  • Take This Fruit
  • Jumper’s Dub
  • Dub Creation
  • Merry Up
  • Aggrovating Horns
  • Dub Train
  • Classical Rockers
  • Waltzling Rockers
  • Chant Down Babylon With Horns
  • Blowing Up A Storm Dub
  • Dub Fever
  • Dub For Ethiopia
  • Wailing Dub


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  • // HOLT, JOHN ‘A LOVE I CAN FEEL’ LP

    // HOLT, JOHN ‘A LOVE I CAN FEEL’ LP

    JOHN HOLT
    ‘A LOVE I CAN FEEL’ LP
    CT-Picks // STUDIO ONE
  • A Love I Can Feel
  • Do You Want Me
  • Make Up
  • Love Divine
  • Nobody Else
  • Tonight
  • If It Don’t Work Out
  • Stranger In Love
  • It’s All Right
  • Your ARms Reaching Out For Me


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  • // NINEY THE OBSERVER ‘SING IT WICKED STYLE’ LP (180 GRAM VINYL)

    // NINEY THE OBSERVER ‘SING IT WICKED STYLE’ LP (180 GRAM VINYL)

    NINEY THE OBSERVER
    ‘SING IT WICKED STYLE’ LP (180 GRAM VINYL)
    CT-Picks // KINGSTON SOUNDS UK
  • Blood And Fire
  • Message To The Ungodly
  • Bring The Couchie Come
  • Keep On Pushing
  • Mix Up
  • Jah Fire
  • Ital Correction
  • Rasta No Pick Pocket
  • Auily And Ailaloo
  • Hail I
  • Everyone Is A Rasta
  • Beg In The Gutter
  • Observing The Observer
  • Hiding By The Riverside


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  • // BOOTHE, KEN ‘A MAN & HIS HITS’ LP

    // BOOTHE, KEN ‘A MAN & HIS HITS’ LP

    KEN BOOTHE
    ‘A MAN & HIS HITS’ LP
    CT-Picks // STUDIO ONE
  • Thinking
  • Tomorrow
  • Live Good
  • You’re On My Mind
  • Moving Away
  • Without Love
  • This Train Is Coming
  • Danger Zone
  • Oh Babe
  • Lonely Tear Drops
  • Crying Over You
  • Give Me The Rights


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  • // RICHARDS, ROY ‘ROY RICHARDS’ LP

    // RICHARDS, ROY ‘ROY RICHARDS’ LP

    ROY RICHARDS
    ‘ROY RICHARDS’ LP
    CT-Picks // STUDIO ONE
  • Dearest
  • 100 Pounds of Clay
  • Dream Lover
  • Since You’re Gone
  • Freedom Blues
  • Just Because
  • Unchained Melody
  • John John
  • Reggae Children
  • Eddie My Love
  • Summer Time
  • My Wedding Ring


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  • // DYNAMIC ‘DUBBING AT DYNAMIC SOUNDS’ LP (180 GRAM VINYL)

    // DYNAMIC ‘DUBBING AT DYNAMIC SOUNDS’ LP (180 GRAM VINYL)

    DYNAMIC
    ‘DUBBING AT DYNAMIC SOUNDS’ LP (180 GRAM VINYL)
    CT-Picks // JAMAICAN RECORDINGS UK
  • Bad Shine Eye Dub
  • Money In My Dubwise
  • Dub Dunza
  • An Africans Dub
  • Lady In Dub
  • Jah Jah We Dub
  • Dub Don’t Care For Me
  • Teardrop Dub
  • Dub Of Ages
  • Love Up Dub Up
  • Dub Away
  • Dubs Waiting


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  • // KING TUBBY ‘ROOTS OF DUB’ LP (180 GRAM VINYL)

    // KING TUBBY ‘ROOTS OF DUB’ LP (180 GRAM VINYL)

    KING TUBBY
    ‘ROOTS OF DUB’ LP
    CT-Picks // JAMAICAN RECORDINGS UK
  • Natty Dub
  • Dub Magnificent
  • A First Class Dub
  • Rude Boy Dub
  • A Closer Dub
  • Roots Of Dub
  • Dub You Can Feel
  • Loving Dub
  • The Immortal Dub
  • Dread Locks Dub
  • Rocking Dub


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  • // DUB SPECIALIST ‘VERSION DREAD’ 2xLP

    // DUB SPECIALIST ‘VERSION DREAD’ 2xLP

    DUB SPECIALIST
    ‘VERSION DREAD’ 2xLP
    CT-Picks // HEARTBEAT/STUDIO ONE
  • Why Oh Why Version
  • Fire Coal Version
  • Creation Version
  • Please By True Version
  • Armagideon Version
  • Born To Dub
  • Pick Up Version
  • It Deep Part 2
  • Version Dread
  • Declaration Version
  • Things A Come Up To Dub
  • Zion Lion
  • Natty Rub A Dub
  • Give Me This Version
  • Fire Version
  • Hold Me Baby Part 2
  • Train Is Coming Part 2
  • New Broom Part 2
  • Surfing (Extended Mix)
  • Never Give Version (Extended Mix)


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  • // VARIOUS ARTISTS ‘JUMP JAMAICA WAY’ LP

    // VARIOUS ARTISTS ‘JUMP JAMAICA WAY’ LP

    VARIOUS ARTISTS
    ‘JUMP JAMAICA WAY’ LP
    CT-Picks // STUDIO ONE
  • Maytals – Four Seasons
  • Don Drummond – Green Island
  • Maytals – 6th and 7th Books
  • Don Drummond – Looking Through The Window
  • Harris Seaton – Tell Me
  • R Willis – It’s Raining
  • Lester Sterling Group – Out To Nowhere
  • The Charmers – Long Walk Home
  • Alton & Eddy – Yours
  • Winston Stewart – I Don’t Know
  • Roland Alphonso & Group – Down Beat Special
  • Tommy McCook – Patricia


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  • // DREAD, SAMMY ‘ROAD BLOCK’ LP

    // DREAD, SAMMY ‘ROAD BLOCK’ LP

    SAMMY DREAD
    ‘ROAD BLOCK’ LP
    CT-Picks // HIT BOUND/CHANNEL ONE
  • Road Block
  • Dreadlocks Queen
  • So Long
  • Jenny
  • In A Man’s Heart
  • Today
  • Jah Guide
  • Time To Dread
  • Bad Company
  • Come Back Darling


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  • // ZOMBIES, THE ‘ODESSEY & ORACLE: 30TH ANNIVERSARY EDITION’ LP

    // ZOMBIES, THE ‘ODESSEY & ORACLE: 30TH ANNIVERSARY EDITION’ LP

    THE ZOMBIES
    ‘ODESSEY & ORACLE: 30TH ANNIVERSARY EDITION’ LP
    CT-Picks //
  • Care Of Cell 44
  • A Rose For Emily
  • Maybe After He’s Gone
  • Beechwood Park
  • Brief Candles
  • Hung Up On A Dream
  • Changes
  • I Want Her, She Wants Me
  • This Will Be Our Year
  • Butcher’s Tale (Western Front 1914)
  • Friends Of Mine
  • Time Of The Season


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  • // NIPS N NIPPLE ERECTORS ‘BOPS, BABES, BOOZE & BOVVER’

    // NIPS N NIPPLE ERECTORS ‘BOPS, BABES, BOOZE & BOVVER’

    NIPS N NIPPLE ERECTORS
    ‘BOPS, BABES, BOOZE & BOVVER’ LP
    CT-Picks // ACE RECORDS

    “The inimitable Shane McGowan’s debut recordings made for Soho Records when he was a punk rockabilly. Also featuring future Men They Could’t Hang bassist Shanne Bradley.”

  • King Of The Bop
  • Nervous Wreck
  • So Pissed Off
  • Stavordale Rd, N5
  • All The Time In The World
  • Private Eye
  • Gabrielle
  • Vengance



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  • // PERRY, LEE ‘ROAST FISH COLLIE WEED & CORN BREAD’ LP

    // PERRY, LEE ‘ROAST FISH COLLIE WEED & CORN BREAD’ LP

    LEE PERRY
    ‘ROAST FISH COLLIE WEED & CORNBREAD’ LP
    CT-Picks // UPSETTER
  • Soul Fire
  • Throw Some Water In
  • Evil Tongues
  • Curly Locks
  • Ghetto Sidewalk
  • Favorite Dish
  • Free Up The Weed
  • Big Neck Police
  • Yu Squeeze My Panhandle
  • Roast Fish & Corn Bread


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  • // PERRY, LEE & THE UPSETTERS ‘RETURN OF THE SUPER APE’ LP

    // PERRY, LEE & THE UPSETTERS ‘RETURN OF THE SUPER APE’ LP

    LEE PERRY & THE UPSETTERS
    ‘RETURN OF THE SUPER APE’ LP
    CT-Picks // UPSETTER
  • Dyon Anaswa
  • Return Of The Super Ape
  • Tell Me Something Good
  • Bird In Hand
  • Crab Yars
  • Jah Jah Ah Natty Dread
  • Psyche & Trim
  • The Lion
  • Huzza A Hana
  • High Ranking Sammy



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  • // GIBBS, JOE ‘DUB SERIAL’ LP

    // GIBBS, JOE ‘DUB SERIAL’ LP

    JOE GIBBS
    ‘DUB SERIAL’ LP
    CT-Picks // GREENSLEEVES
  • SATTA AMASSA GANA VERSION
  • MORE DUB VERSION
  • MORE DUB VERSION TWO
  • LOVE ME GIRL VERSION
  • TURN BACK THE HANDS OF TIME VERSION
  • MONEY IN MY POCKET VERSION
  • RAINY NIGHT IN GEORGIA VERSION
  • GOD BLESS THE CHILDREN VERSION
  • LOVE JA JA CHILDREN VERSION
  • WITHOUT LOVE VERSION
  • BE THE ONE VERSION
  • HE PRAYED VERSION



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  • // PERRY, LEE ‘RETURN OF WAX’ LP

    // PERRY, LEE ‘RETURN OF WAX’ LP

    LEE PERRY
    ‘RETURN OF WAX’ LP
    CT-Picks // JUSTICE LEAGUE
  • Last Blood
  • Deathly Hands
  • Kung Fu Warrior
  • Dragon Slayer
  • Judgement Day
  • One Armed Boxer
  • Big Boss
  • Fists of Vengeance
  • Samurai Swordsman
  • Final Weapon



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  • // PERRY, LEE ‘KUNG FU MEETS THE DRAGON’ LP

    // PERRY, LEE ‘KUNG FU MEETS THE DRAGON’ LP

    LEE PERRY
    ‘KUNG FU MEETS THE DRAGON’ LP
    CT-Picks // JUSTICE LEAGUE
  • Enter The Dragon
  • Theme From Hong Kong
  • Heart Of The Dragon
  • Hold Them Kung Fu
  • Flames Of The Dragon
  • Scorching Iron
  • Black Belt Jones
  • Skango
  • Fungaa
  • Black Belt
  • Iron Fist
  • Kung Fu Man



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  • // SCIENTIST & ROOTS RADICS ‘SEDUCER DUB WISE’ LP

    // SCIENTIST & ROOTS RADICS ‘SEDUCER DUB WISE’ LP

    SCIENTIST & ROOTS RADICS
    ‘SEDUCER DUB WISE’ LP
    CT-Picks // HIT BOUND/CHANNEL ONE
  • Bedtime Rock
  • Morning Glory
  • Midnight Soecial
  • Daylight Loving Time
  • Easy Loving
  • Rough Rider
  • Mr. Special
  • Miss Seducer
  • Mr. Unforgettable
  • Mr. Main Squeeze



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  • // ANDY, HORACE ‘BEST OF HORACE ANDY’ LP

    // ANDY, HORACE ‘BEST OF HORACE ANDY’ LP

    HORACE ANDY
    ‘BEST OF HORACE ANDY’ LP
    CT-Picks // STUDIO ONE
  • Conscious Dreadlocks
  • I Can See Clearly Now
  • Love And Heartache
  • Knock Three Times
  • Ain’t No Sunshine
  • Rock Your Baby
  • Oh Lord Why Lord
  • Eternal Love
  • Everything I Own
  • Born In The Ghetto
  • My Time
  • Found Someone Of My Own


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  • // PARQUET COURTS ‘BORROWED TIME’ 7″

    // PARQUET COURTS ‘BORROWED TIME’ 7″

    PARQUET COURTS
    ‘BORROWED TIME’ 7″
    CT-PICKS // WHAT’S YOUR RUPTURE
  • Borrowed Time
  • Smart Aleck Kid
  • Free Ice



  • CURRENTLY UNAVAILABLE

    Price: $5.50


    CURRENTLY UNAVAILABLE

  • // TRONICS ‘SHARK FUCKS’ 7″

    // TRONICS ‘SHARK FUCKS’ 7″

    TRONICS
    ‘SHARK FUCKS’ 7″
    CT-PICKS // WHAT’S YOUR RUPTURE

    “ASide ‘Shark Fucks’, originally released through Alien Records, is a song quintessentially quotidian and British as you’ll ever hear. Taken from album ‘What’s the Hubbub Bub’ where Zarjaz experimented recording live in the kitchen of his Earls Court flat. His trash-poetry is delivered catatonically with repetitive guitars built on a base of minimal tapping rhythms. Tronics output isn’t one to be aligned or compared with bands that came before rather, Tronics are referenced as an influence by bands who came after.”

  • Shark Fucks
  • Time Off
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  • // TRONICS ‘LOVE BACKED BY FORCE’ LP

    // TRONICS ‘LOVE BACKED BY FORCE’ LP

    TRONICS
    ‘LOVE BACKED BY FORCE’ LP
    CT-PICKS // WHAT’S YOUR RUPTURE

    “Reissue of 1981 cult LP by the Tronics. Love Backed By Force registers as an instant classic of outsider folk-pop, a true mutant of an LP that never sounds the same way twice. It may take a few listens for its pull to take effect, but once you settle into its orbit, it’ll be difficult to remove yourself. Music will never sound the same again, and in the world of Love Backed By Force, it doesn’t even sound the same from song to song on the same album.”

  • Charlie Manson
  • Love Backed By Force
  • T.V. On In Bed
  • There Talking About Us
  • Ice Flod Festival
  • Ultra Pol
  • My Baby’s In A Coma
  • Min Dama
  • Spending Time
  • Love Tan (In A Two Way Circus)
  • L.B.B.F. (Reprise)
  • Crush On You
  • Le Monde

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  • // ICEAGE ‘NEW BRIGADE’ LP

    // ICEAGE ‘NEW BRIGADE’ LP

    ICEAGE
    ‘NEW BRIGADE’ LP
    CT-PICKS // WHAT’S YOUR RUPTURE

    “It’s not often that you hear a perfect record. Or a record created with such honesty and energy that it makes you drop absolutely everything, listen intently, and then completely readjust your outlook on music. With an average age of 17, this Copenhagen quartet has somehow managed to redefine our perception entirely, and we love it. Uncontrived, pure this record is a youthful assault of downer no-wave hardcore, wise beyond it’s years.”

  • Intro
  • White Rune
  • New Brigade
  • Remember
  • Rotting Heights
  • Total Drench
  • Broken Bone
  • Collapse
  • Eyes
  • Count Me In
  • Never Return
  • You’re Blessed



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  • // PARQUET COURTS ‘LIGHT UP GOLD’ LP

    // PARQUET COURTS ‘LIGHT UP GOLD’ LP

    PARQUET COURTS
    ‘LIGHT UP GOLD’ LP
    CT-PICKS // WHAT’S YOUR RUPTURE

    “Parquet Courts are a New York band. Throw out the countless shallow Brooklyn bands of the blasé 2000′s: Light Up Gold is a conscious effort to draw from the rich culture of the city – the bands like Sonic Youth, Bob Dylan, and the Velvet Underground that are not from New York, but of it. A panoramic landscape of dilapidated corner-stores and crowded apartments is superimposed over bare-bones Americana, leaving little room for romance or sentiment. It’s punk, it’s American, it’s New York… it’s the color of something you were looking for.”

  • Master Of My Craft
  • Borrowed Time
  • Donuts Only
  • Yr No Stoner
  • Yonder Is Closer To The Heart
  • Careers In Combat
  • Light Up Gold I
  • Light Up Gold II
  • N. Dakota
  • Stoned And Starving
  • No Ideas
  • Caster Of Worthless Spells
  • Disney P.T
  • Tears O Plenty
  • Picture Of Health


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  • // LUCAS, TED ‘TED LUCAS’ LP

    // LUCAS, TED ‘TED LUCAS’ LP

    TED LUCAS
    ‘TED LUCAS’ LP
    CT-PICKS // SEBASTIAN SPEAKS

    “Repressed; LP version. The music of Ted Lucas has circulated through CD-Rs and blogs for years now. Although primarily known for this, his 1975 self-titled album (sometimes referred to as The OM Record), a legacy of hundreds of tapes decisively reveal one of the psychedelic era’s most criminally-overlooked talents. Lucas studied with Ravi Shankar. He was the “exotic instruments specialist” for Motown and played sitar on many of their most famous productions. He rubbed shoulders with Alice Cooper and Ted Nugent and every other major player on the Detroit scene. His pioneering early psych rock bands The Spike Drivers and Misty Wizards managed to become legends with nothing more than a handful of singles. Stanley Mouse, prime image-maker for the Grateful Dead and friend of Ted, adapted the cover for Ted Lucas from his artwork for Jimi Hendrix’s unfinished last album. It’s the first appearance of the space scarab — the UFO that would later become Journey’s symbol. From brief, spontaneous ditties, predating the lo-fi indie movement by 20 years, to the epicly psychedelic sitar guitar ragas in Lucas’ signature loose string tunings, Lucas never wavered from his visceral, intensely honest vision. A self-taught master of many instruments and consummate do-it-yourselfer, Ted created a home studio and worked out new ways to tune his guitars. The pride he took in his craft and his attention to detail were inspiring and exasperating to all who knew him. His wit was legendary. The reasons for Lucas’ failure to break out of the Detroit scene would require, and probably deserve, a book-length investigation. His career provides insight on the difficulty of self-publishing and self-promotion in the pre-internet age. Without a doubt, things would have turned out very differently had he come up today. Lucas’ voice is unspeakably mellow, his guitar unbelievably gentle, and his arrangements absolutely impeccable. Do not miss this album.”

  • Plain And Sane And Simple Melody
  • It’s So Easy (When You Know What You’re Doing)
  • Now That I Know
  • I’ll Find A Way (To Carry It All)
  • Baby Where You Are
  • It Is So Nice To Get Stoned
  • Robins Ride
  • Sonny Boy Blues
  • Love And Peace Raga


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  • // HAACK, BRUCE ‘HUSH LITTLE ROBOT’ LP (180 GRAM)

    // HAACK, BRUCE ‘HUSH LITTLE ROBOT’ LP (180 GRAM)

    BRUCE HAACK
    ‘HUSH LITTLE ROBOT’ LP (180 GRAM)
    CT-PICKS // QDK MEDIA

    “2009 repress. Deluxe full color gatefold 180 gram vinyl version. Originally released in 1998, this collection of the very best of Canadian electronic composer Bruce Haack’s eccentric and unsettlingly eclectic career, spanning from 1968-1974 — from children’s songs to The Electric Lucifer — is repressed and finally available again. Created and performed on electronic instruments he invented and built entirely by himself, Haack’s music is an otherworldly mixture of twisted psychedelic Moog, surrealist collage, acid-tinged pop, droning keyboards, lighthearted lyrics and offbeat, outsider sincerity, all presented with astoundingly innovative production techniques from one of electronic music’s singularly quirky pioneers.”

  • Electric To Me Turn
  • This Old Man
  • Bods
  • Elizabeth Foster Goose
  • Four Dances
  • Wooden Bread
  • Program Me
  • School For Robots
  • Shine On
  • Rubberbands
  • War
  • Chant Of The Unicorn
  • Incantation
  • Song Of The Death Machine
  • Word Game
  • Thank You
  • Campus Radio Voice A
  • Campus Radio Voice B


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  • // BRIGMAN, GEORGE ‘JUNGLE ROT’ LP

    // BRIGMAN, GEORGE ‘JUNGLE ROT’ LP

    GEORGE BRIGMAN
    ‘JUNGLE ROT’ LP
    CT-PICKS // OBSCURE OXIDE

    “Underground 1975 proto-punk/blues legend, ultra-faithfully reissued for everyone again. Lifelong Baltimore resident George Brigman’s debut LP was quite an achievement for a teenager: self-financed and mostly self-recorded, influenced by UK blues-rockers The Groundhogs but filtered through a US inner-city outlook (and budget). Unfortunately, none of this mattered, as the record had botched distribution and so remained more heard about than actually heard, save for a few scattershot ‘pirate’ represses. 30 years after the original LP release, legitimate reissues were made available on other labels, all of which are now out of print. Obscure Oxide is proud to announce this new LP edition, utilizing the same John Golden transfers, from the original masters, as used for the previous Anopheles LP reissue (why re-invent the wheel?), plus a full-color insert with freshened-up liners and all five (!) snapshots from the original sessions. Black vinyl with repros of original labels and sleeve.”

  • Jungle Rot
  • DMT
  • Don’t Bother Me
  • Schoolgirl
  • I’ve Got To Know
  • I Feel Alright
  • (T.S.)
  • Worrying
  • It’s Misery
  • I’m Married Too


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  • // FUCHSIA ‘FUCHSIA’ LP (180 GRAM)

    // FUCHSIA ‘FUCHSIA’ LP (180 GRAM)

    FUCHSIA
    ‘FUCHSIA’ LP (180 Gram)
    CT-PICKS // KLIMT

    “Fuchsia’s 1971 LP is a lost gem of experimental British progressive rock (in the vein of Henry Cow and Comus). Fuchsia was formed by lead singer and guitarist Tony Durant during his days at Exeter University. Wanting to write songs outside of the standard pop format, Durant had the innovative idea of bringing in an all-female string section, which included fellow Exeter students, Madeleine Bland (cello), Janet Rogers (violin), and Vanessa Hall-Smith (viola). Fuchsia’s self-titled first (and last) album was recorded in summer of 1971, and the band (all students) was determined to tour during their next holiday. But the best laid plans often come undone, and Fuchsia soon dissolved with Durant eventually moving to Australia.”

  • Gone With The Mouse
  • A Tiny Book
  • Another Nail
  • Shoes And Ships
  • The Nothing Song
  • Me And My Kite
  • Just Anyone

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  • // ANDROIDS OF MU, THE ‘BLOOD ROBOTS’ LP

    // ANDROIDS OF MU, THE ‘BLOOD ROBOTS’ LP

    THE ANDROIDS OF MU
    ‘BLOOD ROBOTS’ LP
    CT-PICKS // WATER WING

    “The Androids of Mu were a noisy all-girl early post-punk band that emerged from London, UK, in 1979, alongside the likes of The Slits and The Raincoats. They met up in the wild squatter-lands of west London. Suze the Blooz, Corrina, Cozmic, and Bess became immersed in the local counter-culture. They grounded themselves in psychedelic synthesizer and guitar music, playing with Planet Gong and Here & Now, and musicians from Hawkwind. When they finally got hold of a cheap synth and a noisy guitar of their own, they used them, at full volume, with fat bass and bouncing drums, to record an album in the form of their new, colourful and zazzy reflections of life, from under the long dark shadow of puppet Thatcher’s corporate new Britain. They gigged around, sharing bills with the likes of The Mob, Zounds and, The Astronauts. Blood Robots was recorded at lo-fi cult studio Street Level in 1979, this was their only ever album, originally released on Fuck Off Records. Now, cruel world, it is time for you to receive it. (This 2013 release has been carefully remastered from the original tapes. Includes insert with early photos and complete songwords).”

  • Atomic X
  • Who Cares
  • Fast Car
  • She Is A Boy
  • Pretty Nun
  • Confusion
  • Bored Housewifes
  • Lost In Space
  • Subtitles
  • Jeen Dreams

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  • // VARIOUS ARTISTS ‘SHARPIES: 14 AGGRO AUSSIE ANTHEMS FROM 1972-1979′ LP

    // VARIOUS ARTISTS ‘SHARPIES: 14 AGGRO AUSSIE ANTHEMS FROM 1972-1979′ LP

    VARIOUS ARTISTS
    ‘SHARPIES: 14 AGGRO AUSSIE ANTHEMS FROM 1972-1979′ LP
    CT-PICKS // SHARP ROCKS

    “Sharpies were the terror-teen cast of a Richard Allen novel that never was. Although largely synonymous with the early-to-mid 1970s, reports of their violent clashes with rival gangs of Mods are documented as early as 1966. Bored, working-class, suburban kids, their teenage rampage began in Melbourne, Australia, but soon there were Sharpie gangs forming in Sydney, Perth, and beyond. For a while they were the untouchables, ruling dances, discos and public transport with their fists. Sharpies were fiercely territorial and divided into different chapters according to location. They would often wage aggressive wars within their tightly delineated sub-gangs, although Mods always remained their archenemies. Sharpie boys and girls wore similar uniforms: a slim-fitting, ribbed and collared cardigan called a conny, t-shirts, tight jeans (Lee or Levis), and big platform shoes. Hair was worn short or shaved with long wisps at the back, influenced by the British ska, mod, and skinhead subcultures. Sharpie girls had their hair slightly longer and often with colored streaks — Bowie-red was their color of choice. Boys often bleached their hair. Tattoos were popular, although many were homemade and poorly executed. Their diet was anthemic glam-rock, kung-fu movies, and Kubrick’s A Clockwork Orange. As the 1970s drew to a close, and new styles like punk and disco began to emerge, Sharpies started to fade. By 1979 they were all but gone. Today they are recognized as an important part of Australian youth culture and social history. This compilation features rare tracks and ‘cult’ anthems that were the soundtrack to the rise of this Australian answer to the skinhead subculture: with the likes of the Hush, Fat Daddy, Supernaut, Skyhooks, John Paul Young; it can’t be missing in any Killed By Death type collection.”

  • Natural Man
  • Heavy Metal Kids
  • Hard Road
  • Roll Daddy Roll
  • I Like To Hear My Music
  • The Last Time I Go To Baltimore
  • Living In The 70s
  • The Warrior
  • You’ve Got It
  • Yesterday’s Hero
  • Mindrocker
  • Chelsea Kids
  • The Kids Are Out Tonight
  • Boys Will Be Boys
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  • // FAY, BILL ‘TIME OF THE LAST PERSECUTION’ LP (180 GRAM VINYL)

    // FAY, BILL ‘TIME OF THE LAST PERSECUTION’ LP (180 GRAM VINYL)

    BILL FAY
    ‘TIME OF THE LAST PERSECUTION’ LP (180 GRAM VINYL
    CT-PICKS // 4 MEN WITH BEARDS

    “Time Of The Last Persecution is Bill Fay’s second and final album for the Deram label, originally released in 1971. Despite recording more tunes in the late ’70s Fay would not release another album until 2004. An absolute classic of melancholy (borderline morbid) folk-rock that falls somewhere between Pearls Before Swine, Leonard Cohen, and a suicide prevention hotline. Time Of The Last Persecution is almost single-mindedly obsessed with end times so it’s almost fitting that this brilliant album would be his last release for over 30 years. Now that Fay is back with a new and highly lauded new album, it’s high time that his classic, definitive statement is available again on LP thanks to 4 Men With Beards. Reissued on 180 gram vinyl with a tip-on jacket.”

  • Omega Day
  • Don’t Let My Marigolds Die
  • I Hear You Calling
  • Dust Filled Room
  • ‘Til The Christ Come Back
  • Release Is In The Eye
  • Laughing Man
  • Inside The Keepers Pantry
  • Tell It Like It Is
  • Plan D
  • Pictures Of Adolf Again
  • Time Of The Last Persecution
  • Come A Day
  • Let All The Other Teddies Know


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  • // TED LUCAS ‘TED LUCAS’ LP

    // TED LUCAS ‘TED LUCAS’ LP

    Ted Lucas
    ‘Ted Lucas’ LP
    CT-Picks / Sebastian Speaks (SSP10)

    “Repressed; LP version. The music of Ted Lucas has circulated through CD-Rs and blogs for years now. Although primarily known for this, his 1975 self-titled album (sometimes referred to as The OM Record), a legacy of hundreds of tapes decisively reveal one of the psychedelic era’s most criminally-overlooked talents. Lucas studied with Ravi Shankar. He was the ‘exotic instruments specialist’ for Motown and played sitar on many of their most famous productions. He rubbed shoulders with Alice Cooper and Ted Nugent and every other major player on the Detroit scene. His pioneering early psych rock bands The Spike Drivers and Misty Wizards managed to become legends with nothing more than a handful of singles. Stanley Mouse, prime image-maker for the Grateful Dead and friend of Ted, adapted the cover for Ted Lucas from his artwork for Jimi Hendrix’s unfinished last album. It’s the first appearance of the space scarab — the UFO that would later become Journey’s symbol. From brief, spontaneous ditties, predating the lo-fi indie movement by 20 years, to the epicly psychedelic sitar guitar ragas in Lucas’ signature loose string tunings, Lucas never wavered from his visceral, intensely honest vision. A self-taught master of many instruments and consummate do-it-yourselfer, Ted created a home studio and worked out new ways to tune his guitars. The pride he took in his craft and his attention to detail were inspiring and exasperating to all who knew him. His wit was legendary. The reasons for Lucas’ failure to break out of the Detroit scene would require, and probably deserve, a book-length investigation. His career provides insight on the difficulty of self-publishing and self-promotion in the pre-internet age. Without a doubt, things would have turned out very differently had he come up today. Lucas’ voice is unspeakably mellow, his guitar unbelievably gentle, and his arrangements absolutely impeccable. Do not miss this album.”

  • Plain And Sane And Simple Melody
  • It’s So Easy (When You Know What You’re Doing)
  • Now That I Know
  • I’ll Find A Way (To Carry It All)
  • Baby Where You Are
  • It Is So Nice To Get Stoned
  • Robins Ride
  • Sonny Boy Blues
  • Love And Peace Raga


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  • // BEACH HOUSE ‘BEACH HOUSE’ LP

    // BEACH HOUSE ‘BEACH HOUSE’ LP

    BEACH HOUSE
    ‘BEACH HOUSE’ LP
    CT-PICKS / WE ARE FREE

     
    ‘Beach House’s s/t debut album is now back on vinyl! Originally released in 2006, the album felt like a personal secret. With zero expectations, strategy, or plans of the future, Alex Scally and Victoria Legrand laid nine tracks to tape over a short span in Baltimore City. The outcome was something extremely intimate and real.’

  • Saltwater
  • Tokyo Witch
  • Apple Orchard
  • Master Of None
  • Auburn And Ivory
  • Childhood
  • Lovelier Girl
  • House On The Hill
  • Heart And Lungs
  • [silence]
  • Untitled


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  • // DURAN DURAN ‘DEMOS 1979′ 12″ EP

    // DURAN DURAN ‘DEMOS 1979′ 12″ EP

    DURAN DURAN
    ‘DEMOS 1979′ 12″ EP
    CT-PICKS / DEATH RECORDS RECORDINGS

    “Andy Wickett rehearsed with Duran Duran and Vision Collision in his room at Cheapside while Steven Duffy’s band ‘The Hawks’ rehearsed downstairs in the veranda. Andy Wickett worked the Night shift at Cadburys Bournville.In the day he’d try out his new ideas with the band. One night he wrote the melody to ‘Girls on Film’. He found a lyric in his book: “girls in film they look better, girls in film always smile”. John Taylor suggested that he change it to girls ‘on’ film. Andy told Nick Rhodes to introduce the song by playing the melody on his string machine and the song was born. They recorded the song along with: See me repeat me, Reincarnation, and Working the Steel as part of their first demo at Bob Lamb’s studio in Moseley. Nick’s dad took Nick and Nigel to see the London record companies. Andy phoned Nick from the factory and was overjoyed to hear that EMI and A&M loved his voice and would sign the band if they could produce more songs like Girls on Film. However Andy left the band for personal reasons. The album was recorded before John Taylor made a full transition to bass and before members Andy Taylor and Simon Le Bon joined the band.”

  • See Me Repeat Me
  • Reincarnation
  • Girls On Film
  • Working The Steel


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  • // NUVO WEST ‘NUVO WEST’ LP

    // NUVO WEST ‘NUVO WEST’ LP

    Nuvo West
    ‘Nuvo West’ LP
    CT-PICKS / Synthetic Shadows

     

    “Hailing from the ashes of Phoenix legends of THE RED SQUARES, after their disbanding in the winter of 1983, Sonic Mike Stephens (lead vocals and guitar) and the other guitarist and keyboard player Roger Lee Chavous decided to start another band. They met bass player Walter Charchuck, and than started kicking around a crazy idea of combing Country with Synth/Punk material using a shitty drum machine. Greg David, the drummer, combined both drum machine and electronic drums. The plan was to dress like a new age cowboys, as all of them were from Arizona. Unlike some of the local Rock groups, NUVO WEST took a decidedly different approach to their style of playing. Art galleries like the Awun House, hosted [close] basement parties with the band that people were taking notice of. Opening for everyone from the Del Fuegos to buddies Rank N File, Nuvo worked their tails off. Enter buddy/studio wiz, Fred North. Using Sonic Mike’s practice studio, Fred set up his TASCAM 4 track and recorded the now sought after “Scary” EP. Included on the record were original songs written by Fred with a very heavy western influence, aka “Apache” and originals written by Sonic and Wally. Debuting the EP at a trendy “Alternative” club in Scottsdale, the band combined fence post props with several TVs playing homemade videos, including violent car crashes and porn. The audience loved it. The EP sold well locally, and the boys went out to tour in a limited fashion. In 1984, the band recorded their biggest album to date, “Twankin”, a word the band loved. Gone “were the keys/synth, and the look turned to jeans, large cowboy hats and nudie shirts. Released on cassette, “Twankin” out sold the previous EP twice over.”

    PLEASE note that these records have moderately creased corners. If that is a dealbreaker for you, we are sorry.

  • Accidents Don’t Happen (In My World)
  • Dogs Have Their Days
  • Little Yellow Pills
  • Androids Love
  • Theme For Alienation
  • Shades Of Yesterday
  • Twankin’
  • Deserate 7
  • Shades Of Yesterday
  • Love Made A Fool Of Me
  • The Town That Winter Forgot & Night Is Over


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  • // VARIOUS ARTISTS ‘ITALIA NEW WAVE’ LP

    // VARIOUS ARTISTS ‘ITALIA NEW WAVE’ LP

    VARIOUS ARTISTS
    ‘ITALIA NEW WAVE’ LP
    CT-PICKS / SPITTLE RECORDS

    “What exactly happened in the Italian underground / post punk scene 30 years ago, is not entirely clear. Therefore, this collection of 13 incredible tunes helps tracking down the feeling and focuses on the blurry images of a period that was mixing influences from the UK/USA scenes with a more “national” approach to new music developments. The damage began in 1977 when a series of urban / suburban musical agitators, whether skilled or complete amateurs, decided to embrace instruments as weapons for a war against sonic stereotypes. Here’s the result: a multiform sonic attack that marks the history of a movement that may have remained local in most cases but whose echo reflected the amazing creativity of a generation.”

  • Neon – My Blues Is You
  • Панков – God’s Deneuve
  • Le Masque – Mother And Son
  • N.O.I.A. – Forbidden Planet
  • State Of Art – Your Eyes
  • Jeunesse D’ivoire – Days
  • Monuments – Oblivious (Edit)
  • Rats – C’est Disco
  • Fockewulf 190 – We Are Colder
  • Luc Orient – Night In Paris
  • Illogico – Abilità Motoria
  • 2+2=5 – Mathematic’n Logarithm
  • La Maison – 40 Secondi

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  • // DEAD NITTELS ‘EARLY SONGS 1981-1983′ LP

    // DEAD NITTELS ‘EARLY SONGS 1981-1983′ LP

    DEAD NITTELS
    ‘EARLY SONGS 1981-1983′ LP
    CT-PICKS / RAVE UP RECORDS

    “Formed in 1980, in order to show them all! The Schaeffer brothers Josef (bass ) and Manfred (drums) brought Herbert “Lörkas” Langer (guitar) on board, who had recently quit the Punk combo Pöbel. With singer Hannes the first line-up was complete. After the HEINZ NITTEL assassination (city councilor of the social democratic party in Austria who was murdered by palestine group ABU NIDAL on the first of may on his way to town hall) the band name was an obvious choice – DEAD NITTELS (following our musical heroes the DEAD KENNEDYS). The space in the Wiener Gassergasse (referred to as GAGA) offered by the autonomous youth centre was used as a rehearsal room. GAGA soon would become the nucleus of viennes punk. A lot of legendary DEAD NITTELS concerts took place in that time. Their first concert however was a gig as a supporting act for the female punk band A-Gen53. after several reshuffles considering the position of the singer, Christian Koczera, nicknamed Hulk, took over. With him a second guitarist in the person of Michael Neumann, joined the band. In this line-up the DEAD NITTELS recorded the so- called green Kassette AntiNewWaveLiga. CRUDE AND STRONG EURO PUNK!!!”

  • Widerstand
  • Justizirrtum
  • Freitag Nocht
  • Menschenrecht
  • Liebe
  • Polizei
  • Schleicht’s Eich
  • Anti New Wave Liga
  • Wien
  • Der Papst
  • Der Karl
  • Bla Bla
  • Leichenschändung
  • Anton


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  • // IKO ’83′ LP

    // IKO ’83′ LP

    Iko
    ’83′ LP
    CT-PICKS / Democratic DanceBeat Records

     
    “Iko was a Minimal/Synth/Wave outfit from Canada. The most notable release by the band is their LP simply titled “’83,” which was released on a small Canadian disco label called ‘Manhattan-Formula’.
    Not much is known about the group due to little information in their record sleeves and little to no traces of information about the label they released on.
    Anyway, this is one of the most unknown yet amazing creations in the entire history of minimal wave and electronic music. Lots of simplistic lyrics, abstract and experimental sounds, and at the time, extremely groundbreaking techniques on the synthesizer. Iko is what today’s electro artists replicate – Adult. Being the best example. Their sound is hardly new or unique some 20 years later.”

  • Elevator
  • Gonadotropic Synthesis
  • Subway 49
  • Communication Off
  • Approach On Tokyo
  • Digital Delight
  • Model Type A
  • Radioactive Mist

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  • // CHIEFS ‘HOLLY-WEST CRISIS’ LP

    // CHIEFS ‘HOLLY-WEST CRISIS’ LP

    Cheifs
    ‘Holly-West Crisis’ LP
    CT-Picks / Dr. Strange Records ‎– DSR – 103

    ‘Apparently the Cheifs were a Los Angeles punk band from the early ’80s who played alongside bands like the Circle Jerks, Black Flag and X. I can’t vouch for them because I wasn’t around (well, maybe I was an idea), but judging from the raw, granular recordings and primitive punk disposition, I’d say that sounds about right. From the style and melodies, the Cheifs actually sound closer to late ’70s L.A. punk bands like the Germs or Fear or Angry Samoans. They packed in too much melody to really be called hardcore and lacked the austerity of stalwarts like Black Flag and Uniform Choice. In place of the raw aggression and minimalism is developed musicianship and sugary multi-vocal melodies that put them closer in style to their neighbors to the south in Carlsbad, the Dils. Songs like “Eddie’s Revenge” and the title track, “Holly-West Crisis”, demonstrate a songwriting that seems more rooted in traditional pop than the unorthodox structures employed by early hardcore bands. Lyrically, the Cheifs reflect a lot of what was going on in Southern California punk from the ’70s to mid-’80s with songs like the album’s best track, “Riot Squad”, and “Holly-West Crisis” (“Hollywood poverty / Living on imaginary charity / Holly-West Crisis / Everything’s another crisis.”) The tracks are all generally fairly listenable and even enjoyable despite the rough production one would expect in a rescued punk album from the early ’80s archives. The six-minute “Drowning” is a couple minutes too long, but otherwise it’s hard to find much not to like about “Holly-West” Crisis. For those interested in an overlooked band of punk’s formative years, the Cheifs are certainly a nice find.’

    *PLEASE note that these records have slightly damaged corners.

  • Holly-West Crisis
  • Cheifin’
  • Karel Walsh
  • Liberty
  • Drowning
  • Eddie’s Revenge
  • The Lonlies
  • No Justice
  • Riot Squad
  • Scrapped
  • Blues
  • Tower 18
  • Knocked

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  • // PHONE, THE ‘SONGS FOR THIS NUCLEAR AGE’ LP

    // PHONE, THE ‘SONGS FOR THIS NUCLEAR AGE’ LP

    THE PHONE
    ‘SONGS FOR THIS NUCLEAR AGE’ LP
    CT-PICKS / ATTRACTIVE!

    “Minimal Synth is a genre speckled with different labels. Some imprints shine brighter than others, gaining acclaim in magazines, infamy amongst DJ’s and pride of place in record stores. A label that has put out some superb releases whilst languishing in the shadows is Attractive! Steve Lippert’s label has focussed on 7”s to date but now the UK imprint is moving to the fuller format. Lippert releases his first album under his moniker The Phone. Welcome to Songs For This Nuclear Age.

    The atomic motif is present from the get-go. “Inner Refuge” samples the UK Government’s nuclear safety message from the late 70s, twisting analogue chords between the well spoken instructions. The plinky plonks of “TV Set” follows with heavy vocoder vocals. The Phone utilizes vocoders across the record, distorting lyrics on the likes of “Nuclear Winter.” A pop presence runs through the LP, English accented pieces like “Jonni” having an Indie innocence. “The Phone Version 2” reworks a previous track and is a rich analogue piece. The album takes pseudo futuristic concepts as subject matter, “Pylon to Pylon” or “We Are Neutrons” being emblematic of this. Memories from previous 7”s, like “Cabaret Noir” and “Discreet Affair,” feature. The album ends as it began, with the clipped instructions sugar coated by friendly synthesizers.

    I read an article not so long ago in the Financial Times about Kraftwerk and the coming of the age they predicted. Now that the Computer Age has come, the FT journalist pondered, what place in it did the plastic fantastic notions of the Dusseldorfers? Songs For This Nuclear Age has something of the same quality. The atomic age now seems retrograde and kitsch, as does much of The Phone’s sound. But it is this backwards look that gives the album substance. Some of the pieces lack substance, but overall the result of this fission obsessed record is some top grade synth pop.”

  • Inner Refuge
  • TV Set
  • Kapustin Yar
  • Nuclear Winter
  • Perspex
  • Jonni
  • Zero Dub
  • The Phone
  • Pylon To Pylon
  • We Are Neutrons
  • Element 115
  • Cabaret Noir
  • Discreet Affair
  • When The Warnings Sound


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  • // WARM JETS, THE ‘WANNA START A WAR’ LP

    // WARM JETS, THE ‘WANNA START A WAR’ LP

    THE WARM JETS
    ‘WANNA START A WAR’ LP
    CT-PICKS / RAVE UP RECORDS

    “Philadelphia’s punk rock finest band! Started in 1977, the band was really popular at the ‘The Hot Club’, one of the main punk venues in USA. They had a punk ethos, but laced with a potent pop mentality and a big sense of pure theatricality that reminded one of sucH disparate outfits as Sparks, The Weirdos, Lance Loud’s Mumps and The Dickies, not to mention The Monkees! Unfortunately the band recorded only one acetate and few studio tracks that you can find in this anthology that contains the best production of their unlucky career!!! Pure US punk genius, grab this!!!”

    *PLEASE note that these records have slightly damaged edges.

  • Wanna Start A War
  • Ode To Jody Foster (Never Felt Like This Before)
  • I Love It
  • Scooter Pie
  • Baseball Player
  • Gogo With Me
  • Here Come The Warm Jets
  • Here Come The Warm Jets
  • Baseball Player
  • You’re A Creep
  • Wild Sex
  • I Wanna Live In A Tot Store
  • Beach Tag Baby
  • I’m Dancing


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  • // VARIOUS ARTISTS ‘KILLED BY SYNTH’ LP

    // VARIOUS ARTISTS ‘KILLED BY SYNTH’ LP

    VA
    ‘Killed By Synth’ LP
    CT-PICKS

    “KBD STYLED COMPILATION, EURO ISSUE, COLLECTS MINIMAL SYNTH AND POST PUNK GEMS FROM THE EARLY 80′S — limited 500 copies!”

    *Please note that these have worn corners, but are unplayed.

  • Digits / City Streets
  • Red Asphalt / Red Asphalt
  • A-Mos / Modern Noise
  • Big Boys / T.V.
  • Nervous Gender / Nothing To Hide
  • Asbestos Rock Pyle / Police State
  • Oil Tasters / Rip Me
  • F-Systems / People
  • Bob / Thomas Edison
  • The Girls / Pedestrian Walk
  • Anti-Matter / Industrial City
  • Cardboards / Electrical Generator
  • Screamers / Mater Dolores

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  • // FLESH EATERS ‘NO QUESTIONS ASKED’ LP

    // FLESH EATERS ‘NO QUESTIONS ASKED’ LP

    Flesh Eaters
    ‘No Questions’ LP
    CT-Picks / Spittle Records ‎– SPITTLE32LP

    “Arising from a punk rock party scene that exploded in the wasted midst of Hollywood tinsel and trash, The Flesh Eaters first mutated into a punk-fueled “roots rock voodoo blues” group (marked by the masterful A Minute to Pray, A Second To Die LP and a classic line-up of LA scene heavies) and later into a “speed metal esoterrorica” four-piece who throttled American hardcore with their mix of amped-up guitar hellfire and rough-hewn Jagger/Richards blues. Singer and band constant Chris D. (Desjardins) was able to sprout new heads for his band every couple of years while keeping a supremely intense, performance-as-catharsis ethos very much alive, and always charting fertile new musical ground. Live, Chris D. would shriek like he was conducting the last performance before Satan’s bloody rapture, and as if he just might be taking the audience down with him. The rock pundits of the day thus brought forth much enthusiasm, enthusiasm now all but buried in the yellowing copies of local fanzines.”

  • Sleeping Sickness
  • Jesus Don’t Come Through The Cotton
  • Police Gun Jitters
  • Dynamite Hemorrhage
  • Ten Inch Razor
  • Kiss On My Cheek
  • Suicide Saddle
  • Cry Baby Killer
  • Dominoes
  • Crazy Boy
  • The Child Comes First
  • Home Of The Brave
  • Impossible Crime
  • No Questions Asked

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  • // PA TRONIC ‘UTE PA VIFT’ LP

    // PA TRONIC ‘UTE PA VIFT’ LP

    PA TRONIC
    ‘UTE PA VIFT’
    CT-PICKS / ANNA LOGUE RECORDS

    “PA TRONIC were childhood friends Patric Dimander and Anders Wågberg from Skyttorp near Uppsala, in Sweden. They were active between 1983 and 1985 while in their youngest teenage years, influenced by the electronic pop heroes of the time Depeche Mode, Kraftwerk, The Twins, Heaven 17, or Sweden’s own Page or Noise. Originally equipped with a Roland TR-606, a SCI Pro-One, a Yamaha CS-01 and an Elka string machine (later to be followed by a TR-909, Korg Mono/Poly, Poly-61, Poly-800, Roland Juno-60), they went off to record their own electro pop hits in their parents’ basements, full of awesome manual bass synth ‘sequencing’, synthetic percussion, meldodies and vocals in English or Swedish. In Anna’s humble opinion, they had quite a bit of hits, just listen to “Sol”, “The Future”, “Ute på vift” as well as their epic theme “PA1″ or “Söker” which reminds of good’ole F242 times. This album “Ute på vift” compiles all rescued recordings from 1983/84 plus adding two new recordings of “Ute på vift” and “Sol” from 2011 to the track list. In 2010, the year when Anna had a first contact to the boys, PA TRONIC also reformed in order to finally fulfill their dream of recording a proper album. Just on Nov 30, they played their first live show in 28 years in Uppsala, from which a recording does exist. Nothing more to say then but “Fill your head with PA Tronic!”.”

  • The Future
  • Himmlen
  • Hitta Ut
  • Kontroll
  • Mitt Liv
  • Sol (Original)
  • PA1
  • Söker
  • Ta Mig
  • Tipp Tapp
  • Ute På Vift
  • Sol (Remake)


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  • // LUXFERO ‘NEW HEDONISM’ LP

    // LUXFERO ‘NEW HEDONISM’ LP

    Luxfero
    ‘New Hedonism’ LP
    CT-Picks / Rave Up Records RURI 01 LP

    ‘Directly from Roma, one of the early italian punk bands! Authentic ‘prime movers’, born in 1978, were led by Lucifer, a great vocalist inspired by Iggy Pop and David Bowie. Authors of a punk style inspired by Damned, have climbed the ladder of its kind, coming after sounds more ‘new wave’, and finally dissolved in 1983. This is their album, a collection that takes its name from their “war anthem”, the song “New Hedonism”. The anthology, containing recordings dated 1979-81, is a real piece of the history of punk and post-punk in Italy!’

    *PLEASE note that these records have a few corners bent.

  • New Hedonism
  • White Dust Woman
  • The Pleasure (Someone To Fuck And Pray)
  • Face
  • Chatterbox
  • New Hedonism (Live)
  • Europe In 69
  • The Human Race
  • White Sad Reggae
  • Down The Wall
  • Just Me

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  • // INTOLERANCE ‘INTOLERANCE’ LP

    // INTOLERANCE ‘INTOLERANCE’ LP

    Intolerance
    ‘Intolerance’ LP
    CT-PICKS / Synthetic Shadows

     

    “The Intolerance born in September 1983 in Cuneo, a small town in the montains near Torino, by an idea of Luca Musso, Marco Marongiu and Paolo Chiotasso, all musicians orbiting around the various high school of music expecially SMET (electronic music studio in Torino) founded by Enore Zaffiri. At the vocals Raffaella Risso. Cultural landmarks and music influences were Suicide, Daf, Throbbing Gristle, the german electronic music scene in the years ’60/’70, composers as Luciano Berio/Stockhausen and the new international post-punk / new wave scene of the period. The instrumentation used in the two first years of activity of the band (which is used in this album ) was Roland JX-3P, Roland Juno-106, Roland Sh-101 and Drumatrix TR-606.
    Between the end ’83 and end ’84 the band played in various venues and squat (as the historic Victor Charlie, in Pisa). In this period the band was menaged by Ivan Rosso and Leonardo Borghese, both ‘semi-official’ members of the band. The last one, Leonardo Borghese, was the “deus ex machina”, founder of the independent label “Suoni dal Profondo Nord” (Notes from the Deep North), who produced the first Intolearce demo and other bands of the same town/area. Intolerance appeared also in a split tape compilation enclosed on Amen fanzine and VM compilation Lp.At the end of the ’80′s the band split up. After over 25 years, the music of this great italian synth band is finally on vinyl!!!!
    400 copies only !!”

  • The First And The Last
  • After The Rain
  • Noradrenaline
  • Epuration
  • Mexican Ghost
  • Zestörer
  • Terminal State
  • Arwen
  • Valentines

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  • // MICK MILK ‘HALF LIVES’ LP +7″

    // MICK MILK ‘HALF LIVES’ LP +7″

    MICK MILK
    ‘HALF LIVES’ LP + 7″
    CT-PICKS / ANNA LOGUE RECORDS

    “MICK MILK was the early 80′s musical outlet of DIY-synth master and guitarist Mick M., back then hailing from New York City, USA. Basically equipped with a Korg MS-20 & MS-10, Casiotone 202, Boss DR-55, Roland TR-606 and other recording gear and effect units, Mick recorded a few dozen of incredibly amazing tracks which cannot be described other than superbly creative in terms of using analogue synthesisers for sound design and song arrangement in electronic pop music while adding brilliant and unique vocal moments to the whole. Even though his music was almost abnormally rich in ideas and both technical and playing skills, proper comparisons are other representatives of the weirder kind of electronic pop music and ahead-of-their-times projects such like Richard Bone, Our Daughter’s Wedding, John Bender or Der Plan and Devo. In 1982, Mick recorded his one and only vinyl release, “Half Life” for Cyclops Records (CY-903), a 12″ single which also featured famous names Man Parrish and Raul A. Rodriguez as producers. For the album “Half Lives”, Anna Logue Records has carefully selected and compiled the 14 most obscure, electronic and label-fitting tracks from his demo tape “Songs for Citizens (1982)” and a batch of previously unreleased tracks from 1982-83. Mastered by Mick himself (with a final touch by A.P) and another brilliant artwork by Steve Lippert, this release marks another true highlight in the Anna Logue Records catalogue.”

  • Aerobicide
  • Point Of Purchase
  • The Big Shebang
  • Fast Formation
  • Half Life
  • Ralf & Florian Wait
  • Why Remember
  • Company Man
  • Fakebook
  • Pestilence At 11
  • Alexander The Great
  • Robots For Jesus


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  • // TRANSPARENT ILLUSION ‘STILL HUMAN’ LP

    // TRANSPARENT ILLUSION ‘STILL HUMAN’ LP

    TRANSPARENT ILLUSION
    ‘STILL HUMAN’ LP
    CT-PICKS / ANNA LOGUE RECORDS

    “Transparent Illusion was the brainchild of Roy Young (a pseudonym), hailing from Haverhill, Suffolk, UK. Equipped with just one synthesizer and a drum machine, he entered Octopus Studios located in Stowupland, Suffolk sometime in 1980 to record the ultimate minimal electronic music album. Roy’s music is quite unique and exemplifies the fact that limitation can be the perfect source for heightened creativity: his rather raw sound is based solely on his Korg MS-10 synthesizer, a monophonic synth. As illustrated on this album, Roy had a great imagination and even though the tracks are mostly quite short they are far from being poor texturally, with brilliant analogue synth sounds all throughout (bass, monophonic lead synths, effects, synthetic percussion). Engineer Dave Hoser is said to have helped in the performance, thus it can be concluded that, as a team they truly mastered the MS-10. While the lyrics are testimony to an angst-ridden teenager living in Thatcherian Cold War Britain (“This cage is barred – I’m trapped inside”, “I just recede – I dream I’m you”, “Dead bodies decaying – all over the town”, “There’s no way out of this nightmare”), the music, to some surprise, reveals many uplifting moments in terms of unexpected melodic parts. So, over the recent years, some people have described “Still Human” as being the ‘Holy Grail’ of minimal electronic music, while others say it is totally overrated.
    From my own experience, it can be said that the album needs a good amount of time and attention to be understood. The original vinyl album “Still Human” and the single “Vortex” were released on Roy’s own label Vex Records but only a few copies were sold. Transparent Illusion and Vex Records then vanished into obscurity, but the album and single were remembered by a select few.
    The value of these rare records continued to rise and over the last decade four-digit prices were asked and paid. People not only tried hard to find those records, many also tried hard to track down the mysterious Roy Young himself. Nobody managed to succeed – until one day in 2009. It wasn’t an overnight success – and that’s why Anna Logue Records refers to the ‘Holy Grail’ in terms of the true quest that was undertaken to find Roy – but Jochen Lange had persevered for more than two years. Public directories and government records were thoroughly checked and letters were sent.. and received when finally the TRANSPARENT ILLUSION materialized: the highly anticipated letter from Roy himself! The quest was over, the myth became a reality. The result of this chain of events is now in your hands. Released on Annalogue Records, limited quantities available.”

  • Sections
  • Incubus
  • Nuclear Release
  • Killing Time
  • The Age Of Ridicule
  • Malice Way
  • Demented
  • The Human Cage (Still Human)
  • We
  • I Dream I’m You
  • Is There Hope
  • Vortex

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  • // AMIN-PECK ‘ESSENTIAL TRAX’ LP

    // AMIN-PECK ‘ESSENTIAL TRAX’ LP

    AMIN-PECK
    ‘ESSENTIAL TRAX’ LP
    CT-PICKS / DEMOCRATIC DANCEBEAT RECORDS

    “Like most 80s electronic bands, Amin-Peck walked a fine line between disco and minimal wave throughout the course of the early 1980s, oftentimes incorporating shameless pop melodies and avant-garde leanings. Amin-Peck were an Italian band lead by Giorgio Fioroni (aka George Fyron, arrangements, production, vocals) with Leonard Parker (arrangments, keyboards) and Max Marne (production). Incredible but true, Amin-Peck started as ‘hard rock’ guitar band in the 70′s…there are some tracks also on You Tube before they became one of the best examples of Italo disco. Well, finally an album that contains their best tracks for your ‘Italo party’ at home! If you like “Italo disco” or “minimal synth” this record it will be a ‘must’!”

  • Girls On Me
  • Anxiety
  • Coda
  • Suicidal (Disco Version)
  • Running Straight
  • My Frames

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  • // DIAFRAMMA ‘DEMOS 1982′ LP

    // DIAFRAMMA ‘DEMOS 1982′ LP

    ‘DIAFRAMMA’
    ‘DEMOS 1982′ LP
    CT-PICKS / SYNTHETIC SHADOWS

    “Diaframma were the best and the most famous italian Post-Punk band of the 80s. They came from Florence, the city center of New Wave music of the period (bands such Litfiba, Pankow, Neon, Moda, Polyactive, Karnak and many others). In the wake of the English decadent Dark-Rock, strongly influenced by Joy Division, in 1982 they recorded their first single, “Pioggia/Illusione Ottica” (Italian Records). The beautiful lyrics of the poet/guitarist Federico Fiumani push Diaframma among the most popular bands of the italian scene of the time. Followed the 7” split “Circuito Chiuso” (Free/Industrie Discografiche Lacerba-1982) and the Mini-LP “Altrove” (Contempo Records-1983), which confirm the remarkable ability of the quartet (Gianni Cicchi on drums, Leandro Cicchi on bass, Federico Fiumani on guitar and Nicola Vannini on vocals). After several performances in the main italian venues and clubs often together with their friends Litfiba, and the removal of Vannini (replaced by Miro Sassolini), Diaframma recorded ‘”SIBERIA” in 1984 for the independent label IRA, an album that sold 50,000 copies. A huge sales success for the band that continued to play with various styles and line-up changings until these days.

    This compilation contains entirely unreleased different studio versions of their most famous tracks of the early material. If you are a fan of early UK New Wave/Post-Punk, you will be suprised to listen this AMAZING italian underground release!”

  • Xaviera Hollander
  • Pioggia
  • In Una Finestra Nera
  • Circuito Chiuso
  • Pop Art
  • Sdoppiamento
  • Illusione Ottica
  • Effetto Notte
  • Altrove

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  • // PROSTITUTES ‘EUROPEAN IDOL’ LP

    // PROSTITUTES ‘EUROPEAN IDOL’ LP

    Prostitutes
    ‘European Idol’ LP
    CT-Picks / Synthetic Shadows ‎– SS03

    ‘Prostitutes were a cult band from Turin (the italian motor city) that released only few tracks on vinyl and some demo tapes. The sound of the band was inspired by Velvet Underground, 70′s decadent rock and UK new wave. The band was leaded by Bruno Panebarco, now a writer/poetry…deeply into drug abuse. People in “middle” who lived the laceration and existential generational clash of the 80′s. So, this is their definitive anthology that contains their best tracks recorded between 1982-84, studio and live stuff. A wonderful picture of the ‘dark’ side of the golden era of the italian style.’

    PLEASE note that these records have slightly damaged corners. Please do not buy if that is an issue for you.

  • Soldier
  • Democracy
  • Glaube Nicht
  • Tiny D
  • Keep On Wastin’ Away
  • European Idol
  • Time
  • Ditirambici Tiranti
  • Strollin’ Troll
  • Pezzo Rock


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  • // GORDON WALLACE ‘SEND AWAY’ FULL LENGTH TAPE

    // GORDON WALLACE ‘SEND AWAY’ FULL LENGTH TAPE

    Gordon Wallace
    ‘Send Away’ Tape
    CT-Picks / OSR Tapes/ OSR8

    “A reissue of a 1987 album recorded by NZ’s Robert Scott (The Bats, The Clean, and so on & on), originally issued in an edition of a few dozen copies on Bob’s amazing label EST Tapes. if you’ve ever heard the Bats or the Clean you know what Bob’s writing sounds like and this album was recorded during a golden run (Daddy’s Highway & all those killer EPs). Not much more to say about it”

    13 for sale, stream here http://soundcloud.com/osrtapes/gordon-wallace-robert-scott-1

  • Heard Your Words
  • How Many
  • Mastery
  • Old Man
  • Way Of The Times
  • Just Passed By The Other Side Of You
  • Send Away
  • Tall House
  • Summer Hols
  • I Don’t Give Lifts
  • Wall Till The Street
  • Me Into Now
  • I Could Wait
  • How It’s Been
  • Once A Year
  • They Won’t
  • We Can’t Be Late
  • Mastery
  • Climber
  • On Your Way Here
  • The Light Out Here
  • Reprise
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  • // LUNA ‘BEWITCHED’ LP

    // LUNA ‘BEWITCHED’ LP

    LUNA
    ‘BEWITCHED’ LP
    CT-PICKS /

     

    “On their second Elektra album, Bewitched, Luna gained a second guitarist: Sean Eden joins former Galaxie 500 leader Dean Wareham, Chills bassist Justin Harwood, and Feelies drummer Stanley Demeski. This time, the result is less the tentative, slightly disjointed work of an alternative supergroup than the product of a tasteful psychedelic rock band specializing in stylish restraint and a distinctive, clean, and crisp guitar and drum sound. Luna doesn’t deny its influences: Demeski brings the Feelies’ trademark crazy rhythm to any project he joins, and while Wareham used to squirm whenever he was asked about Galaxie 500′s obvious debt to the Velvet Underground, he now underlines the connection by inviting Sterling Morrison to guest on two tracks.”

  • California (All the Way)
  • Tiger Lily
  • Friendly Advice
  • Bewitched
  • This Time Around
  • Great Jones Street
  • Going Home
  • Into The Fold
  • I Know You Tried
  • Sleeping Pill



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  • // TOMS, THE ‘THE TOMS’ LP

    // TOMS, THE ‘THE TOMS’ LP

    The Toms
    ‘s/t’ LP
    CT-PICKS / Black Sheep

     

    Not a true band, the Toms was actually the solo project of singer/songwriter Tom Marolda, a firm believer in D.I.Y. principles who played all of the instruments on his 1979 self-titled debut effort. The album was the groups lone recording, and as a result of distribution problems, it became a much sought-after cult object as the years passed by. Get it as long as we have it!

    Let’s Be Friends Again
    You Must Have Crossed My Mind
    It’s Needless
    Other Boys Do
    The Door
    Wasn’t That Love In Your Eyes
    I Did The Wrong Thing
    Hook
    The Flame
    Think About Me
    Better Than Anyone Else
    The Bear

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  • // DNA ‘DNA ON DNA’ 2xLP

    // DNA ‘DNA ON DNA’ 2xLP

    DNA
    ‘DNA on DNA’ 2xLP
    CT-PICKS / NO MORE



    “Surviving two line-ups over a brief period of four years; this highly influential, strikingly original and extremely under-recorded band left a huge void in its wake. Formed in 1978, Brazilian-raised singer/guitarist Arto Lindsay hastily assembled an international trio of non-musicians. Robin Crutchfield played keyboard and Japan’s Ikue Mori played drums. DNA played their first gig within weeks and recorded their first 7″ shortly afterwards. The ear of Brian Eno was quickly caught, recording them for the infamous No New York compilation alongside James Chance, Mars, and Teenage Jesus & The Jerks. Before No New York was released, Robin left the band after a total tenure of nine months. Bassist Tim Wright had just left Pere Ubu, relocated to NY and quickly joined DNA. With a new face, a new instrument, and a new sound, DNA recorded their classic 9-minute EP A Taste Of DNA. DNA toured the States and Europe, bringing their explosive live show to a wider audience. DNA only released 12 songs during its lifetime, and another 3 shortly afterwards on a European compilation. Their impact was far and wide-reaching. Many musicians have sited DNA as a main influence including Thurston Moore of Sonic Youth and the band Blonde Redhead, who appropriated their name from a DNA song title. This LP compiles all of the studio and many choice live recordings. Of particular interest are the original line-up’s “early versions” of “Detached,” “5:30″ and “Low” (which is closely related to “A New Low”). The unreleased studio tracks “Grapefruit,” “Police Chase” and “Young Teenagers Talk Sex” are heard here for the first time, as well as live versions of the unreleased songs “Nearing” and “Surrender.” Exclusive liner notes from Byron Coley, Jason Gross and Glenn O’Brien pack the 16-page booklet alongside many unseen photos and flyers.”

  • You & You
  • Little Ants
  • Egomaniac’s Kiss
  • Lionel
  • Not Moving
  • Size
  • Pompeii
  • New Fast
  • 5:30
  • Blonde Red Head
  • 32123
  • New New
  • Lying On The Sofa Of Life
  • Grapefruit
  • Taking Kid To School
  • Young Teenagers Talk Sex
  • Delivering The Good
  • Police Chase
  • Cop Buys A Doughnut
  • Shrinking Thing
  • Drinking Water
  • Detached (Early Version)
  • Low
  • Nearing
  • 5:30
  • Surrender
  • Newest Fastest
  • Detached
  • Brand New
  • Horse
  • Forgery
  • Action
  • Marshall
  • A New Low
  • Calling To Phone
  • Whole Lotta Love
  • A New Low



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  • // GARBAGE & THE FLOWERS, THE ‘EYES RIND AS IF BEGGARS’ (2xLP + CD REISSUE)

    // GARBAGE & THE FLOWERS, THE ‘EYES RIND AS IF BEGGARS’ (2xLP + CD REISSUE)

    THE GARBAGE & THE FLOWERS
    ‘EYES RIND AS IF BEGGARS’ 2xLP + CD REISSUE
    CT-PICKS / BONFIRE

    “The long-awaited re-issue of THE GARBAGE & THE FLOWERS’ classic double album Eyes Rind As If Beggars, a sprawling collection of fragile melodies, abrasive improvisations and velvet voices. The story of The Garbage & The Flowers, by some measure Wellington’s most brilliant pop band, is equal parts classic underground rock’n'roll and a hazy ramshackle history pockmarked with bursts of genius and stoned rehearsals. Rare is it for any band to garner so much underground acclaim while leading such a nebulous existence. A small handful of releases, compilation appearances and few live shows make for a curious stop/start history. Tension can produce the goods and tension was what watered The Garbage & The Flowers. Yuri Frusin (guitar, songwriting) and Helen Johnstone (viola, vocals, now bass) met in their teens sometime in the 1980s. Naming themselves after a line in Leonard Cohen’s “Suzanne” and taking cues from The Velvet Underground, the band has existed in some shape or form since, with help from Paul Yates, Heath Cozens, Torben Tilly, Rachel Davies, Kristen Wineera, and Stuart Porter. This is a rock’n'roll classic which will whip the wigs off all the crystalline clowns today. Includes a bonus full-length disc of additional material.”

  • Love Comes Slowly Now
  • Nothing Going Down
  • Carousel
  • Sweet Pea
  • Rosicrucinn Lovers
  • Martial Signs
  • Garymoy
  • Prince Of Thieves
  • Carousel (Live)
  • Your Williams Baby
  • Lucy In Her Pink Jacket
  • Holy Holy Blue
  • Nothing Going Down At All

    CD Tracklisting:

  • Nothing Going Down At All
  • Catnip
  • Counting Stars
  • Holy Holy Blue (Rehearsal)
  • Carousel (Studio Version)
  • Lucy In Her Pink Jacket (Studio Version)
  • Catherine Is Only Listening
  • Prince of Thieves (Bonus)
  • Your Williams Baby (Bonus)
  • Born In The Dark, Dear
  • Holy Holy Blue (Original Version)
  • Nothing Going Down At All (Studio Version)
  • No one Will Ever Know (With Merlene Chambers)


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  • // BILL FAY ‘BILL FAY’ LP

    // BILL FAY ‘BILL FAY’ LP

    BILL FAY
    ‘BILL FAY’ LP
    CT-PICKS / 4 MEN WITH BEARDS

    “London singer-songwriter BILL FAY released two albums on the Deram label in the early ‘70s and promptly disappeared into relative obscurity for 30+ years. In the last 10 years or so those albums have finally begun to get the recognition they deserve, and 4 Men With Beards is proud to be able to bring them back into circulation on 180 gram LP. First up is the self-titled debut from 1970, an absolute classic of British folk-rock”

  • Garden Song
  • The Sun Is Bored
  • We Want You To Stay
  • Narrow Way
  • We Have Laid Here
  • Sing Us One of Your Songs May
  • Gentle Willie
  • Methane River
  • The Room
  • Goodnight Satan
  • Cannons Plain
  • Be Not So Fearful
  • Down To The Bridge

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  • // MOON KING ‘OBSESSION I’ EP

    // MOON KING ‘OBSESSION I’ EP

    MOON KING
    ‘OBSESSION I’ EP
    CT-PICKS / ONE BIG SILENCE

    “A press release notes that these Daniel Benjamin-penned tunes “appeal to our darker subconscious desires, revelling in the embrace of fear and ego as a means of escape.” They were self-produced and then mixed by Shane Stoneback (Sleigh Bells, Cults, Fucked Up).

    The five tracks on this twelve-inch EP pile electronics on top of hazy vocals with just a hint of punk aggression and folk delicacy. It’s sure to please fans of Spiral Beach’s eclecticism, in addition to lovers of Doldrums’ and Austra’s electro-leanings.”

  • Only Child
  • The Fear Of Love
  • Sleeping in My Car
  • Film/ TV Ad Exec
  • Crucified
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  • // SOUND, THE ‘ALL FALL DOWN’ LP

    // SOUND, THE ‘ALL FALL DOWN’ LP

    THE SOUND
    ‘ALL FALL DOWN’ LP
    CT-PICKS / 1972 RECORDS

    “At the time their third album was released, The Sound was one of the UK’s most acclaimed bands and were on the precipice of a commercial breakthrough. Having been upgraded from the Korova label (also home to Echo & the Bunnymen) to Warner Bros., the group was met with label demands to deliver a more commercial release. In what many consider to be a willfully defiant move, The Sound delivered the challenging and more experimental All Fall Down, a record many of their most ardent fans still consider their most accomplished. It remains one of the great post-punk albums of the early ’80s.

    The logical progression from the band’s previous work, the seminal From the Lions Mouth, All Fall Down unfolds slowly and rewards patience. Each song’s power is augmented by the ones around it. Highlights include the upbeat “Calling the New Tune” and “Party of the Mind,” the melancholy “We Could Go Far” and the dissonance and bleakness of “Glass and Smoke.” The aura of Adrian Borland’s well-documented mental illness gives many of the songs a sinister edge.

    All Fall Down has proved itself over time to be an essential album—it is a timeless, modern record that still sounds fresh, and its high points match anything else in the group’s canon.”

  • All Fall Down
  • Party of The Mind
  • Monument
  • In Suspense
  • Where The Love Is
  • Song And Dance
  • Calling The New Tune
  • Red Paint
  • Glass And Smoke
  • We Could Go Far



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  • // SONIC YOUTH ‘SONIC YOUTH’ 2xLP

    // SONIC YOUTH ‘SONIC YOUTH’ 2xLP

    Sonic Youth
    ‘Sonic Youth’ 2xLP
    CT-PICKS / Goofin’ Records


    “Sonic Youth’s eponymous debut EP, reissued in a deluxe double- LP edition on the band’s own Goofin’ imprint, was recorded in late 1981 at Radio City Music Hall in NYC and originally released on composer Glenn Branca’s Neutral label. The album is loosely based on compositions the newly formed group had performed at that year’s week-long Noisefest event (and remains the only recorded document of an early line-up featuring actor Richard Edson on drums). The newly remastered vinyl also features extra live material from a 1981 gig, and a track from a previously unheard studio session”


  • The Burning Spear
  • I Dreamed I Dream
  • She Is Not Alone
  • I Don’t Want To Push It
  • The Good And The Bad
  • Hard Work
  • Where The Red Fern Grows
  • The Burning Spear
  • Cosmopolitan Girl
  • Loud And Soft
  • Destroyer
  • She Is Not Alone
  • Where The Red Fern Grows



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  • // SONIC YOUTH ‘DAYDREAM NATION’ 4XLP

    // SONIC YOUTH ‘DAYDREAM NATION’ 4XLP

    SONIC YOUTH
    ‘DAYDREAM NATION’ 4XLP
    CT-PICKS / GOOFIN’ RECORDS

    “Daydream Nation was Sonic Youth’s sixth album, their first double LP, and their last for an indie label before signing with Geffen. Widely considered to be their watershed moment, Daydream Nation catapulted them into the mainstream and proved that indie bands could enjoy wide commercial success without compromising their artistic vision.

    The original 1988 album has been remastered under the band’s supervision. The bonus platters begin with previously unreleased live performances from the Daydream Nation Tour. Culled from performances at CBGB in New York, The Paradiso in Amsterdam, and several other primo venues, “Live Daydream” includes live versions of every song on the original album. Added to that are four studio bonuses: “Within You, Without You” (a Beatles cover from the NME-sponsored charity Beatles tribute album Sgt. Pepper Knew My Father), “Computer Age,” from the Neil Young tribute album The Bridge, “Electricity” from the Captain Beefheart tribute album Fast And Bulbous, and a cover of Mudhoney’s “Touch Me, I’m Sick,” originally released as a Sub Pop 7-inch single. Lee Ranaldo’s original demo of “Eric’s Trip” concludes the album.”

  • Teen Age Riot
  • Silver Rocket
  • The Sprawl
  • ‘Cross The Breeze
  • Eric’s Trip
  • Total Trash
  • Hey Joni
  • Providence
  • Candle
  • Rain King
  • Kissability
  • The Wonder
  • Hyperstation
  • Eliminator Jr.
  • The Sprawl
  • ‘Cross The Breeze
  • Hey Joni
  • Silver Rocket
  • Kissability
  • Eric’s Trip
  • Candle
  • The Wonder
  • Hyperstation
  • Eliminator Jr.
  • Providence
  • Teen Age Riot
  • Rain King
  • Totally Trashed
  • Total Trash
  • Within You
  • Touch Me I’m Sick
  • Computer Age
  • Electricity
  • Eric’s Trip (Demo)


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  • // MAX BLOCK, THE ‘AIR ACHE IN THE BELLY OF THE LEECH’ LP

    // MAX BLOCK, THE ‘AIR ACHE IN THE BELLY OF THE LEECH’ LP

    THe Max Block
    ‘Air Ache In The Belly Of The Leech’ LP
    CT Picks / Siltbreeze

    “For the majority of newbie Flying Nun collectors, The Max Block’s eponymous (and only) 12-inch release is more myth than fact. Few seemed to have been pressed, and even fewer were available in the brief window of time (mid-’80s) when it was “around.” Unknown until very recently was that a second EP had been recorded and slated for release by Flying Nun but never realized. Air Ache in the Belly of the Leech is a compendium of both, and thus the complete recorded works of The Max Block. You’re welcome.
    Some background: The Max Block is where Maryrose (née Wilkinson) and Brian Crook—now the power couple behind The Renderers—joined forces for the first time. Maryrose was coming out of Above Ground, and Brian out of Scorched Earth Policy. With the enlisted talents of Rebecca Shanahan and Robbie Stowell, The Max Block pushed different boundaries than other active Christchurch bands at the time; they came out slinging a brain-splattering goo of art-spaced, Pere-Ubu-seared cerebellum, and frenetic, Mars-fried medula oblongata. Such tantalizing aromas! Pardon me, garçon, but make mine deux.
    Bottom line, Siltbreeze is proud to make available this remarkable and awesome collection, much of it seeing the light of day for the first time ever. Edition of 500.” / Revolver

    Burn David Burn
    It Came In A Can
    Black Fish
    Sonic Blur
    Incubator
    Psychic Discharge
    Unreleased
    Shaking With Mother
    Johnny Mnemonic
    Leprosies Leftovers
    The Young Mussolini
    The Oldest Lies (Live)
    The 13th Woman/Different Air (Live)
    (What I’ve Heard Of) Wyoming
    Dark Continent
    Establish An Order

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  • // JESUS AND MARY CHAIN ‘DARKLANDS’ LP

    // JESUS AND MARY CHAIN ‘DARKLANDS’ LP

    The Jesus and Mary Chain
    ‘Darklands’ LP
    CT-PICKS / Plain

     
    “REISSUED ON VINYL!!! The second album from the brothers REID, originally released in 1987. Darklands is more accessible and hooky than Psychocandy, leaving most of the feedback and some of the noise behind to focus on the songs and to make a clear break from the legendary debut album. With tracks such as “April Skies,” “Darklands,” “Happy When It Rains” and “Nine Million Rainy Days,” the Reid’s proved they had plenty of great songs in them and wouldn’t be boxed in by the past. An all out classic.” / Revolver

    Darklands
    Deep One Perfect Morning
    Happy When It Rains
    Down On Me
    Nine Million Rainy Days
    April Skies
    Fall
    Cherry Came Too
    On The Wall
    About You

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  • // CLEAN, THE ‘ODDITIES’ 2xLP

    // CLEAN, THE ‘ODDITIES’ 2xLP

    The Clean
    ‘Oddities’ LP
    CT-PICKS / Five Four-O Records

     

    “It’s interesting to note that by the time most folks in the northern hemisphere got out 1st taste of The Clean (circa 1985), they all but packed it in. Yep, tis true. ’85 was the year of the 1st great Kiwi invasion (vinyl wise) with the Flying Nun roster leading the way. And there was nary a dud to be found. And such wonderful & unusual names; Tall Dwarfs, Sneaky Feelings, The Puddle, Scorched Earth Policy & of course, The Clean. Their trio of 12″ ep’s were rabidly devoured by a curious & enthusiastic cognoscenti. You didn’t buy one, you bought’em all. Same goes for the 7″ers. And there just wasn’t enough. Not only of Clean records, but Clean material! Then one day in some long forgotten order came a copy of the ‘Oddities’ cassette. The sales rep had included it as a promo, claiming he couldn’t shift’em (cassette love being at something of a nadir back then). ‘I’ll take whatever you got’ was my reply. And I hadn’t even played it yet. But I knew that even though it had gotten ‘runted’ out on to tape only format, there was no doubt it contained a treasure trove of aural gems. You couldn’t help but think that ‘Oddities’ was to The Clean what ‘Whatever Happens Next’ was to Swell Maps.Which, more or less, is what it is. Recorded between 1980-82 ‘Oddities’ is a thorough compendium of alternate takes, addled miscues, riffing zoners & back burner gems. Never easy to come by-even the cd version had scant distro through the 90′s- this bunch of songs has been been tagged as ‘the ones that got away’. But hold on there pard, this story ain’t done. Cut to 2012 & the inimitable Austin label, Five Four O, has taken up the call & wrangled this behemoth of slippery Southern Psychedelia into the format it has always so richly deserved-THE DOUBLE LP. Housed is fetching & historical gatefold sleeve to boot. It is a thing of beauty to both the ears ‘n eyes alike. So we can all rest easy now. Them cows has finally come home. Or to quote the bard, “Justice is a dish best served rad”. Indeed. So grab a spoon & slurp it up.” / Tom Lax , Kaffeklubben Island, Earth

    Oddity
    Success Story
    Thumbs Off
    Getting Older
    Yellow Man
    End Of My Dream
    Platypus
    This Guy
    David Bowie
    Mudchucker Blues
    At The Bottom
    Hold Onto The Rail
    Inside Out
    Fats Domino
    Sad Eyed lady
    Tell Me Why
    In The Back
    Band That Never Was
    Wheels Of Industry
    Point That Thing Dub
    Saftey At Home
    Lemmings
    Stylaphone Music

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  • // AXEMEN ‘THREE VIRGINS’ 2xLP

    // AXEMEN ‘THREE VIRGINS’ 2xLP

    Axemen
    ‘Three Virgins’ LP
    CT-PICKS / Siltbreeze

     
    Originally released on the inestimable Flying Nun label, Three Virgins came and went in the blink of an eye in the mid-’80s. After dormancy a mere quarter century in duration, this beguiling masterwork sees the light of day once again courtesy of Siltbreeze. Setting up shop in Christchurch’s State Trinity Centre over Easter holidays 1985, Axemen went to work recording every sound and second they could capture during the legendary lost weekend. Fueled by enhanced adrenalin (Tiger Blood) and superhuman zeal (Adonis DNA), they chewed up dozens of reels of tape, assaulting all those who entered the erstwhile ecclesiastical chamber with a barrage of splendiferous blabber ’n’ croak. The resultant 88 minutes sound like a mutant hybrid of Trout Mask Replica, Exile on Main Street and Tago Mago. Add to the pot one of the most eye-popping post-psychedelic full-color gatefold jackets ever designed in the brief history of time and you’ve got a dazzling, exultant combination that could only be described as winning!

    The Warhead Of Love
    The Dream
    Effectively, My Baby
    Something (The Wives Of The Presidentʼs Men)
    Johnny Cash’s Monster
    Grudge Hill
    Creaky Back Stairs
    Spots Of Glue? Telling
    Pacific Ocean
    Chant No.9 Dub
    Chant Number Nine
    Talk With God
    Womin Of Love
    Fred And Barney: (The Untouchables)
    Artie Shepp’s Place
    Think About Me
    Mick’s Dance Floor
    Reign O’ Seeds
    John Bonneroff’s Charmed Life
    Here Is Your File
    The Yeasty Mayor
    Dolistermeiser

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  • // AXEMEN ‘SCARY! PART 3′ 2xLP

    // AXEMEN ‘SCARY! PART 3′ 2xLP

    Axemen
    ‘Scary! Part III’ LP
    CT-PICKS / Siltbreeze

     
    “The second entry in Siltbreeze’s Axemen reissue series, Scary! Part III originally saw light as a cassette-only release in 1989. Most bands and fans active in the Christchurch and Dunedin scenes at this time could tell you, sans embellishment, how the prolific Axemen blazed through the ’80s (new cassettes seeming to come into existence on an almost daily basis), and, in classic Rashomon style, a different story would be told by all willing to reminisce, though it’s safe to say everyone would agree that Scary!’s beguiling je ne sais quoi is some of the band’s most intriguing blat to date.

    Unlike the hyper-punk-charged pastiche of Big Cheap Motel, Scary! operates from a gestalt concept and sensibility. While on the surface the contents might sound fragmented, ruminative, or obfuscatory, dig deeper (or listen better) and you’ll see (and hear) the mystifying ooze lactating out of the four sides of Scary! not as individual, insurmountable constructs of bizarreness, but as a coherent pattern of brilliant phenomena that is–in a word–scary! Novice ears that have made it though this Bunyanesque giant find themselves making comparisons to a mixture of S.Y.P.H., Royal Trux, and Ptose. All one can say, really, to such hodgepodge is “congratulations.” After 20 years and counting, this release refuses to be aptly pigeonholed. Hell, even a seasoned horror chomper such as Shirley Jackson (were she still croaking) would advise giving these guys a wide berth. They mean business and their business is mean.” / Revolver

    Heart Bullet
    The Church Of The Loosely Brethren
    10 Miles (As The Crow Flies)
    That Must Be Hell!
    Shacked Up In Yr Egypt Tomb
    Join The R.A.F.
    You, The Cabinet
    The Virgin
    Animals Have Rights, Too!
    Accusation Of Murder
    Free World
    Sund Und Mood
    Beer Und Flintstones
    The Wreck Of The Whistling Maree
    The 2-Bit Star
    Must Love Die?
    No Look Back
    Nasty Moonshine

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  • // AXEMEN ‘BIG CHEAP MOTEL’ LP

    // AXEMEN ‘BIG CHEAP MOTEL’ LP

    AXEMENt
    ‘BIG CHEAP MOTEL’ LP
    CT-PICKS / SLITBREEZE

     

  • Prelude
  • Big Fat ‘M’
  • Big Fat ‘M’
  • Scanty Town Ride
  • Angel Must Be A Centerfold
  • Big Cheap Motel
  • Stoopid Symbol of Woman-Hate
  • Just A Pollutant
  • The Pornographic Milk Drink
  • Peter And The Milk Drink
  • Can’t Stand Up For 40-Inch Busts
  • We Love You
  • M Doesn’t Stand for Mother


    “Big Cheap Motel (Live)”

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  • // ABOVE GROUND ‘GONE AIWA’ LP

    // ABOVE GROUND ‘GONE AIWA’ LP

    ABOVE GROUND
    ‘GONE AIWA’ LP
    CT-PICKS / SLITBREEZE

     


  • Black Doors
  • Green Afternoon
  • Flat Feet
  • Spooky Nightmares
  • 1,000,000 Hearts
  • Magpies
  • Coalman
  • Dreams of Rats
  • Gabriel’s Vinyl Trumpet
  • Johnny Devlin’s Shoes
  • Sunday News
  • Saturdays
  • Unclean


    “Magpies”

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  • // 100 FLOWERS ’100 FLOWERS’ LP

    // 100 FLOWERS ’100 FLOWERS’ LP

    100 FLOWERS
    ’100 FLOWERS’ LP
    CT-PICKS / HAPPY SQUID RECORDS

     

  • Without Limbs
  • All Sexed Up
  • Our Fallout
  • Horizontal
  • Head, No Heart
  • Presence of Mind
  • I Don’t Own My Own Heart
  • Motorboat To Hell
  • Strip Club
  • Poltergeists at Home
  • Pressing the Point
  • Virtually Nothing
  • Salad of Speech
  • Funky Kjehl
  • Dizzy Ms. Lizzy
  • California’s Falling Into The Ocean


    “California’s Falling Into The Ocean”

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  • // VARIOUS ARTISTS ‎’THE THING FROM THE CRYPT’ LP

    // VARIOUS ARTISTS ‎’THE THING FROM THE CRYPT’ LP

    VA
    ‘The Thing From The Crypt’ LP
    CT Picks / Dark Entries

    Dark Entries is proud to present “The Thing From The Crypt,” a 16-track compilation of UK DIY/Synth/New Wave/Post-Punk originally released in 1981. Showcasing the thriving post punk sound of Watford, a town in Hertfordshire, England, located 20 minutes northwest of central London. “‘The Thing From The Crypt’ neither attempts to sell a ‘Wotford sound’ nor claims to be a comprehensive guide to the area’s best beat bands. Like all good compilations, its essence is variety: some tracks will make you come whilst other will make you vomit.” – original liner notes by Robert Dellar
    This compilation features 8 bands with two songs included by each group. EXHIBIT A were a quartet featuring Mat and Dan from Solid Space and Paul and Andrew from Twelve Cubic Feet. Legendary post-punk act SAD LOVERS & GIANTS make their first appearance here as a five-piece. MEX was the solo project of Paul Mex, the man responsible for this compilation, who went on to produce songs for WHAM and George Michael. GAMBIT OF SHAME deliver driving carnival pop and would later work with ex-Soft Machine member, Robert Wyatt on their debut single. FLYING BEECHCRAFT serve a slice of wistful Flying Nun indie pop. IMAGE IN RUIN bounce between off-kilter NY No-Wave skronk and angst. SOFT DRINKS were a short-lived synth-punk trio featuring the Jon Greville of Rudimentary Peni and Martin Drooper of The Magits who released a 3 song EP on Outer Himmylayan Productions. S-HATERS were a deathrock quartet also on the Outer Himmylayan roster who channeled the gothic punk of PIL’s “Metal Box” and Joy Division.
    All songs have been transferred from the master tapes by Paul Mex and remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a full color printed jacket using the original silk screened artwork. Each LP includes a copy of the 12 page booklet that came with the original pressing. “The Thing From The Crypt” is more than a local compilation, its the stuff John Peel shows were made of.

  • Exhibit A – Rain
  • Sad Lovers & Giants – Take Me Inside
  • Mex – Evil Creatures
  • Gambit Of Shame – Dancing With The Turks
  • Flying Beechcraft – Bugger Off
  • Image In Ruin – Tank
  • Soft Drinks – Squash
  • S-Haters – Necromancer
  • Soft Drinks – Pepsi Cola
  • Flying Beechcraft – Frog Girl
  • Image In Ruin – Bottle
  • S-Haters – Canal
  • Exhibit A – Echoes
  • Sad Lovers & Giants – Clint
  • Mex – Functioning Fripp Girls
  • Gambit Of Shame – She Lawn

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  • // STARTER ‘STARTER’ LP

    // STARTER ‘STARTER’ LP

    Starter
    ‘s/t’ LP
    CT-Picks / Dark Entries

    STARTER was a minimal electronic/synthpop group from Switzerland, formed in 1980 by vocalist and fashion designer Francis Foss, Claudine Chirac (from fellow Swiss Wave group Grauzone) and Jet Harbour. Originally the band also included Stephan Eicher who co-wrote two songs but departed before the band recorded their debut album. STARTER began in the city of Bern when Francis, Claudine and Jet decided to create their own brand of New Wave music inspired by Gary Numan and Kraftwerk.They released their debut, self-titled album STARTER in the summer of 1981, making this summer the 30th anniversary of this long out-of-print and extremely hard to find LP!
    Using early analog Roland and Korg synthesizers, STARTER’S music seamlessly merges wistful electronics from Germany’s Neue Deutsche Welle movement and powerful vocal stylings from French Chanson. Alongside their Swiss Wave contemporaries like Grauzone, Yello, Liliputt/Kleenex, STARTER created a new brand of hallucinatory ‘Techno-Pop’ made up of chopped rhythms, energetic and almost epileptic vocals that are immediately catchy and hypnotic, perfect for the dance-floor. In 1985 STARTER reformed as a duo with Francis Foss on vocals again and Gary Grey on synth/rhythm programming. Their first single “Victim” took cues from Italo Disco and Bobby Orlando’s Hi-NRG dance sounds and is the bonus track on Side B of this LP. The song “Part of You” was chosen as the lead track on the Gomma compilation CD Teutonik Disaster 2 in 2003 recruiting new fans worldwide and ushering Francis Foss to release a homemade CD-R/DVD compilation of the entire STARTER discography in 2004.
    All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley in 2011. Each LP includes a lyrics sheet with unreleased photos and a STARTER badge/button.

    Lunapark
    Is This Love?
    Minijupe
    Baby
    Plastic
    Tanger
    Version 1
    Tarzan And Jane
    Machinedrum
    Part of You
    Victim

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  • // FALL OF SAIGON ‘UNTITLED’ EP

    // FALL OF SAIGON ‘UNTITLED’ EP

    Fall of Saigon
    ‘Untitled’ EP
    CT-Picks / Dark Entries

    Dark Entires Records is honored to re-issue the debut EP by FALL OF SAIGON. The band was born in 1981 when Florence Berthon (Vocals), Pascal Comelade (Organ, Synthesizer) and Thierry Den (Guitar, Vocals) met at a concert in Montpellier, France. They chose to the name the project FALL OF SAIGON after a song by UK post-punk act This Heat. They self-released their debut EP in 1983 citing Nico & The Velvet Underground, Suicide and James Joyce as influences.
    At the time the band formed, Pascal Comelade was an accomplished musician with instrumental sketches composed for the trio. The 6 songs on the EP were recorded in two stages. “She Leaves Me All Alone” and “On The Beach At Fontana” were sung by Thierry and recorded at Pascal’s home on a Revox 2-track in one shot. The four songs sung by Florence – “Visions”, “Blue Eyes”, “So Long” and “The Swimmer” – were recorded and mixed at the Montpellier Languedoc Video Animation Center by Jean Alain Sidi on two ReVox A77 reel to reels and a small mixer. On “Visions,” “Blue Eyes” and “So Long,” the group employed a drum machine that could only play four or five rhythms with a single slider to increase or decrease the tempo. The songs were minimal: verse, chorus, no bridge, no intro. Built on a simple spine, they create a feeling of space with just a voice and an organ or synthesizer melody. Full of class and inventiveness, FALL OF SAIGON are often compared to Young Marble Giants due to the fragile, ephemeral quality of the songs.
    All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a full color jacket using the original artwork from the EP and includes an insert with lyrics and photos. Through two years of existence, FALL OF SAIGON only released one EP and 30 years later their subtle sound is an essential guidepost in post-punk history.

    Visions
    Blue Eyes
    She Leaves Me All Alone
    So Long
    On The Beach At Fontana
    The Swimmers

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  • // INFORMATICS ‘DANCE TO A DANGEROUS BEAT’ LP

    // INFORMATICS ‘DANCE TO A DANGEROUS BEAT’ LP

    Informatics
    ‘Dance To A Dangerous Beat’ LP
    CT-Picks / Dark Entries

    “INFORMATICS were a post-punk electronic band from Melbourne, Australia formed in 1981. Michael Trudgeon, Valek Sadovchikoff, Steve Adam and Ramesh Ayyar met in the experimental sound studio while attending the same art school. Philip McKellar later joined the band in 1983. Between 1981 and 1985, INFORMATICS recorded numerous tracks, mainly in a garage, using a four-track tape machine and any electronic gear they could get their hands on. The band held a fascination for contemporary visual art and moving images and videos would accompany their live performances.The production elements in the videos reflected Informatics’ philosophy on sound composition: the footage was entirely pirated from television ads, manipulated and then collaged to create new narratives that reinforced the music.
    INFORMATICS came to work together through a shared fascination in electronic music and the capabilities of analogue synthesizers. In early performances, long before the advent of samplers, the Informatics used a collection of synthesizers and other analogue and hand built equipment. These were patched together to create a unique battery of sounds. Between January and November 1981 INFORMATICS recorded their debut 4 song “Dezinformatzia” EP but it was not released until 1983 . The track “Proximity Switch”, later renamed “Accidents in Paradise” became popular in parts of Europe and was re-released in 1985. “Dance To A Dangerous Beat” collects all 4 songs from the first EP, 2 songs from compilation appearances as well as 6 unreleased tracks on vinyl for the first time. Informatics early songs have a brittle, cold, disconnected feel made by a Roland SH-101, Korg MS-20 and a lot of processed guitar. The later songs utilize newer technology and ambient, synthesized melodies closer to their country mates Severed Heads.
    All songs have been transferred from the master tapes by INFORMATICS and remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a full color printed jacket using the original magenta and grey artwork from “Dezinformatzia” EP. Each LP includes a double sized 11×11 insert with photographs and liner notes by the band. “Dance To A Dangerous Beat” recounts the history of these synthpunk pioneers a world away from their contemporaries in America.”

    What A World
    Hungry Pets
    Sattelite To Russia
    Imagination Is Wild
    Stop It, Don’t Dance
    This Product Is Frozen
    Concorde Affair
    Proximity Switch
    New Values
    Underlife
    Great X1
    Factory Nightlife 03

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  • // SYSTEM LILIPUTT ‘HARPA’ LP

    // SYSTEM LILIPUTT ‘HARPA’ LP

    System Liliputt
    ‘Harpa’ LP
    CT-Picks / DARK ENTRIES

    System Liliputt was the solo project of Geir Vasseng from the Stavanger area of Norway in the early 1980s. He released one cassette, Harpa a mini-album of 6 songs in Feburary 1984 on his own label Geva Tapes & Studio that was limited to 150 copies. 27 years later Dark Entries has baked and transferred the original master tapes, adding 5 bonus tracks, restoring this lost piece of Norsk D.I.Y. dark post-punk.
    Harpa, in its entirety and all the demos were recorded in Geir’s home studio from November 1982 to September 1983. All tracks were written, produced, recorded and performed by Geir without the involvement of any others. Influenced by the darker/melodic post-punk bands Young Marble Giants, Fra Lippo Lippi and Seventeen Seconds/Faith era Cure, System Liliputt created rich atmospheres with intricate guitar work, ethereal synths and sombre vocals. Whereas the original six Hapra songs capture a brooding and downbeat feel the demos showcase Vasseng’s ability to write a catchy, wistful pop song with minimally treated instruments.
    All tracks have been carefully remastered by George Horn at Fantasy Studios in Berkeley for the first time on vinyl. The original cassette included six inlay cards with lyrics which are re-printed here along with English translations by Geir’s son! Another piece of Norway’s rich post-punk past is ready for your ears.

    Dans Til Gunvor
    Harpa
    Smilet
    Sandkom
    Yes Vi Vil
    Gatelangs
    Strandshow
    Ingen Kommer Her
    I Et Hus
    The Letter
    Walking in the Grass

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  • // DANSE SOCIETY, THE ‘DEMOS VOL. 1′ LP

    // DANSE SOCIETY, THE ‘DEMOS VOL. 1′ LP

    Danse Society
    ‘Demos Vol.1′ LP
    CT-Picks / Dark Entries

    Dark Entries digs deep into the UK Goth underground to unearth The Danse Society “Demos Vol. 1.” The band formed in Barnsley, England in 1980 from the remnants of local post-punk bands Y? and Lips-X. Between 1980 and 1982 the band released a handful of 7” and 12” EPs and the debut album “Seduction” on their own independent label, Society Records. The band also recorded several sessions for Radio 1, including a John Peel session, and topped the Independent Charts with the single “Somewhere.” Their commercial debut, “Heaven Is Waiting” was released in February 1984. They released two further singles and the album “Looking Through” before breaking up in 1986. After 24 years three original band members reunited to record the new album “Change of Skin,” released in July 2011.
    1983 was The Danse Society’s year. Playing sold out tours and the success of “Seduction” won them a recording contract with Arista Records. Spending their advance on new equipment the band recorded an album’s worth of demos in one day at Greenhouse Studios, London in May 1983. The line-up for this session was Steve Rawlings (vocals), Paul Nash (guitar), Lyndon Scarfe (keyboards), Tim Wright (bass) and Paul Gilmartin (drums). Doom laden guitar riffs, swirling synthesizers, crushing drums, driving and disembodied vocals, characterize the distinctive Society sound. “Demos Vol. 1” is the closest you’ll get to The Danse Society live experience. You can almost taste the dry ice, feel the power coming through the monitors, and become entranced by the strobe-induced madness this album embodies. The Danse Society operate in a raw, atmospheric realm less campy than many of their Goth Rock peers, unconcerned with pop charts or commercial appeal. These aren’t songs, they are commands.
    This 11 track collection includes an early version of the single “Wake Up,” 5 demos that would make the cut for “Heaven Is Waiting,”3 songs that would later become B-sides and 2 unreleased instrumentals. All songs have been remastered from the original tapes for vinyl by George Horn at Fantasy Studios in Berkeley, CA. Each LP includes a fold-out, double-sided newsprint poster with photos, lyrics and liner notes by original drummer Paul Gilmartin and music journalist Mick Mercer. 28 years later these demos capture a band at the height of their confident, powerful and haunting glory.

    Intro
    Come Inside
    Wake Up
    Seduction
    Heaven Is Waiting
    The Sway
    Valiant To Vile
    Seen The Light
    The Hurt
    Arabia
    Outro

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  • // 49 AMERICANS, THE ‘E PLURIBUS UNUM’ LP

    // 49 AMERICANS, THE ‘E PLURIBUS UNUM’ LP

    Artist
    ‘Title’ LP
    CT-PICKS / STAUBGOLD

     

  • Beat Up Russians
  • That Man
  • Involved in Local Chaos
  • Doubt
  • Edible
  • Should Be More Ideal
  • All The Fun
  • Sounds Like Ska
  • Architecture Stops
  • Don’t Sing The Blues
  • Heritage
  • Pledge of Allegiance
  • Overture
  • Songs Of The Peasants (Chief Peasant)
  • Tralala (Eldest Prince)
  • Dragon Eating Peasant Instr.
  • I Don’t Want (Royal Children)
  • Let Yourself Go (Impulsive Knight)
  • Digestion Instr.
  • Fairy Tale (King)
  • What You Need (Equipped Knight)
  • Digestion Instr.
  • Intellectual Yodel (Theoretical Knight)
  • Pain In The Belly (Friendly Knight)
  • Digestion Instr.
  • Ha Ha Ha (Jester)
  • Aye, There’s The Battle (Dreamy Knight)
  • Digestion Instr.
  • Yodel Again (Theoretical Knight)
  • Digestion Instr.
  • Fairy Tale (Reprise) (King)
  • Contradictions – The Finale (Jester)

     

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  • // 49 AMERICANS, THE ‘WE KNOW NONSENSE’ LP

    // 49 AMERICANS, THE ‘WE KNOW NONSENSE’ LP

    THE 49 AMERICANS
    ‘WE KNOW NONSENSE’ LP
    CT-PICKS / STAUBGOLD

     

  • Doo-Bee-Doo-Bee
  • It is And It Is
  • Edible
  • Verbal Culture
  • Liberty
  • We Know Nonsense
  • Tendency To Lie
  • Glimpse Go By
  • It’s Time
  • Mon Nuisance
  • Taste
  • Imagination
  • Do
  • I Be Later
  • Move Around All Day
  • Free Trade
  • Mummy Was a Record Player

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  • // LEE HAZLEWOOD ‘TROUBLE IS A LONESOME TOWN’ 2xLP

    // LEE HAZLEWOOD ‘TROUBLE IS A LONESOME TOWN’ 2xLP

    LEE HAZLEWOOD
    ‘TROUBLE IS A LONESOME TOWN’ 2xLP
    CT-PICKS / LIGHT IN THE ATTIC

     

     

  • Long Black Train
  • Ugly Brown
  • Son Of A Gun
  • We All Make The Flowers Grow
  • Run Boy Run
  • Six Feet Of Chain
  • The Railroad
  • Look At That Woman
  • Peculiar Guy
  • Trouble Is A Lonesome Town

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  • // SILVER APPLES ‘SILVER APPLES’ LP (180 GRAM VINYL)

    // SILVER APPLES ‘SILVER APPLES’ LP (180 GRAM VINYL)

    Silver Apples
    ‘Silver Apples’ LP (180 Gram Vinyl)
    CT-Picks / Kapp
  • Oscillations
  • Seagreen Serenades
  • Lovefingers
  • Program
  • Velvet Cave
  • Whirly-Bird
  • Dust
  • Dancing Gods
  • Misty Mountain

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  • // SILVER APPLES ‘CONTACT’ LP (180 GRAM VINYL)

    // SILVER APPLES ‘CONTACT’ LP (180 GRAM VINYL)

     

    SILVER APPLES
    ‘CONTACT’ LP (180 GRAM)
    CT-PICKS / KAPP

     

     

  • You And I
  • Water
  • Ruby
  • Gypsy Love
  • You’re Not Foolin’ Me
  • I Have Known Love
  • A Pox On You
  • Confusion
  • Fantasies

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  • // SHUGGIE OTIS ‘FREEDOM FLIGHT’ LP (180 GRAM VINYL)

    // SHUGGIE OTIS ‘FREEDOM FLIGHT’ LP (180 GRAM VINYL)

     

    SHUGGIE OTIS
    ‘FREEDOM FLIGHT’ LP (180 GRAM VINYL)
    CT-PICKS / EPIC

     

     

  • Ice Cold Daydream
  • Strawberry Letter 23
  • Sweet Thang
  • Me And My Woman
  • Someone’s Always Singing
  • Purple
  • Freedom Flight

  • CURRENTLY UNAVAILABLE

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    CURRENTLY UNAVAILABLE

  • // SAD LOVERS & GIANTS ‘EPIC GARDEN MUSIC’ LP

    // SAD LOVERS & GIANTS ‘EPIC GARDEN MUSIC’ LP

     

    SAD LOVERS & GIANTS
    ‘FEEDING THE FLAME’ LP
    CT-PICKS / RADIATION

     

     

  • Seaside
  • Echoplay
  • Clocktower Lodge
  • Clint
  • Lope
  • Countryside
  • Cloud 9
  • ART (By Me)
  • Alice (Isn’t Playing)
  • Far From The Sea

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  • // SAD LOVERS & GIANTS ‘FEEDING THE FLAME’ LP

    // SAD LOVERS & GIANTS ‘FEEDING THE FLAME’ LP

     

    SAD LOVERS & GIANTS
    ‘FEEDING THE FLAME’ LP
    CT-PICKS / RADIATION

     

     

  • Big Tracks Little Tracks
  • On Another Day
  • Sleep (Is For Everyone)
  • Vendetta
  • Man Of Straw
  • Strange Orchard
  • Burning Beaches
  • Your Skin And Mine
  • In Flux

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  • // REZILLOS, THE ‘CAN’T STAND THE REZILLOS’ LP (COLORED VINYL)

    // REZILLOS, THE ‘CAN’T STAND THE REZILLOS’ LP (COLORED VINYL)

     

    REZILLOS
    ‘CAN’T STAND THE REZILLOS’ LP (COLORED VINYL)
    CT-PICKS / SIRE

     

     

  • Flying Saucer Attack
  • No
  • Somebody’s Gonna Get Their Head Kicked In Tonight
  • Top Of The Pops
  • 2000 A.D.
  • It Gets Me
  • I Can’t Stand My Baby
  • Glad All Over
  • (My Baby Does) Good Sculptures
  • I Like It
  • Getting Me Down
  • Cold Wars
  • Bad Guy Reaction

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  • // OS MUTANTES ‘A DIVINA COMEDIA OU ANDO MEIO DESLIGADO’ LP (180 GRAM)

    // OS MUTANTES ‘A DIVINA COMEDIA OU ANDO MEIO DESLIGADO’ LP (180 GRAM)

     

    OS MUTANTES
    ‘A DIVINA COMEDIA OU ANDO MEIO DESLIGADO’ LP (180 GRAM VINYL)
    CT-PICKS / POLYDOR

     

     

  • Ando Medio Desligado
  • Quem Tem Medo De Brincar De Amor
  • Ave, Lúcifer
  • Desculipe, Babe
  • Hey Boy
  • Meu Refrigerador Não Funciona
  • Preciso Urgentemente Encontrar Um Amigo
  • Chão De Estreias
  • Jogo De Calçada
  • Haleuia
  • Oh! Mulher Infiel

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  • // OS MUTANTES ‘OS MUTANTES’ LP (180 GRAM VINYL)

    // OS MUTANTES ‘OS MUTANTES’ LP (180 GRAM VINYL)

     

    OS MUTANTES
    ‘OS MUTANTES’ LP 180 GRAM VINYL
    CT-PICKS / POLYDOR

     

     

  • Pansis Et Cercensis
  • A Menha Menina
  • O Relógio
  • Adeus Maria Fulô
  • Baby
  • Senhor F
  • Bat Macumba
  • Le Premier Bonheur Du Jour
  • Trem Fantasma
  • Tempo No Tempo
  • Ave Gengis Khan

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  • // OS MUTANTES ‘MUTANTES’ LP (180 GRAM VINYL)

    // OS MUTANTES ‘MUTANTES’ LP (180 GRAM VINYL)

     

    OS MUTANTES
    ‘MUTANTES’ LP
    CT-PICKS / POLYDOR

     

     

  • Dom Quixote
  • Não Vá Se Perder Por Aí
  • Dia 36
  • 2.001
  • Algo Mais
  • Fuga N. II Dos Mutantes
  • Banho De Lua (Tintarella Di Luna)
  • Ritta Lee
  • Mágica
  • Qualquer Bobagem
  • Caminhante Noturno

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  • // MOONDOG ‘SNAKETIME SERIES’ LP

    // MOONDOG ‘SNAKETIME SERIES’ LP

     

    MOONDOG
    ‘SNAKETIME SERIES’ LP
    CT-PICKS / MOONDOG

     

     

  • Caribea
  • Lullaby
  • Tree Trail
  • “Death, When You Come To Me, May You Come To Me Swiftly; I Would Rather Not Linger, Not Linger”
  • Big Cat
  • Frog Bog
  • To A Sea Horse
  • Dance Rehearsal
  • Surf Session, Part 1
  • Surf Session, Part 2
  • Surf Session, Part 3
  • “Trees Against The Sky, Fields Of Plenty, Rivers To The Sea: This, And More, Spreads Before Me.”
  • Tap Dance
  • Oo Debut
  • Drum Suite
  • Street Scene

  • CURRENTLY UNAVAILABLE

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    CURRENTLY UNAVAILABLE

  • // MONKS ‘BLACK MONK TIME’ LP (180 GRAM VINYL)

    // MONKS ‘BLACK MONK TIME’ LP (180 GRAM VINYL)

     

    MONKS
    ‘BLACK MONK TIME’ LP (180 GRAM VINYL)
    CT-PICKS / INTERNATIONAL POLYDOR

     

     

  • Monk Time
  • Shut Up
  • Boys are Boys And Girls Are Girls
  • Higgle-Dy – Piggle-Dy
  • I Hate You
  • Oh, How To Do Now
  • Complication
  • We Do Wie Du
  • Drunken Maria
  • Love Came Tumblin’ Down
  • Blast Off!
  • That’s My Girl

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  • // MISFITS, THE ‘STATIC AGE’ LP

    // MISFITS, THE ‘STATIC AGE’ LP

     

    THE MISFITS
    ‘STATIC AGE’ LP
    CT-PICKS / CAROLINE

     

     

  • Static Age
  • TV Casualty
  • Some Kinda Hate
  • Last Caress
  • Return Of The Fly
  • Hybrid Moments
  • We Are 138
  • Teenagers From Mars
  • Come Back
  • Angelfuck
  • Hollywood Babylon
  • Attitude
  • Bullet
  • Theme For A Jackal
  • She
  • Spinal Remains
  • In The Doorway
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  • // LOOT, THE ‘SINGLES A’S AND B’S’ LP (180 GRAM VINYL)

    // LOOT, THE ‘SINGLES A’S AND B’S’ LP (180 GRAM VINYL)

     

    THE LOOT
    ‘SINGLES A’S AND B’S’ LP (180 GRAM VINYL)
    CT-PICKS / RADIOACTIVE

     

     

  • She’s A Winner
  • Try To Keep It A Secret
  • Baby
  • Baby Come Closer
  • Meet Jacqueline
  • You Need Somebody To Love
  • Radio City
  • Save Me
  • I’ve Just Gotta Love You
  • Don’t Turn Around
  • I Got What You Want
  • Gotta Get Home
  • You Are My Sunshine Girl
  • Whenever You’re Ready

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  • // LOLLIPOP SHOPPE, THE ‘JUST COLOUR’ LP (180 GRAM VINYL)

    // LOLLIPOP SHOPPE, THE ‘JUST COLOUR’ LP (180 GRAM VINYL)

     

    THE LOLLIPOP SHOPPE
    ‘JUST COLOUR’ LP (180 GRAM VINYL)
    CT-PICKS / UNI

     

     

  • You Must Be A Witch
  • Underground Railroad
  • Baby Don’t Go
  • Who’ll Read The Will
  • It’s Only A Reflection
  • Don’t Look Back
  • Don’t Close The Door On Me
  • It Ain’t How Long
  • It’s Makin’ It
  • I’m Gonna Be There
  • You Don’t Give No More
  • Sin

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  • // GOLDEN DAWN, THE ‘POWER PLANT’ LP

    // GOLDEN DAWN, THE ‘POWER PLANT’ LP

     

    THE GOLDEN DAWN
    ‘POWER PLANT’ LP
    CT-PICKS / INTERNATIONAL ARTISTS

     

     

  • Evolution
  • This Way Please
  • Starvation
  • I’ll Be Around
  • Seeing Is Believing
  • My Time
  • A Nice Surprise
  • Every Day
  • Tell Me Why
  • Reaching Out To You

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  • // DESCENDENTS ‘MILO GOES TO COLLEGE’ LP

    // DESCENDENTS ‘MILO GOES TO COLLEGE’ LP

     

    DESCENDENTS
    ‘MILO GOES TO COLLEGE’ LP
    CT-PICKS / SST

     

     

  • Myage
  • I Wanna Be A Bear
  • I’m Not A Loser
  • Parents
  • Tonyage
  • M 16
  • I’m Not A Punk
  • Catalina
  • Suburban Home
  • Statue Of Liberty
  • Kabuki Girl
  • Marriage
  • Hope
  • Bikeage
  • Jean Is Dead
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  • // CAPTAIN BEEFHEART ‘SAFE AS MILK’ LP

    // CAPTAIN BEEFHEART ‘SAFE AS MILK’ LP

     

    CAPTAIN BEEFHEART
    ‘SAFE AS MILK’ LP
    CT-PICKS / BUDDAH

     

     

  • Sure ‘Nuff ‘N Yes I Do
  • Zig Zag Wanderer
  • Call On Me
  • Dropout Boogie
  • I’m Glad
  • Electricity
  • Yellow Brick Road
  • Abba Zaba
  • Plastic Factory
  • Where There’s Woman
  • Grown So Ugly
  • Autumn’s Child

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  • // BRIGITTE FONTAINE ‘L’INCENDIE’ LP (180 GRAM VINYL)

    // BRIGITTE FONTAINE ‘L’INCENDIE’ LP (180 GRAM VINYL)

    Brigitte Fontaine
    ‘L’Incendie’ (180 Gram Vinyl)
    BYG Records

    “L’Incendie is the first collaboration between Areski and Brigitte Fontaine. It’s an exceptional album for BYG records. In a perfect symbiosis with Brigitte Fontaine’s magnificent voice and surrealist texts, Areski creates a minimalist ‘ethno-folk acoustic universe.’ In the uniquely French ‘dark chanteuse’ genre, this is a classic. Originally released in 1974.”

  • Le 6 Septembre
  • Ragilia
  • Il Pleut Sur La Gare
  • Déclaration De Sinistre
  • Les Murailles
  • L’Engourdie
  • Nous Avons Tant Parlé
  • Les Borgias
  • Les Petites Madones
  • L’Abeille
  • Apres La Guerre
  • La Tête Bandée
  • Le Chant Des Chants

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  • // BLACK FLAG ‘THE FIRST FOUR YEARS’ LP

    // BLACK FLAG ‘THE FIRST FOUR YEARS’ LP

    Black Flag
    ‘The First Four Years’ LP
    CT-Picks / SST Records
  • Nervous Breakdown
  • Fix Me
  • I’ve Had It
  • Wasted
  • Jealous Again
  • Revenge
  • White Minority
  • No Values
  • You Bet We’ve Got Something Personal Against You!
  • Clocked In
  • Six Pack
  • I’ve Heard It Before
  • American Waste
  • Machine
  • Louie Louie
  • Damaged I
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  • // BLACK FLAG ‘EVERYTHING WENT BLACK’ 2xLP

    // BLACK FLAG ‘EVERYTHING WENT BLACK’ 2xLP

    Black Flag
    ‘Everything Went Black’2x LP
    SST Records
  • Johnny “Bob” Goldstein Era
  • Gimmie Gimmie Gimmie
  • I Don’t Care
  • White Minority
  • No Values
  • Revenge
  • Depression
  • Clocked In
  • Police Story
  • Wasted
  • Jealous Again Era-Chavo
  • Gimmie Gimmie Gimmie
  • Depression
  • Police Story
  • Clocked In
  • My Rules
  • Jealous Again Era-Dez
  • Jealous Again
  • Police Story
  • Damaged I
  • Louie Louie
  • The Dez Continuum
  • No More
  • Room 13
  • Depression
  • Damaged II
  • Padded Cell
  • Gimmie Gimmie Gimmie
  • Crass Commercialism
    Untitled

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  • // BLACK FLAG ‘DAMAGED’ LP

    // BLACK FLAG ‘DAMAGED’ LP

    Black Flag
    ‘Damaged’LP
    CT-PICKS / SST Records
  • Rise Above
  • Spray Paint The Walls
  • Six Pack
  • What I See
  • T.V. Party
  • Thirsty & Miserable
  • Police Story
  • Gimmie Gimmie Gimmie
  • Depression
  • Room 13
  • Damaged II
  • No More
  • Padded Cell
  • Life Of Pain
  • Damaged I
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  • // BIG STAR ‘RADIO CITY’ LP

    // BIG STAR ‘RADIO CITY’ LP

    Big Star
    ‘Radio City’ LP
    Ardent Records

    “The second album from the quintessential American power pop band now available on domestic vinyl for the first time in a generation. Features the Big Star line up of Alex Chilton, Andy Hummel and Jody Stephens. LP includes faithfully restored sleeve and label art.”

  • O My Soul
  • Life Is White
  • Way Out West
  • What’s Goin’ Ahn
  • You Get What You Deserve
  • Mod Lang
  • Back Of A Car
  • Daisy Glaze
  • She’s A Mover
  • September Gurls
  • Morpha Too
  • I’m In Love With A Girl
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  • // BIG STAR ‘#1 RECORD’ LP

    // BIG STAR ‘#1 RECORD’ LP

    Big Star
    ‘#1 Record’ LP
    Ardent Records

    “The seminal debut album from the quintessential American power pop band now available on domestic vinyl for the first time in a generation. Features the classic line up of Alex Chilton, Chris Bell, Andy Hummel and Jody Stephens. LP includes faithfully restored sleeve and label art.”

  • Feel
  • The Ballad Of El Goodo
  • In The Street
  • Thirteen
  • Don’t Lie To Me
  • The India Song
  • When My Baby’s Beside Me
  • My Life Is Right
  • Give Me Another Chance
  • Try Again
  • Watch The Sunrise
  • ST100/6
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  • // ART ENSEMBLE OF CHICAGO ‘REESE AND THE SMOOTH ONES’ (180 GRAM VINYL)’

    // ART ENSEMBLE OF CHICAGO ‘REESE AND THE SMOOTH ONES’ (180 GRAM VINYL)’

    Art Ensamble of Chicago
    ‘Reese and the Smooth Ones (180 Gram Vinyl)’
    BYG Records
  • Reese
  • The Smooth Ones (Pt. 1)
  • Reese
  • The Smooth Ones (Pt. 2)
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  • // ALEX CHILTON ‘FREE AGAIN: THE 1970 SESSIONS’ (LTD EDITION LP)

    // ALEX CHILTON ‘FREE AGAIN: THE 1970 SESSIONS’ (LTD EDITION LP)

    Alex Chilton
    ‘Free Again: The 1970 Sessions (Ltd Edition LP)’
    Omnivore

    “In 1969, teenage Alex Chilton went to Memphis’ Ardent Studios to record a batch of his own songs, despite being under contract with American Studios as a member of The Box Tops. Here he sounds like a caged man on a weekend pass, which in a sense he was. He used this opportunity to run wild creatively, expressing his multiple personalities from track to track. Sentimental pop ballads like “The EMI Song (Smile for Me)” and “All We Ever Got from Them Was Pain” bump up against the unhinged R&B of the Archies/James Brown medley “Sugar, Sugar/I Got the Feelin’” and his visionary version of the Stones’ “Jumpin’ Jack Flash.” Bluesy rock like “I Can Dig It” and the mocking “All I Really Want Is Money” are followed by the country-rock of “The Happy Song” without missing a beat. “Every Day As We Grow Closer/Funky National” starts as a delicate Big Star prototype before collapsing into a messy jam for its final minute. These sessions were eventually released in 1996 as 1970, which soon went out of print. Free Again remedies that situation while adding bonus tracks, giving hardcore fans a look into a fascinating period in this rock ‘n’ roll cult hero’s life.”

  • Free Again [Original Mono Mix]
  • I Can Dig It
  • Something Deep Inside
  • Just To See You
  • The EMI Song (Smile For Me)
  • All I Really Want Is Money
  • Come On Honey
  • I Wish I Could Meet Elvis
  • Every Day As We Grow Closer/Funky National
  • The Happy Song
  • Jumpin’ Jack Flash
  • All We Ever Got From Them Was Pain

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  • // ADVERTS, THE ‘CROSSING THE RED SEA WITH THE ADVERTS’ (2xLP)

    // ADVERTS, THE ‘CROSSING THE RED SEA WITH THE ADVERTS’ (2xLP)

    The Adverts
    ‘Crossing the Red Sea with The Adverts’(2xLP)
    Fire Records – FR143

    “Fire Records reissue the 1978 classic debut punk record Crossing the Red Sea with the Adverts. Released after an ever growing live following and the string of successful chart hits the Adverts’ debut has cemented its place in punk rock history. The reissue includes the extra single and live bonus tracks.”

  • One Chord Wonders
  • Bored Teenagers
  • New Church
  • On The Roof
  • Newboys
  • Gary Gilmore’s Eyes
  • Bombsite Boy
  • No Time To Be 21
  • Safety In Numbers
  • New Day Dawning
  • Drowning Men
  • On Wheels
  • Great British Mistake
  • Singles
  • One Chord Wonders
  • Quickstep
  • Gary Gilmore’s Eyes
  • Bored Teenagers
  • Safety In Numbers
  • We Who Wait
  • Live
  • On Wheels
  • Newboys
  • New Church
  • Gary Gilmore’s Eyes
  • Drowning Men
  • No Time To Be 21

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  • // 13TH FLOOR ELEVATORS ‘THE 13TH FLOOR ELEVATORS’ LP

    // 13TH FLOOR ELEVATORS ‘THE 13TH FLOOR ELEVATORS’ LP

    13th Floor Elevators
    ‘The 13th Floor Elevators LP’
    International Artists

    “Forget about San Francisco: The American capitol of psychedelic rock was Austin, Texas, and no band soared higher than Roky Erickson and the 13th Floor Elevators. In addition to acid-tinged garage rockers such as the crazed-love anthem, “You’re Gonna Miss Me,” the Elevators’ debut included tracks such as “Reverberation (Doubt),” “Roller Coaster,” and “Splash 1,” which viscerally evoked the sounds of their titles while offering lyrics that provided a philosophical structure for the psychedelic experience. The lyrics were written by Tommy Hall, who also played amplified jug. Hard as it may be to believe now, that jug created a weird sound that predicted that burbling synthesizers of modern-day techno.”

  • You’re Gonna Miss Me
  • Roller Coaster
  • Splash 1 (Now I’m Home)
  • Reverberation
  • Don’t Fall Down
  • Fire Engine
  • Thru The Rhythm
  • You Don’t Know
  • Kingdom Of Heaven
  • Monkey Island
  • Tried to Hide

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  • // NICO ‘DESERTSHORE’ LP

    // NICO ‘DESERTSHORE’ LP

    Nico
    ‘Desertshore’ LP
    4 Men With Beards

    “This 1970 Reprise Records album finds Nico reunited with her Velvet Underground bandmate John Cale as producer, main instrumentalist and harmony vocalist. Co-produced by Joe Boyd (legendary producer of Nick Drake, Sandy Denny and Incredible String Band), Desertshore contains 8 songs of deep haunting beauty featuring Nico’s dark voice and harmonium and is one of her very best solo albums (also used as soundtrack for the 1971 Philippe Garrel’s experimental French film La Cicatrice Interieure). This reissue has new exclusive liner notes by Dawson Prater and Dean Roberts. Audiophile remastering from the original master tapes. 180 gram HQ vinyl. Original artwork. Gatefold sleeve.”

  • Janitor of Lunacy
  • The Falconer
  • My Only Child
  • Le Petit Chevalier
  • Abschied
  • Afraid
  • Mütterlein
  • All That Is My Own

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  • // CINDYTALK ‘CAMOUFLAGE HEART’ LP

    // CINDYTALK ‘CAMOUFLAGE HEART’ LP

    CINDYTALK
    Camouflage Heart LP
    Wheest-Scratch

    LP reissue of 1984 debut record by this seminal Scottish post-punk/noise rock band featuring Gordon Sharpe who sang vocals on early This Mortal Coil!

  • It’s Luxury
  • Instict
  • Under Glass
  • Memories of Skin and Snow
  • The Spirit Behind the Circus Dream
  • The Ghost Never Smiles
  • A Second Breath
  • Everybody Is Christ
  • Disintegrate

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  • // CINDYTALK ‘IN THIS WORLD’ 2xLP

    // CINDYTALK ‘IN THIS WORLD’ 2xLP

    CINDYTALK
    In This World 2xLP
    Wheest-Scratch

    Double LP reissue of 1988 record by this seminal Scottish post-punk/noise rock band featuring Gordon Sharpe who sang vocals on early This Mortal Coil!

  • In This World
  • Janey’s Love
  • Gift of a Knife
  • Playtime
  • The Room of Delight
  • Touched
  • Circle of Shit
  • My Sun
  • The Beginning of Wisdom
  • No Serenade
  • Sight After Sight
  • Angels or Ghosts
  • Through Water
  • Cherish
  • Homeless
  • Still Whisper
  • In This World

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  • // ST. JOHN, BRIDGET ‘THANK YOU FOR…’ LP

    // ST. JOHN, BRIDGET ‘THANK YOU FOR…’ LP

    Bridget St.John
    ‘Thank You For…’ LP
    CT Picks // HR 027LP

    “Her 3rd and last album for John Peel’s Dandelion Records
    (originally released in 1972). She sings beautifully low-key,
    reflective, slightly sad songs: gentle and poetic music for wandering
    through meadows on overcast days. Another little folk/rock gem
    recommended to fans of more introspective folky artists such as Vashti
    Bunyan and Nick Drake.”

  • Nice
  • Thank You For…
  • Lazarus
  • Love Minus Zero, No Limit
  • Silver Coin
  • Happy Day
  • Fly High
  • To Leave Your Cover
  • Every Day
  • A Song Is As Long As It Wants To Go On

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  • // ST. JOHN, BRIDGET ‘SONGS FOR THE GENTLE MAN’ LP

    // ST. JOHN, BRIDGET ‘SONGS FOR THE GENTLE MAN’ LP

    Bridget St. John
    ‘Songs For The Gentle Man’ LP
    CT Picks // HR 4M 189LP

    “Originally released in 1971 on Dandelion Records this was
    Bridget St. John’s second and, arguably, best album. Produced and
    scored by Pink Floyd collaborator Ron Geesin, Songs For The Gentle Man
    was recorded at Sound Techniques in Chelsea (where everybody from
    Fairport Convention to Nick Drake had made albums) and is a far more
    sophisticated work than its predecessor. Organized around a small
    chamber orchestra, Songs For The Gentle Man is a set of cool, pastel
    songs that simultaneously haunts and soothes: a well-crafted piece of
    baroque psychedelic folk.”

  • A Day A Way
  • City-Crazy
  • Early Morning Song
  • Seagull-Sunday
  • If You’d Been There
  • Song For The Laird Of Connaught Hall – Part 2
  • Making Losing Better
  • The Lady And The Gentle Man
  • Downderry Daze
  • It Seems Very Strange
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  • // R.E.M. ‘MURMUR DEMOS’ LP

    // R.E.M. ‘MURMUR DEMOS’ LP

    R.E.M.
    ‘Murmur Demos’ LP
    CT-Picks / D.O.A.

    “1983 sessions with Mitch Easter. Tracks A1-5 mid-session live to two track, tracks A6-7 and B1-7 in-session and basic rough mixes.”

  • That Beat
  • All the Right Friends
  • There She Goes Again
  • Talk About the Passion
  • West of the Fields
  • Moral Kiosk
  • Sitting Still
  • Ages of You
  • Perfect Circle
  • We Walk
  • 9-9
  • Shaking Through
  • Romance
  • Laughing (Fades)


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  • // PROTEX ‘LISTENING IN…’ LP

    // PROTEX ‘LISTENING IN…’ LP

    Protex
    ‘Listening In’ LP
    CT-Picks / Good Vibrations (BIG 4)

    “Compiles all nine tracks released on singles (A1 to B2), the exclusive track from the Made In Britain sampler (B3) and four John Peel BBC Radio session tracks from January 1979 (B4 to B7).”

  • Don’t Ring Me Up
  • (Just Want) Your Attention
  • Listening In
  • I Can’t Cope
  • Popularity
  • I Can Only Dream
  • Heartache
  • A Place in Your Heart
  • Jeepster
  • All I Wanna Do (Is Rock’N'Roll)
  • Don’t Ring Me Up (Demo)
  • I Can’t Cope (Demo)
  • A Place in Your Heart (Demo)
  • Popularity (Demo)


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  • // SMITHS, THE ‘THE TROY TATE RECORDINGS PART II’ LP

    // SMITHS, THE ‘THE TROY TATE RECORDINGS PART II’ LP

    The Smiths
    ‘The Troy Tate Recordings Part II’ LP
    CT-Picks / John Major (JMR LP 84)

    “A new, more complete release of these summer 1983 recordings with producer Troy Tate that led up to the band’s debut album the following year. These high quality tracks include alternate versions, some with different lyrics. This second part includes ‘Accept Yourself’ (Part 2), ‘Wonderful Woman,’ ‘I Don’t Owe You Anything,’ ‘Jeane,’ ‘Suffer Little Children,’ ‘Miserable Lie,’ and ‘Reel Around the Fountain.’ Limited pressing, Euro import.”

  • Accept Yourself (Take 2)
  • Wonderful Woman
  • I Don’t Owe You Anything
  • Jeane
  • Suffer Little Children
  • Miserable Lie
  • Reel Around the Fountain


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  • // SMITHS, THE ‘THE TROY TATE RECORDINGS PART I’ LP

    // SMITHS, THE ‘THE TROY TATE RECORDINGS PART I’ LP

    The Smiths
    ‘The Troy Tate Recordings Part I’ LP
    CT-Picks / John Major Recordings (JMR LP 83)

    “A new, more complete release of these summer 1983 recordings with producer Troy Tate that led up to the band’s debut album the following year. These high quality tracks include alternate versions, some with different lyrics. This first part includes ‘What Difference Does It Make’ (parts 1 & 2), ‘Accept Yourself’ (part 1), ‘The Hand That Rocks the Cradle,” “You’ve Got Everything Now,” “These Things Take Time,” “Hand in Glove,” and “Handsome Devil.” An excellent, fairly young and more energetic view of the band and their music! Limited pressing, Euro import.”

  • What Difference Does It Make (Take 1)
  • Accept Yourself (Take 1)
  • The Hand That Rocks the Cradle
  • You’ve Got Everything Now
  • These Things Take Time
  • What Difference Does It Make (Take 2)
  • Hand in Glove
  • Handsome Devil


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  • // SLOWDIVE ‘HIDE YER EYES’ LP

    // SLOWDIVE ‘HIDE YER EYES’ LP

    Slowdive
    ‘Hide Yer Eyes’ LP
    CT-Picks / Alti Philosophi

    “All fine, first class material, here’s ten never-before-released-on-vinyl tracks from this ghostly, atmospheric, guitar-oriented ’90s Brit-pop band that came out of the same small scene that also produced Lush and Blur. Recorded around the same time as their second album Souvlaki, the songs include ‘Summer Day,’ ‘Bleed,’ ‘Sleep,’ ‘Silver Screen,’ ‘Dagger,’ ‘Joy,’ ‘Hide Yer Eyes,’ ‘Ending,’ ‘Richard,’ and ‘I Saw the Sun.’ Packaged in a two-color silkscreened chipboard sleeve, in a pressing limited to 500 copies.”

  • Summer Day
  • Bleed
  • Sleep
  • Silver Screen
  • Dagger
  • Joy
  • Hide Yer Eyes
  • Ending
  • Richard
  • I Saw the Sun


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  • // FRANK (JUST FRANK) ‘THE BRUTAL WAVE’ LP

    // FRANK (JUST FRANK) ‘THE BRUTAL WAVE’ LP

    Frank (Just Frank)
    The Brutal Wave
    CT PICKS

     

    “Borrowing sounds from the ’80s indie universe, Parisian duo Anthem and KD, performing as Frank (Just Frank), have created a fantastic debut album filled with hooky songs. They fuse French, icy, cold wave beats and synths with warm Smiths and R.E.M.-esque chiming guitars, as well as abstract lyricism. The contradictions don’t end with the music; they pervade the entire album, from the lyrics to the stark grey and bright pink CD jacket, which depicts a WWII sympathizer having her head shaved in shame. It creates a sense of menace and paranoia that infiltrates the tracks sung in the band’s native French. Still, a wall remains between the two musicians and listeners ― there’s no sense we’re getting any glimpse into who these guys are. The standoff nature is nothing new, but these guys do it with panache, inviting us in then giving us nothing. It’s just another contradiction in the band’s intricate and compelling web of deceit.”

  • Beneath
  • Mr. Atagaki
  • Die In Bed
  • Crisis
  • Jalousie
  • Le Son Du Trottoir
  • Séraphine
  • Coeur Hanté
  • The Closet Song

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  • // DREAM SYNDICATE, THE ‘THE DAYS OF WINE AND ROSES’ LP

    // DREAM SYNDICATE, THE ‘THE DAYS OF WINE AND ROSES’ LP

    The Dream Syndicate
    The Days of Wine and Roses
    CT PICKS

     

    “On the one hand, where the Dream Syndicate came from was so obvious that it almost hurt. The Velvet Underground was a clear touchstone (if not quite the original LaMonte Young ensemble the band name referred to), as were the Doors, the Byrds, and any number of blues and country traditions and more. Had they been around in the late ’60s, one might have wondered whether they would have garnered much attention in comparison. But the early ’80s was the band’s time and place, and their fusions of all the above and more via punk-inspired energy achieved its own level of deserved attention. Capturing the original killer Wynn/Precoda/Smith/Duck lineup performing with inspiration throughout, The Days of Wine and Roses trumps the “paisley underground” tag the band was saddled with by being a great rock record, full on. While Wynn received the lion’s share of attention thanks to his ghost-of-Lou Reed vocals and frontman status, arguably it’s Precoda who is the real reason to listen in. Both his rave-ups and gentler shadings are phenomenal, as a random listen of songs like “Definitely Clean” and the sweet, Smith-sung “Too Little, Too Late” show. The Smith/Duck rhythm section grooves along fairly enough, at its best on the Krautrock-inspired chug of Precoda’s composition “Halloween.” Highlights include the romping “Then She Remembers,” with a much more direct Wynn vocal that makes for good in-your-face fun, and the mid-tempo moodout of “When You Smile,” Precoda’s screeching feedback playing around the mix’s edges. Concluding with the epochal title track, which builds to a frenetic climax not once but twice, The Days of Wine and Roses is a grand treat.”

  • Tell Me When It’s Over
  • Definitely Clean
  • That’s What You Always Say
  • Then She Remembers
  • Halloween
  • When You Smile
  • Until Lately
  • Too Little, Too Late
  • The Days Of Wine And Roses
  • Sure Thing
  • That’s What You Always Say
  • When You Smile
  • Some Kinda Itch
  • Too Little, Too Late
  • Definitely Clean
  • That’s What You Always Say
  • Last Chance For You

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  • // SWANS ‘FILTH’ LP

    // SWANS ‘FILTH’ LP

    Swans
    ‘Filth’ LP
    CT-Picks / Neutral (N11)

    Reissue of Swans’ landmark classic. The ideal soundtrack for mass suicides or nuclear holocausts. Michael Gira’s agonizing roars echoed against a wall of sound as brutal as hardcore, as depressed as Joy Division, as strident as industrial, as distorted as psych rock, as loud as heavy metal. Truly a must have.”

  • Stay Here
  • Big Strong Boss
  • Blackout
  • Power for Power
  • Freak
  • Right Wrong
  • Thank You
  • Weakling
  • Gang


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  • // VELVET UNDERGROUND, THE & NICO ‘UNRIPENED’ LP

    // VELVET UNDERGROUND, THE & NICO ‘UNRIPENED’ LP

    The Velvet Underground & Nico
    ‘Unripened’ LP
    CT-Picks / XTV-122

    Unripened is the original version of the album The Velvet Underground & Nico, recorded in 1966 and presented to Columbia by Andy Warhol. Darker and far more primitive and abrasive than the version eventually released, this features either alternate recordings or different mixes of each song (some with different lyrics). Songs are also in a substantially different running order. A must have for any serious VU fan.”

  • European Son
  • The Black Angel’s Death Song
  • All Tomorrow’s Parties
  • I’ll Be Your Mirror
  • Heroin
  • Femme Fatale
  • Venus in Furs
  • I’m Waiting for the Man
  • Run Run Run


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  • // JESUS AND MARY CHAIN ‘PEEL’ LP

    // JESUS AND MARY CHAIN ‘PEEL’ LP

    The Jesus And Mary Chain
    ‘Peel’ LP
    CT-Picks / Martyr

    “A good reminder for all who’ve forgotten what a genius band the JAMC is. The first several tracks are very early, pre-Psychocandy noise hysteria, but the real revelation is hearing stripped-down acoustic versions of the songs on that album. They’re almost more wonderful without all the feedback– pristine, melodic songs whose delicate music runs against their nihilistic lyrics.”

  • In a Hole
  • You Trip Me Up
  • Never Understand
  • Taste the Floor
  • The Living End
  • Inside Me
  • Just Like Honey
  • Some Candy Talking
  • Psycho Candy
  • You Trip Me Up
  • Cut Dead
  • Fall
  • In the Rain
  • Happy Place
  • Sidewalking
  • Coast to Coast
  • Take It
  • My Girl
  • Far Gone and Out
  • Silverblade
  • Here Comes Alice


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  • // PIXIES ‘INTO THE WHITE: BBC TAPES FROM 1988 AND 1989′ LP

    // PIXIES ‘INTO THE WHITE: BBC TAPES FROM 1988 AND 1989′ LP

    Pixies
    ‘Into The White: BBC Tapes From 1988 and 1989′ LP
    CT-Picks / Tensionesque

    “An excellent collection of the first three Pixies BBC recordings, before and just after Surfer Rosa. The amazing alternate and raw versions of the classics on this compilation make this a must-have for any die-hard Pixies fan. Also includes their haunting take on the song ‘In Heaven’ from the David Lynch classic Eraserhead. Pressing limited to 500 copies.”

  • Hey
  • Levitate Me
  • Wild Honey Pie
  • In Heaven
  • Dead
  • Tame
  • There Goes My Gun
  • Manta Ray
  • Down to The Well
  • Into the White
  • Wave of Mutilation


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  • // SECTION 25 ‘ALWAYS NOW’ LP

    // SECTION 25 ‘ALWAYS NOW’ LP

    Section 25
    ‘Always Now’ LP
    CT-Picks / Drastic Plastic (DPRLP06)/Factory (FACT 45)

    “Produced by Factory Records’ sound genius Martin Hannett, Section 25′s 1981 debut LP, Always Now, bears similar aural markers to label mates Joy Division and Crispy Ambulance. Full of the late ’70s/early ’80s post-punk zeitgeist, here is music borne out of punk’s simple and urgent delivery, but with loftier artistic aims and an introspective, more complex delivery. Always Now‘s songs lay out a darkening landscape examining and reexamining the twilight; an aural document of the grays comprising both light and dark. The impression is not unlike Pisarro’s pastoral evening landscapes, but bleaker and more evocative of ghosts and the sounds of their chains.”

  • Friendly Fires
  • Dirty Disco
  • C.P.
  • Loose Talk (Costs Lives)
  • Inside Out
  • Melt Close
  • Hit
  • Babies in the Bardo
  • Be Brave
  • New Horizon


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  • // MY BLOODY VALENTINE ‘LOST TRACKS AND RARE CUTS’ LP

    // MY BLOODY VALENTINE ‘LOST TRACKS AND RARE CUTS’ LP

    My Bloody Valentine
    ‘Lost Tracks and Rare Cuts’ LP
    CT-Picks / Alti Philosophi

    “The best of the rarities, this includes tracks from very limited fanclub 7″s, but is mostly completely unreleased studio outtakes and alternate versions: ‘Sugar,’ ‘Cowboy Song,’ ‘Good for You,’ ‘Glider’ (the long version!), ‘Time of Day,’ ‘Just Like Us,’ ‘Instrumental No.1,’ ‘Instrumental No.2,’ and ‘We Have All the Time in the World.’ Essential for any fan of the band or the shoegaze genre they spearheaded! Packaged in a nicely designed silkscreened LP jacket, pressing limited to 500 copies.”

  • Sugar
  • Cowboy Song
  • Good for You
  • Glider (Long)
  • Just Like Us
  • The Time of Day
  • Map Reference 41N 93W
  • Instrumental #1
  • Instrumental #2
  • We Have All The Time in the World


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  • // BOYS NEXT DOOR, THE ‘THE LOST AND BRAVE EXHIBITIONS OF…1977-1979′

    // BOYS NEXT DOOR, THE ‘THE LOST AND BRAVE EXHIBITIONS OF…1977-1979′

    The Boys Next Door
    ‘The Lost & Brave Exhibitions Of…1977-1979′ LP
    CT-Picks / Il Cane Lento

    “This collects all the earliest 1977-79 studio material (including three demos) by this Australian punk band led by a young Nick Cave, ranging from raging ’70s punk to dark and moody post-punk that would foreshadow his later work with the Birthday Party. Songs include ‘Sex Crimes,’ ‘Enemy of the State,’ ‘These Boots Are Made for Walking,’ ‘Masturbation Generation,’ ‘Boy Hero,’ ‘Scatterbrain,’ ‘Night Watchman,’ ‘Brave Exhibitions,’ ‘Friends of My World,’ ‘The Voice,’ ‘Roman Roman,’ and ‘Somebody’s Watching,’ with fine sound and production. Packed in a two-color silkscreened jacket. Italian import.”

  • Sex Crimes
  • Enemy of the State
  • Boots
  • Masturbation Generation
  • Boy Hero
  • Scatterbrain
  • The Nightwatchman
  • Brave Exhibitions
  • Friends of My World
  • The Voice
  • Roman Roman
  • Somebody’s Watching


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  • // MORRISSEY ‘READER MEETS AUTHOR’ LP

    // MORRISSEY ‘READER MEETS AUTHOR’ LP

    Morrissey
    ‘Reader Meet Author’ LP
    CT-Picks/

    “This collection of high quality unreleased studio versions of some of his finest early-period songs includes ‘Oh Phoney,’ ‘Why Don’t You Find Out for Yourself,’ ‘Interlude,’ ‘Striptease With a Difference,’ ‘Billy Budd,’ ‘Reader Meet Author,’ ‘Please Help the Cause Against Loneliness,’ ‘Born to Hang,’ ‘Springheeled Jim,’ and ‘Sonny.’ Two-color silk screened cover, limited pressing of only 500 copies.”

  • Please Help the Cause Against Loneliness
  • Springheeled Jim
  • Reader Meet Author
  • Born to Hang
  • Sonny
  • Oh Phoney
  • Why Don’t You Find Out for Yourself?
  • Interlude
  • Striptease With A Difference
  • Billy Budd


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  • // YO LA TENGO ‘I CAN HEAR THE HEART BEATING AS ONE’ LP

    // YO LA TENGO ‘I CAN HEAR THE HEART BEATING AS ONE’ LP

    Yo La Tengo
    ‘I Can Hear The Heart Beating As One’ LP
    CT-Picks / Matador (OLE-222)

    “Yo La Tengo began life as one among hundreds of Velvet Underground-inspired bands, banging out dark, skittish tunes that displayed YLT guitarist/vocalist Ira Kaplan’s affection for Uncle Lou as well as Yo La Tengo’s commitment to creating a gently subversive groove. Over the years, the band, which also features Kaplan’s wife Georgia Hubley on drums and vocals, has gone through more identity changes than David Bowie, from acoustic folk-rock to wailing, Sonic Youth-like guitarchitecture. On this album, the band consolidates their sound as they expand it, incorporating bossa nova, electronica, and ’60s pop into a gorgeous shimmering whole that is something more than the sum of its parts. The laconic-but-expressive vocals of Kaplan and Hubley provide the songs with just the right combination of detachment and naïvete, and the trio (which also includes bassist James McNew) sounds like one person with six arms, three brains and one big heart. And don’t worry; ‘We’re An American Band’ isn’t the old Grand Funk Railroad song.”

  • Return To Hot Chicken
  • Moby Octopad
  • Sugarcube
  • Damage
  • Deeper Into Movies
  • Shadows
  • Stockholm Syndrome
  • Autumn Sweater
  • Little Honda
  • Green Arrow
  • One PM Again
  • The Lie And How We Told It
  • Center Of Gravity
  • Spec Bebop
  • We’re An American Band
  • My Little Corner Of The World





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  • // YO LA TENGO ‘ELECTR-O-PURA’ LP

    // YO LA TENGO ‘ELECTR-O-PURA’ LP

    Yo La Tengo
    ‘Electr-o-pura’ LP
    CT-Picks / Matador (OLE-132)

    “Around the time Electr-o-pura came out in 1995, American music critics were starting to recognize Yo La Tengo as a standout band. The Hoboken, New Jersey, trio lived up to that newfound billing on this release, fully realizing the fruits of what they had started on Painful. It was there that Yo La stopped thinking of themselves as a three-piece band with guitar, bass, drums, and the occasional keyboards, instead opening up walls of sound, patterns upon patterns over which Ira Kaplan’s guitar soars, dives, and spirals. It’s amazing that a great pop song (‘Tom Courtenay’); a lopey, sleepy ballad (‘Pablo and Andrea’); a droney, open-ended jam (‘Blue Line Swinger’, with which the band closed its shows for years); and a couple of out-and-out freak-outs could all coexist so naturally. Though there are bands that have mastered each one of those aspects better than Yo La had at this point, not one could combine them into one work as sublime as Electr-o-pura.” –Randy Silver, Amazon.com

  • Decora
  • Flying Lesson (Hot Chicken #1)
  • The Hour Grows Late
  • Tom Courtenay
  • False Ending
  • Pablo And Andrea
  • Paul Is Dead
  • False Alarm
  • The Ballad Of Red Buckets
  • Don’t Say A Word (Hot Chicken #2)
  • (Straight Down To The) Bitter End
  • My Heart’s Reflection
  • Attack On Love
  • Blue Line Swinger


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  • // BELLE & SEBASTIAN ‘IF YOU’RE FEELING SINISTER’ LP

    // BELLE & SEBASTIAN ‘IF YOU’RE FEELING SINISTER’ LP

    Belle & Sebastian
    ‘If You’re Feeling Sinister’ LP
    CT-Picks / Matador (OLE-296)

    “Now a classic! Belle & Sebastian offer up a largely acoustic folk-pop sound with deep roots in the ’60s. Their guitar-and-piano arrangements are often filled out by luxurious trumpets and strings, but the clever, sardonic lyrics keep things from ever getting too mushy. The bright, irresistible pop melodies stand in sharp contrast to decidedly downbeat lyrics that recall Morrissey at his sharpest. Timeless, gorgeous, and just cool enough to avoid a mainstream breakthrough.”

  • The Stars Of Track And Field
  • Seeing Other People
  • Me And The Major
  • Like Dylan In The Movies
  • The Fox In The Snow
  • Get Me Away From Here, I’m Dying
  • If You’re Feeling Sinister
  • Mayfly
  • The Boy Done Wrong Again
  • Judy And The Dream Of Horses


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  • // CAT POWER ‘WHAT WOULD THE COMMUNITY THINK’ LP

    // CAT POWER ‘WHAT WOULD THE COMMUNITY THINK’ LP

    Cat Power
    ‘What Would The Community Think’ LP
    CT-Picks / Matador (OLE-202)

    “Cat Power’s Matador Records debut finds Chan Marshall backed by Sonic Youth’s Steve Shelley. Features the shoulda-been-a-hit-single ‘Nude As The News’ and a cover of Smog’s ‘Bathysphere’.”

  • In This Hole
  • Good Clean Fun
  • What Would The Community Think
  • Nude As The News
  • They Tell Me
  • Taking People
  • Fate Of The Human Carbine
  • King Rides By
  • Bathysphere
  • Water & Air
  • Enough
  • The Coat Is Always On


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  • // PAVEMENT ‘BRIGHTEN THE CORNERS’ LP

    // PAVEMENT ‘BRIGHTEN THE CORNERS’ LP

    Pavement
    ‘Brighten The Corners’ LP
    CT-Picks / Matador (OLE-197)

    “Pavement’s fourth proper LP. On Brighten The Corners, the rock hero in Pavement reemerges as the dominant stereotype, making the lyrical idiosyncrasies on which critics of the band like to harp into witty window-dressing. Nowhere is this dichotomy better heard than on the electrifying opener, ‘Stereo,” which rages with anthemic power-chords and a rock-star chorus (‘Hey! Listen to me! I’m on the stereo’), while also pondering the longest-standing mystery in rock, the voice of Rush singer Geddy Lee (‘how did it get so high/ I wonder if he speaks like an ordinary guy”). Musically, Brighten The Corners extends the rock tradition to the other side of Sonic Youth’s dissonant discoveries while staying free of grunge’s self-defeatist mentality. No longer a group of lo-fi pranksters, Pavement has tightened up into a mighty ensemble, able to jam like psychedelic maniacs (the closing ‘Fin’) or fly by night like punks on speed (‘Embassy Row’). Lyrically, Stephen Malkmus and co-conspirator Scott Kannberg (aka Spiral Stairs) have started questioning where they belong in a late-’90s world seemingly devoid of secrets and mysteries. Their declarations present yet another yin-yang to the Pavement whole: Kannberg’s answers seem to lie in emotional stability, Malkmus’s in the never-ending search itself. These uncertainties of dealing with one’s unrecognized worth play out like an Irvine Welsh novel: the chapters full of spunky glee, the ending steeped in melancholy.”

  • Stereo
  • Shady Lane
  • Transport Is Arranged
  • Date With Ikea
  • Old To Begin
  • Type Slowly
  • Embassy Row
  • Blue Hawaiian
  • We Are Underused
  • Passat Dream
  • Starlings Of The Slipstream
  • Fin


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  • // BAUHAUS ‘IN THE FLAT FIELD’ LP (REMASTERED)

    // BAUHAUS ‘IN THE FLAT FIELD’ LP (REMASTERED)

    Bauhaus
    ‘In The Flat Field’ LP (Remastered)
    CT-Picks / 4AD (CAD-2901)

    “Few debut albums have ever arrived as nearly perfectly formed as In The Flat Field. It practically invented what remains for many as the blueprint of goth music. Starting with the angst of ‘Double Dare’, with its shattering guitar over a curious but fierce stop-start rhythm and Peter Murphy raging even more fiercely over the top, In The Flat Field contains a wide variety of inspirations and ideas. The astonishingly precise rhythm section of David J and Kevin Haskins pulls off a variety of jaw-dropping performances, including the high-paced tension of the title track and the brooding crawl of ‘Spy in the Cab’. Daniel Ash, much like his longtime hero Mick Ronson, turns out to be a master of turning relatively simple guitar parts into apocalyptic explosions, from the background fills on ‘St. Vitus Dance’ to the brutal descending chords of ‘Stigmata Martyr’. Murphy, meanwhile, channels as much Iggy Pop as he does Bowie, proving to be no simple copyist of either, able to both maniacally sing-shout and take a somewhat lighter touch throughout. The album concludes with the seven-minute ‘Nerves’, an aptly titled piece that alternates between understated energy and unleashed power spiraling toward a dramatic ending. In The Flat Field started off Bauhaus’ album career with a near-perfect bang.”

  • Double Dare
  • In The Flat Field
  • A God In An Alcove
  • Dive
  • The Spy In The Cab
  • Small Talk Stinks
  • St. Vitus Dance
  • Stigmata Martyr
  • Nerves


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  • // BAUHAUS ‘MASK’ LP (REMASTERED)

    // BAUHAUS ‘MASK’ LP (REMASTERED)

    Bauhaus
    ‘Mask’ LP (Remastered)
    CT-Picks / Beggars Banquet (BBQ-2061)

    “Managing to expand their sound on Mask, the members of Bauhaus stretched themselves into new areas of music and performance, resulting in an album that was arguably even better than the band’s nearly flawless debut.”

  • Hair of the Dog
  • The Passion of Lovers
  • Of Lilies and Remains
  • Dancing
  • Hollow Hills
  • Kick in the Eye
  • In Fear of Fear
  • Muscle in Plastic
  • The Man With the X-Ray Eyes
  • Mask


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  • // TONES ON TAIL ‘WEIRD POP’ 2xLP

    // TONES ON TAIL ‘WEIRD POP’ 2xLP

    Tones On Tail
    ‘Weird Pop’ LP
    CT-Picks / Beggars Banquet BBQ-2081

    “As is the case with many popular bands that had relatively brief and productive careers, Tones On Tail’s oeuvre has been collected many times in many forms. This 19-track double LP features all of Tones On Tail’s crucial tracks including most of the Pop album, the best songs from the Tones on Tail EP, and the singles ‘Go!’, ‘Twist’, plus ‘Christian Says’. It lacks only a trio of songs from Pop and some miscellaneous odds and ends. Night Music was a welcome release at in 1987, marking Tones on Tail’s first appearance on CD. It has since been superseded by the almost aptly named Everything! compilation. This new compilation brings back the classic vinyl sound and includes previously undiscovered rarities like the original (and better) version of ‘Performance’, a never before released studio version of ‘Heartbreak Hotel’, the single edit of ‘Go!’, plus an extended version of ‘Twist’. Weird Pop serves as a concise summary of Tones On Tail’s career, effectively showcasing both their skewed pop and their darker, more experimental material.”

  • Side One
  • Go! (Single Edit)
  • War
  • Christian Says
  • There’s Only One
  • Performance (Original Beck Session)
  • Copper

    Side Two

  • Heartbreak Hotel (Studio Version)
  • Burning Skies
  • OK, This Is The Pops
  • Instrumental
  • Movement Of Fear

    Side Three

  • Bigger Splash
  • The Never Never
  • Real Life
  • Rain

    Side Four

  • Lions
  • When You’re Smiling
  • Twist (Extended)
  • You, The Night and The Music


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  • // PIXIES ‘COME ON PILGRIM’ LP

    // PIXIES ‘COME ON PILGRIM’ LP

    Pixies
    ‘Come On Pilgrim’ LP
    CT-Picks / 4AD (MAD-709)

    “Amazingly, Pixies’ 1987 debut EP, Come On Pilgrim, was compiled from the quickly, inexpensively made demo tape– paid for by Black Francis’ dad– the band made at Boston’s legendary Fort Apache studio soon after they formed. 4AD was so taken with the tape that they released eight of the songs as this mini-album. It’s easy to see why they were so impressed: Pixies’ essential sound — Francis’ unearthly shriek of a voice, David Lovering’s propulsive drumming, Joey Santiago’s insistent, prickly guitar playing, and Kim Deal’s sugar-and-sandpaper vocals and steady bass lines– arrives fully formed on songs like the bouncy, yet twisted, surfer-girl ode ‘Ed Is Dead.’ Gary Smith’s less-is-more production allows the full, primal impact of the band’s combustive sound to blast through, offering what may be the purest version of their perverse punk-pop. An electrifying debut, Come On Pilgrim remains as raw, vibrant, and engaging as the day it was recorded.”

  • Caribou
  • Vamous (Pilgrim)
  • Isla de Encanta
  • Ed Is Dead
  • The Holiday Song
  • Nimrod’s Son
  • I’ve Been Tired
  • Levitate Me


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  • // PIXIES ‘TROMPE LE MONDE’ LP

    // PIXIES ‘TROMPE LE MONDE’ LP

    Pixies
    ‘Trompe Le Monde’ LP
    CT-Picks / 4AD (GAD-1014)

    “Boasting a bigger, vaguely psychedelic sound– thanks in part to Captain Beefheart keyboardist Eric Drew Feldman– this underrated set was by turns anthemic (space/time travel saga ‘Planet of Sound’), explosive (The Jesus & Mary Chain cover “Head On”), sardonic (‘U-Mass’, ‘Subbacultcha’) and oddly poignant (‘The Sad Punk’).”

  • Trompe Le Monde
  • Planet of Sound
  • Alec Eiffel
  • Sad Punk
  • Head On
  • U-Mass
  • Palace of the Brine
  • Letter to Memphis
  • Bird Dream of the Olympus Mons
  • Space (I Believe In)
  • Subbacultcha
  • Distance Equals Rate Times Time
  • Lovely Day
  • Motorway to Roswell
  • The Navajo Know



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  • // PIXIES ‘DOOLITTLE’ LP

    // PIXIES ‘DOOLITTLE’ LP

    Pixies
    ‘Doolittle’ LP
    CT-Picks / 4AD (CAD-905)

    “After 1988′s brilliant but abrasive Surfer Rosa, Pixies’ sound couldn’t get much more extreme. Their Elektra debut, Doolittle, reins in the noise in favor of pop songcraft and accessibility. Producer Gil Norton’s sonic sheen adds some polish, but Black Francis’ tighter songwriting focuses the group’s attack. Their most accessible album, Doolittle‘s wide-ranging moods and sounds make it one of their most eclectic and ambitious. A fun, freaky alternative to most other late-’80s college rock, it’s easy to see why the album made Pixies into underground rock stars.”

  • Debaser
  • Tame
  • Wave of Mutilation
  • I Bleed
  • Here Comes Your Man
  • Dead
  • Monkey Gone to Heaven
  • Mr. Grieves
  • Crackity Jones
  • La Love You
  • No. 13 Baby
  • There Goes My Gun
  • Hey
  • Silver
  • Gouge Away



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  • // PAVEMENT ‘WOWEE ZOWEE’ 2xLP

    // PAVEMENT ‘WOWEE ZOWEE’ 2xLP

    Pavement
    ‘Wowee Zowee’ 2xLP
    CT-Picks / Matador (OLE-130)

    “The 3rd (or 4th) album by Pavement is a thoughtful and challenging work, certain to thrill and confound the hundreds of thousands of rock fans previously enraptured by Crooked Rain and Slanted and Enchanted. Recorded at Easley County Jail, Memphis, Pavement speak out for the first time since their incarceration. Here, as Pavement wait to be judged, we hear the human side of these musicians and public figures as they respond to some of the more than three dozen letters they have received. Here at last Pavement talk about their innocence, their ex-wives, and their children. They discuss their feelings about the media, justice, religion, and racism. American icons long before the events of ’94 brought them notoriety and an invitation to ‘The Tonight Show’. This is your chance to hear Pavement’s very personal message.”

  • We Dance
  • Rattled By The Rush
  • Black Out
  • Brinx Job
  • Grounded
  • Serpentine Pad
  • Motion Suggests
  • Father To A Sister Of Thought
  • Extradition
  • Best Friends Arm
  • Grave Architecture
  • AT&T
  • Flux = Rad
  • Fight This Generation
  • Kennel District
  • Pueblo
  • Half A Canyon
  • Western Homes


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  • // ICEAGE ‘YOU’RE NOTHING’ LP

    // ICEAGE ‘YOU’RE NOTHING’ LP

    Iceage
    ‘You’re Nothing’ LP
    CT-Picks / Matador (OLE-1009)

    You’re Nothing pushes Iceage’s singular sound to further extremes. Twelve examples of the myriad ways Iceage have written, and re-written the short aggressive rock song. We’re excited for you to hear it.”

  • Excstasy
  • Coalition
  • Interlude
  • Burning Hand
  • In Haze
  • Morals
  • Everything Drifts
  • Wounded Hearts
  • It Might Hit First
  • Rodfæstet
  • Awake
  • You’re Nothing



    Each of these You’re Nothing LPs comes with a limited edition flag.

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  • // PAVEMENT ‘CROOKED RAIN, CROOKED RAIN’ LP

    // PAVEMENT ‘CROOKED RAIN, CROOKED RAIN’ LP

    Pavement
    ‘Crooked Rain, Crooked Rain’ LP
    CT-Picks / Matador (OLE-079)

    “Pavement’s second record that marked a move from their low-fi sound heard on Slanted and Enchanted. Recorded in 1993, Crooked Rain, Crooked Rain saw not only the addition of Bob Nastanovich but also wider critical and audience acclaim.”

  • Silent Kit
  • Elevate Me Later
  • Stop Breathing
  • Cut Your Hair
  • Newark Wilder
  • Unfair
  • Gold Soundz
  • 5-4=Unity
  • Range Life
  • Heaven Is a Truck
  • Hit The Plane Down
  • Filmore Jive


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  • // YO LA TENGO ‘PAINFUL’ LP

    // YO LA TENGO ‘PAINFUL’ LP

    Yo La Tengo
    Painful
    CT-Picks / Matador (OLE-069)

    “…This is the album Yo La Tengo have waited eight years to make…A dark, sinister smoulder of an album, resplendent in both ambient menace and often uncomfortable beauty….” –Melody Maker

  • Big Day Coming
  • From A Motel 6
  • Double Dare
  • Superstar-Watcher
  • Nowhere Near
  • Sudden Organ
  • Worrying Thing
  • I Was The Fool Beside You For Too Long
  • Whole Of The Law
  • Big Day Coming
  • I Heard You Looking


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  • // BELLE & SEBASTIAN ‘THE BOY WITH THE ARAB STRAP’ LP

    // BELLE & SEBASTIAN ‘THE BOY WITH THE ARAB STRAP’ LP

    Belle & Sebastian
    ‘The Boy With The Arab Strap’ LP
    CT-Picks / Matador (OLE-361)

    “Belle & Sebastian quietly built a dedicated following after the release of their second album, If You’re Feeling Sinister, as word of mouth spread from indie kids to record collectors to store clerks to critics. By the end of 1997, the Scottish septet had developed a following every bit as passionate as the Smiths did at their peak, which is only appropriate since leader Stuart Murdoch is as wittily literate as Morrissey. If You’re Feeling Sinister proved this, as did the three excellent EPs that followed, increasing expectations for The Boy With the Arab Strap. Even if the album doesn’t match the peerless If You’re Feeling Sinister or break new ground for Belle & Sebastian, it’s not a sophomore slump. From the Motown stomp of ‘Dirty Dream Number Two’ to the Paul Simon shuffle of the title track, there is more musical texture on Boy than Sinister, but much of this was already explored on the EPs, which means Arab Strap essentially consolidates the group’s talents. Murdoch recedes from the spotlight on occasion, letting Steve Jackson deliver two music-biz spiels and giving Isobel Campbell space to shine with the lilting ‘Is It Wicked Not to Care?’ All three songs are highlights, but Murdoch’s songs still attract the most attention. His vicious wit, often overlooked in favor of his poetic narratives, surfaces on the title track, while ‘It Could Have Been a Brilliant Career’ summarizes his effortless gift for elegant melancholia. Such small, precious gems are what Belle & Sebastian are all about, and The Boy With The Arab Strap offers another round of timeless, endlessly fascinating folk-pop treasures.” – Stephen Thomas Erlewine / All Music Guide

  • It Could Have Been A Brilliant Career
  • Sleep The Clock Around
  • Is It Wicked Not To Care?
  • Ease Your Feet In The Sea
  • A Summer Wasting
  • Seymour Stein
  • A Space Boy Dream
  • Dirty Dream Number Two
  • The Boy With The Arab Strap
  • Chickfactor
  • Simple Things
  • The Rollercoaster Ride


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  • // JOHN CALE ‘PARIS 1919′ LP

    // JOHN CALE ‘PARIS 1919′ LP

    John Cale
    Paris 1919
    CT PICKS/4 Men With Beards 4M125

     

     ”…richly poetic, enigmatic period pieces strongly evocative of their time and place. …Indeed, there’s little here to suggest either Cale’s noisy, abrasive past or the chaos about to resurface in his subsequent work — for better or worse, his music never achieved a similar beauty again.”

  • Child’s Christmas In Wales
  • Hanky Panky
  • Nohow
  • The Endless Plain Of Fortune
  • Andalucia
  • Macbeth
  • Paris 1919
  • Graham Greene
  • Half Past France
  • Antarctica Starts Here

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  • // WALKER, SCOTT ‘SCOTT 3′ LP

    // WALKER, SCOTT ‘SCOTT 3′ LP

    Scott Walker
    ’3′
    CT Picks/4 Men With Beards 4M151

     

    “Scott 3, originally released in 1969, marked a big change in Walker’s approach to albums as, for the first time, the record is dominated by his original compositions. In fact, the only other songwriter that makes it onto the album is Walker’s idol, Belgium’s legendary singer/songwriter Jacques Brel. Scott 3 again features string heavy production courtesy of Wally Scott, though it occasionally moves out of pop ballad territory into a more cinematic feel influenced by Ennio Morricone, among others. An huge influence on folks like David Bowie and Nick Cave, as well as just about anybody on the 4AD label.” 180 gram vinyl; gatefold sleeve.

  • It’s Raining Today
  • Copenhagen
  • Rosemary
  • Big Louise
  • We Came Through
  • Butterfly
  • Two Ragged Soldiers
  • 30 Century Man
  • Winter Night
  • Two Weeks Since You’ve Been Gone
  • Sons Of
  • Funeral Tango
  • If You Go Away

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  • // PAVEMENT ‘SLANTED AND ENCHANTED’ LP

    // PAVEMENT ‘SLANTED AND ENCHANTED’ LP

    Pavement
    ‘Slanted and Enchanted’ LP
    CT PICKS / Matador (OLE-138)

     

    Slanted and Enchanted is a left-field classic, a record that came out of nowhere to help establish a new subgenre of rock & roll. Pavement had already sketched out their sound, as well as their amateurish lo-fi aesthetic, on a series of indie singles before recording their debut, but Slanted and Enchanted is where they pulled all of their disparate sounds together into a distinctive style.” (AMG)
     

  • Summer Babe (Winter Version)
  • Trigger Cut/Wounded-Kite At :17
  • No Life Singed Her
  • In The Mouth a Desert
  • Conduit For Sale!
  • Zurich Is Stained
  • Chesley’s Little Wrists
  • Loretta’s Scars
  • Here
  • Two States
  • Perfume-V
  • Fame Throwa
  • Jackals, False Grails: The Lonesome Era
  • Our Singer


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  • // TELEVISION PERSONALITIES ‘THEY COULD HAVE BEEN BIGGER THAN THE BEATLES’ LP

    // TELEVISION PERSONALITIES ‘THEY COULD HAVE BEEN BIGGER THAN THE BEATLES’ LP

    Television Personalities
    ‘They Could Have Been Bigger Than The Beatles’
    CT PICKS 1972 IF015

     

    Comprised of early singles, demos, outtakes and unreleased tracks recorded between 1979 and 1982, They Could Have Been Bigger Than the Beatles was Television Personalities’ third full-length.

    The unannotated retrospective is a surprisingly cohesive collection of singular and classic tunes, from the haunting single “Three Wishes” (“If I had three wishes I’d wish for three more”) and the brilliant “David Hockney’s Diaries” (a different and much better version from the one on Mummy Your Not Watching Me) to the perennial punk classic “14th Floor” and the enthusiastically sloppy versions of The Creation’s “Painter Man” and “Making Time,” to the gentle freakbeat of “The Boy in the Paisley Shirt” and “Psychedelic Holiday.” It’s a perfect autumn soundtrack, and autumn is the whole year
     

  • Three Wishes
  • David Hackneys Diary
  • In A Perfumed Garden
  • Flowers For Abigail
  • King and Country
  • The Boy In The Paisley Shirt
  • Games For Boys
  • Painter Man
  • Psychedelic Holiday
  • 14th Floor
  • Sooty’s Disco Party
  • Makin’ Time
  • When Emily Cries
  • The Glittering Prizes
  • Anxiety Block
  • Mysterious Ways

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  • // FEEDERZ ‘EVER FEEL LIKE KILLING YOUR BOSS’ LP

    // FEEDERZ ‘EVER FEEL LIKE KILLING YOUR BOSS’ LP

    Feederz
    ‘Ever Feel Like Killing Your Boss?’LP
    CT-Picks Broken Rekids SKIP 96
  • Have You Never Been Mellow
  • Imitation Of Life
  • Bionic Girl
  • Terrorist
  • Day By Day
  • 1984
  • Burn Warehouse Burn
  • Entering From The Rear
  • Games
  • Subscription
  • Stayfree
  • Dead Bodies
  • Gut Rage
  • Destruction Unit
  • L-O-V-E (Another Damp Thing)
  • Love In The Ruins
  • F Y

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  • // SOUND, THE ‘JEOPARDY’ LP

    // SOUND, THE ‘JEOPARDY’ LP

    The Sound
    ‘Jeopardy’LP
    CT-Picks ’1972′ if02

    Formed in 1979 and fronted by the mercurial and troubled Adrian Borland (he would commit suicide in 1999 after years of battling depression), The Sound are one of the most unjustly neglected band of the ’80s. They may not be as well-known as their contemporaries Echo & the Bunnymen or Joy Division, but their contributions to the first wave of English post-punk are equally unique and influential.”

  • I Can’t Escape Myself
  • Heartland
  • Hour Of Need
  • Words Fail Me
  • Missiles
  • Heyday
  • Jeopardy
  • Night Versus Day
  • Resistance
  • Unwritten Law
  • Desire

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  • // SOUND, THE ‘FROM THE LIONS MOUTH’

    // SOUND, THE ‘FROM THE LIONS MOUTH’

    The Sound
    ‘From The Lions Mouth’ LP
    CT-Picks’ ’1972′ IF003

    “For The Sound’s sophomore LP, the group decided to work with producer Hugh Jones (Echo & the Bunnymen, The Teardrop Explodes, Bauhaus). The resulting album is more richly layered than their debut, fusing the band’s atmospheric, affecting sound with a set of accessible yet invigorating songs. At the time, From the Lion’s Mouth gained great marks from the British music press, but did not break the band beyond its devoted cult of fans. Now it is considered a post-punk classic.”

  • Winning
  • Sense Of Purpose
  • Contact The Fact
  • Skeletons
  • Judgment
  • Fatal Flaw
  • Possession
  • The Fire
  • Silent Air
  • New Dark Age

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  • // TELEVISION PERSONALITIES ‘PAINTED WORD’ LP

    // TELEVISION PERSONALITIES ‘PAINTED WORD’ LP

    Television Personalities
    ‘Painted Word’ LP
    CT-Picks

    “Originally released by Illuminated Records, the Television Personalities’ 1984 album The Painted Word is a near-perfect collection of jangly, riffing guitars, organ chords, freaky tambourines and Velvet Underground-like drumming.Every song on this dark, hauntingly beautiful masterpiece is a gem in the rough. It’s easy to hear similarities to Swell Maps, The Only Ones and The Modern Lovers in the group’s unique style that draws from both DIY punk and post-punk psychedelia.”

  • Stop And Smell The Roses
  • The Painted Word
  • A Life Of Her Own
  • Bright Sunny Smiles
  • Mentioned In Dispatches
  • A Sense Of Belonging
  • Say You Wont Cry
  • Someone To Share My Life With
  • Youll Have To Scream Louder
  • Happy All The Time
  • The Girl Who Had Everything
  • Paradise Estate
  • Back To Vietnam

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  • //  3D’s, THE ‘HELLZAPOPPIN’ LP

    // 3D’s, THE ‘HELLZAPOPPIN’ LP

    The 3D’s
    ‘Hellzapoppin’ LP
    CT-Picks / Flying Nun

    Released in 1992, Hellzapoppin was the 3Ds’ first full-length album. The giddy crunch of opener “Outer Space,” with a flat-out fun melody and plenty of crazy guitar effects, sets the tone for an LP that is both thrashing and tuneful but never pointlessly macho. Instead, among the crash, bang and occasional hysterics, songs like “Ugly Day” and “Swallow” radiate vibes of fun. Guest performer Alan Starrett (who’s collaborated with members of The Chills, Toy Love, etc.) adds a few extra instrumental touches here and there, like viola and kalimba on the clattering “Teacher Is Dead.” “Leave the Dogs to Play,” with its hollow percussion, heavily treated guitars and vocals, shows a band getting more comfortable with studio possibilities, while having a blast at the same time. Led by the masterful guitar playing of David Mitchell, the 3Ds’ upbeat, high-energy songs were a giant influence on bands like Superchunk and Pavement, and they culled melody out of noise in a manner only rivaled by Sonic Youth.

  • Outer Space
  • Ugly Day
  • Sunken Head
  • Swallow
  • Sunken Treasure
  • Hellzapoppin
  • Leave The Dogs To Play
  • Hairs
  • Something In The Water
  • Homo Necans
  • One Eye Opened
  • Teacher Is Dead
  • Jewel

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  • // STEREOLAB ‘EMPEROR TOMATO KETCHUP’ LP

    // STEREOLAB ‘EMPEROR TOMATO KETCHUP’ LP

    Stereolab
    ‘Emperor Tomato Ketchup’
    CT-Picks ’1972′ if09

    “Stereolab’s fourth full-length, Emperor Tomato Ketchup marked the point where the band evolved from a purely underground phenomenon to an important pop group capable of selling albums while keeping their hipness and integrity intact. At the time of its release, it was simultaneously their most experimental and most accessible release, with the deliberate raw textures of earlier works replaced by a more polished vibe. The album was also their greatest success to date both commercially and critically, and remains a consensus favorite even now.”

  • Metronomic Underground
  • Cybele’s Reverie
  • Percolator
  • Les Yper-Sound
  • Spark Plug
  • OLV 26
  • The Noise Of Carpet
  • Tomorrow Is Already Here
  • Emperor Tomato Ketchup
  • Monstre Sacre
  • Motoroller Escalation
  • Slow Fast Hazel
  • Anonymous Collective

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  • // STEREOLAB ‘MARS AUDIAC QUINTET’ 2XLP

    // STEREOLAB ‘MARS AUDIAC QUINTET’ 2XLP

    Stereolab
    ‘Mars Audiac Quintet’ 2LP
    CT-Picks ’1972′ if08

    “Mars Audiac Quintet saw Stereolab beginning to shed their experimental tendencies in favor of a post-modern space-age pop. The album exudes a sophisticated cool and catchiness that helped them gain new fans while straddling the line between their experimental-rock brethren and the ascending class of pre-millennial British pop. It’s also the album that put them on the A-list of underground rock bands.”

  • Three-Dee Melodie
  • Wow and Flutter
  • Transona Five
  • Des Étoiles Électroniques
  • Ping Pong
  • Anamorphose
  • Three Longers Later
  • Nihilist Assault Group
  • International Colouring Contest
  • The Stars Our Destination
  • Transporté Sans Bouger
  • L’Enfer des Formes
  • Outer Accelerator
  • New Orthophony
  • Fiery Yellow

    // Stereolab ‘Transient Random-noise Bursts With Announcement’ 2LP

    Stereolab
    ‘Transient Random-noise Bursts With Announcement’ 2LP
    CT-Picks

    “Transient Random-Noise Bursts With Announcements is Stereolab’s breakthrough album, their major label debut, and one of the most innovative releases of the 1990s, a musical decade signified by breaking down artistic barriers.

    Originally released in August 1993, Transient Random-Noise Bursts With Announcements builds on the promise of the band’s early releases Switched On and Peng! by expanding the scope of their highly distinctive mix of one-chord Krautrock grooves, distorted vintage keyboard noise and Euro-pop. Adding touches of ’50s and ’60s easy listening, exotica and space-age sounds as well as samba and French pop, Stereolab did more than any group in the modern rock era to expand the language of art music by incorporating styles left for dead by the serious rock community.”

  • Tone Burst
  • Our Trinitone Blast
  • Pack Yr Romantic Mind
  • I’m Going Out of My Way
  • Golden Ball
  • Pause
  • Jenny Ondioline
  • Analogue Rock
  • Crest
  • Lock-Groove Lullaby

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  • // TINDERSTICKS ’1′ 2xLP

    // TINDERSTICKS ’1′ 2xLP

    Tindersticks
    ’1′ 2xLP
    CT-Picks / PLAIN 161LP

    “A thrilling debut for one of the most original British bands of the ’90s. A romantic and elegant chamber pop masterpiece that mixes indie rock forms, the maverick pop songcraft of a Lee Hazlewood and/or Van Dyke Parks, and the dark charm and hip romanticism of Ian Curtis, Scott Walker, and Leonard Cohen. While in the UK it was named album of the year (1993) by Melody Maker, in the USA Rolling Stone wrote: ‘the 1st Tindersticks album draws inspiration from the playful narrative style of producer Lee Hazlewood, the Cinemascope orchestrations of John Barry and the twilight-zone claustrophobia of Nick Cave and the Bad Seeds.’” Gatefold sleeve; on 180 gram vinyl.” -Forced Exposure

  • Nectar
  • Tyed
  • Sweet, Sweet Man Pt. 1
  • Whiskey and Water
  • Blood
  • City Sickness
  • Patchwork
  • Marbles
  • The Walt Blues
  • Milky Teeth
  • Sweet, Sweet Man Pt. 2
  • Jism
  • Piano Song
  • Tie-Dye
  • Raindrops
  • Sweet, Sweet Man Pt. 3
  • Her
  • Tea Stain
  • Drunk Tank
  • Paco de Renaldo’s Dream
  • The Not Knowing
  • Fruitless

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  • // R. STEVIE MOORE ‘HEARING AID’ LP

    // R. STEVIE MOORE ‘HEARING AID’ LP

    R. Stevie Moore
    ‘Hearing Aid’ LP
    // CT PICKS / MEGA 024LP

    “R. Stevie Moore’s music sounds like so many different things, yet like no one else. He’s been making home recordings since the late ’60s as an underground artist and only now is he seeing a much larger recognition of his work. His friend Jason Willett compiled this record over the course of 17 years, digging deep into Stevie’s cassette catalog. Hearing Aid is a collection of Stevie’s songs that cover a wide range of variety: pop genius, sublime instrumental country surf, electronic experiments, bizarre spoken-word theater, dark disco rock, field recordings, etc. The end result is not a “greatest hits” collection but rather a diverse sculpture of the early world of R. Stevie Moore. This is one of the only readily available R. Stevie releases and 95% of Hearing Aid has never appeared before on vinyl. It features 32 songs that were recorded from the late ’60s to the early ’80s, over 87 minutes of audio. This compilation of rare tracks is produced on limited double LP vinyl only, in a deluxe gatefold sleeve (featuring 284 images of R. Stevie).” -Forced Exposure

  • Commentary
  • Your Daughter And I
  • Pow Wow
  • Cuss Me Out
  • Keeping You
  • Watch Me On The News
  • Are You Gonna Thank Me
  • Eugene’s Record Shop
  • III (Worst)
  • Birds To Telephone
  • Tape To Disc
  • Let’s
  • If You See Kay
  • Life And Death Of An Insect
  • Girl Go
  • Adjacent Species Like You
  • I Never Know
  • The Crystal Chandelier
  • The Winner
  • Games
  • Loud Nothing
  • Hearing Aid
  • Pink Litmus Paper Shirt
  • Hey Man You Got A Cigarette
  • Advertisement
  • There Is No God In America
  • Even Me
  • Ta Da For Bass Viol
  • Silent Afterthought
  • Theme From Hurricane David
  • Flowers Seep Into The Night
  • Am I Ugly
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  • // MAZZY STAR ‘AMONG MY SWAN’ LP

    // MAZZY STAR ‘AMONG MY SWAN’ LP

    Mazzy Star
    ‘Among My Swan’ LP
    // CT PICKS / PLAIN 119LP

    “Repressed. “Mazzy Star’s third and final album, originally released in 1996, is a perfect finale to the band’s career, another fine work of hushed folk-rock and gentle psychedelia. The atmospheric guitar of David Roback and the hauntingly gorgeous vocals of Hope Sandoval are complimented here with help from William Reed of The Jesus & Mary Chain among others.” 180 gram vinyl housed in a full-color printed inner sleeve.” -Forced Exposure

  • Disappear
  • Flowers in December
  • Rhymes of an Hour
  • Cry, Cry
  • Take Everything
  • Still Cold
  • All Your Sisters
  • I’ve Been Let Down
  • Roseblood
  • Happy
  • Umbilical
  • Look on Down from the Bridge
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  • // BATS, THE ‘DADDY’S HIGHWAY’ LP

    // BATS, THE ‘DADDY’S HIGHWAY’ LP

    The Bats
    ‘Daddy’s Highway’ LP
    CT-Picks / Flying Nun
  • Block Of Wood
  • Miss These Things
  • Mid City Team
  • Some Peace Tonight
  • Had To Be You
  • Daddy’s Highway
  • Treason
  • Sir Queen
  • Round And Down
  • Take It
  • North By North
  • Tragedy

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  • // KEVIN AYERS ‘JOY OF A TOY’ LP

    // KEVIN AYERS ‘JOY OF A TOY’ LP

    AYERS – THOMPSON BUNDLE
    Kevin Ayers “Joy of a Toy” LP / Gatefold Reissue
    // CT PICKS / 4 MEN WITH BEARDS

    “On 180 gram vinyl, housed in a gatefold sleeve. “Joy of a Toy is the debut solo album from the bassist and principal songwriter of the Soft Machine, originally released in 1969 by Harvest. With Ayers playing an impressive list of instruments and band mate Robert Wyatt on drums for most of the songs, many of the tracks recall early Soft Machine, and feature Ayers prog-pop songwriting sensibilities in full force.” – Forced Exposure

  • 1. Joy of a Toy Continued
  • 2. Town Feeling
  • 3. The Clarietta Rag
  • 4. Girl on a Swing
  • 5. Song for Insane Times
  • 6. Stop This Train (Again Doing It)
  • 7. Eleanor’s Cake (Which Ate Her)
  • 8. The Lady Rachel
  • 9. Oleh Oleh Bandu Bandong
  • 10. All This Crazy Gift of Time

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  • // WALKER, SCOTT ‘SCOTT 4′ LP

    // WALKER, SCOTT ‘SCOTT 4′ LP

    Scott Walker
    ’4′ LP
    CT-Picks/4 Men With Beards

    “Despite being the first of his solo albums not to reach the British Top 10, Scott 4 was perhaps his best, and most ambitious album to date. Originally released in 1969, it is the first record to feature only Scott Walker originals. It is also the first to back off a bit from the heavily string laden production of past releases, allowing other sonic influences to shine through, from country to folk to soul. The lyrical content remains intense as Walker tackles everything from War to Stalinism to heartbreak with equal success. A classic.” 180 gram vinyl; gatefold sleeve.

  • The Seventh Seal
  • On Your Own Again
  • The World’s Strongest Man
  • Angels Of Ashes
  • Boy Child
  • Hero Of The War
  • The Old Man’s Back Again (Dedicated To The Neo-Stalinist Regime)
  • Duchess
  • Get Behind Me
  • Rhymes Of Goodbye

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  • // DECIMA VICTIMA BOX SET

    // DECIMA VICTIMA BOX SET

    Decima Victima Box Set
    ‘So Tonight That I Might See’ LP
    CT Picks // PLAIN 118LP

    “This box-set contains all the music made by Hispanic-Swedish quartet Décima Víctima, including two unreleased tracks, released almost 30 years after their first record. For this edition, the sound of the original tape recordings has been cleaned and improved. In 1981, brothers Lars and Per formed the instrumental band Clausula Tenebrosa. After a show, they started talking about the possibility of rehearsing with Carlos, a friend at the time and ex-singer of Ejecutivos Agresivos. That’s how the story of Décima Víctima starts — rehearsing with a drum machine in the cellar of the Mertanen’s house in Madrid. “After a few months, in the year 1981, we made our first studio recording, a demo recorded on a 4-track. A little later on, with our friends from the band Esclarecidos, we started the independent label Grabaciones Accidentales (GASA), and we were able to start releasing our own records. The first single came out in 1982, with Lars playing drums on it. Soon after, Los Esclarecidos introduced us to Jose Brena, brother of one of the original members of their band, and he joined as our drummer. The second single was also recorded in 1982. A few months later, we went to Vigo for a week to try out our first LP playing our repertoire live, in order to see which tracks the audience liked best and chose 12 for the record. Paco Trinidad, our producer, always understood what we wanted and he researched how to achieve it technically. The LP was very well received by the press, especially by El Pais, one of the biggest-selling newspapers in Spain. Our next recording was the maxi-single Un Lugar En El Pasado, with three tracks. With regards to our audience, we didn’t make any concessions. Our shows were static. Carlos would sing sitting down like a crooner while Lars and Per only moved as little as necessary and Jose remained behind his drum kit. The sound, despite being made using only three instruments and voice, managed to be as enveloping live as it was on record, thanks to the Mertanen brothers’ personal way of playing and to having, most of the time, Paco Trinidad as our sound technician. Our last show was at Madrid’s Rock-Ola on December 3, 1983. In the winter of 1983 we recorded live, on a 4-track, a demo of our second LP, Un Hombre Solo. A few months later, already disbanded, we recorded it in the studio. In our opinion, it contains some of our best tracks. The band ended mainly for work reasons beyond our control. There were no musical or personal differences. Although we would argue sometimes, we always were, above all, very good friends. In 1999, Jose Brena, our drummer, died. It was a hard blow for everyone. He appears on the cover of Los Que Faltan, reminding us that there are things which, unfortunately, won’t ever happen again.” –Décima Víctima; Includes a 24-page LP-size booklet in Spanish and English that tells the band’s story in their own words and includes many unseen pictures, a full discography and complete lyrics.” -Forced Exposure

    Track Listing:
    Décima Víctima LP:
    A1. La Voz Que Me Persigue
    A2. Mas Alla Del Silencio
    A3. Inseguridad
    A4. Escombros De Un Triunfo
    A5. Otro Futuro
    A6. Almas Perdidas
    B1. Hacia La Luz
    B2. Fe En Ti Mismo
    B3. Detras De La Mirada
    B4. Desde El Acantilado
    B5. Hasta El Limite
    B6. Decision

    Un Hombre Solo LP:
    A1. Sobre Otra Ruta
    A2. La Frontera Perdida
    A3. Desarmado
    A4. Noctambulo
    A5. Un Hombre Solo
    B1. En La Rebelion
    B2. Tierra Negra
    B3. Una Vez Mas
    B4. Contra La Naturaleza
    B5. Es Solo El Comienzo

    Los Que Faltan LP:
    A1. El Vacio
    A2. La Razon De La Discordia
    A3. Sumido En La Depresion
    A4. Tan Lejos
    A5. El Signo De La Cruz
    A6. Noviembre
    A7. Algo En Comun
    B1. Fuera Del Alcance De La Vista
    B2. Un Lugar En El Pasado
    B3. Panorama Esperanzador
    B4. El Sueño
    B5. En La Eternidad
    B6. Bajo Un Cielo Abierto

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  • // GUN CLUB, THE ‘FIRE OF LOVE’ LP

    // GUN CLUB, THE ‘FIRE OF LOVE’ LP

    The Gun Club
    ‘Fire of Love’ LP
    CT Picks // MR 256LP

    “2003 release. Jeffrey Lee Pierce — reggae enthusiast, heroin addict, and former president of the Blondie fan club — suffered a lonely, depressing death on March 31st, 1996 of a brain hemorrhage, after untold years of drug use and alcoholism. Why this event mattered much to anyone lay in a fantastic record his band, The Gun Club, recorded 16 years earlier: the masterful Fire Of Love. A visionary and fierce moment in time when The Gun Club took the raw, dripping meat of shopworn delta blues and infused it with the energy and fire of the LA punk rock scene. Inspired by bands like X, Television and the Cramps, he met Kid Congo Powers (who later played with Nick Cave and Cramps) and they formed the Creeping Ritual in 1979, soon to be renamed The Gun Club. Pierce was already a notorious drunk, exhibitionist, poet and fanboy. The Gun Club were quickly a dangerous new spoke on the spinning wheel of dynamic LA alt-culture. By 1980, Jeffrey Lee had moved into a deep reverence for Mississippi delta blues. The Gun Club paid more than passing homage: they wholeheartedly swiped complete riffs, words and attitude from the masters. Pierce participated in the great blues singer tradition by cobbling together distinct lines from other people’s songs to create new ones. Snatches of Blind Willie Johnson, Blind Lemon Jefferson and Robert Johnson can be heard throughout this debut LP — released in 1981 on Slash’s Ruby Records. What makes Fire Of Love such a brilliant listen long after its time is that this blatant homage to the blues was amplified, energized and kicked into overdrive — in a new style that combined the ghostliness of the original model with a FAST, unwound and supremely energetic beat. The engineering feats of Pat Burnette contributed to that sound: he wielded his Quad-Teck studios like a weapon, and mastered some of the greatest sides in LA music history (such as Germs’ GI). Pure fullness of sound and the raw hot throb of records that were made to stand the test of time. From the immensely dark and aggressive sexuality of “Sex Beat,” Gun Club’s most recognizable number, to the fetishistic salute to fellow traveler Poison Ivy of The Cramps in “For The Love Of Ivy,” including the hellfire classic “She’s Like Heroin To Me,” a 2:33 masterpiece in which everything comes together; Fire Of Love is pure perfection. It stands among the greatest classics of rock history, and shows the genius of the great Jeffrey, whose haunted singing has never been replaced. It proved out to be one of the most influential records of the ’80s, with countless musicians declaring their love for the Club.” -Forced Exposure

  • Sex Beat
  • Preaching the Blues (Robert Johnson, arranged Pierce)
  • Promise Me
  • She’s Like Heroin to Me
  • For the Love of Ivy (Pierce, Kid Congo Powers)
  • Fire Spirit
  • Ghost on the Highway
  • Jack on Fire
  • Black Train
  • Cool Drink of Water (Tommy Johnson, traditional, arranged Pierce)
  • Goodbye Johnny

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  • // CHRIS BELL’I AM THE COSMOS’ LP

    // CHRIS BELL’I AM THE COSMOS’ LP

    Chris Bell
    ‘I Am The Cosmos’ LP
    CT-Picks / 4 Men With Beards

    ‘Repressed. “Big Star guitarist Chris Bell was one of the unsung heroes of American pop music; despite a life marked by tragedy and a career crippled by commercial indifference, the singer/songwriter’s slim body of recorded work proved massively influential on the generations of indie rockers who emerged in his wake. Lyrically poignant and melodically stunning, this lone solo album is proof positive of his underappreciated pop mastery. 180 gram vinyl.” 70s recordings, including his ’78 7″ release, that were later compiled into a full length CD by Rykodisc in 1992 — this is the vinyl version of that’

  • I Am The Cosmos
  • Better Save Yourself
  • Speed of Sound
  • Get Away
  • You and Your Sister
  • Make a Scene
  • Look Up
  • I Get Kinda Lost
  • There Was a Fight
  • Light At The Table
  • I Don’t Know
  • Though I Know Sue Lies

  • CURRENTLY UNAVAILABLE

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  • // SWANS ‘SEER’ LP

    // SWANS ‘SEER’ LP

    Swans
    ‘Seer’ LP
    CT-Picks

    “The Seer took 30 years to make. It’s the culmination of every previous Swans album as well as any other music I’ve ever made, been involved in, or imagined. But it’s unfinished, like the songs themselves. It’s one frame in a reel. The frames blur, blend and will eventually fade.
    The songs began on an acoustic guitar, then were fleshed out with (invaluable) help from my friends, then were further tortured and seduced in rehearsals, live, and in the studio, and now they await further cannibalism and force-feeding as we prepare to perform some of them live, at which point they’ll mutate further, endlessly, or perhaps be discarded for a while.
    Despite what you might have heard or presumed, my quest is to spread light and joy through the world. My friends in Swans are all stellar men. Without them I’m a kitten, an infant. Our goal is the same: ecstasy!” —Michael Gira

  • Lunacy
  • The Apostate Pt. 1
  • The Apostate Pt. 2
  • A Piece Of The Sky Pt. 1
  • A Piece Of The Sky Pt. 2
  • 93 Ave. B Blues
  • The Daughter Brings The Water
  • Song For A Warrior
  • Mother Of The World
  • Avatar
  • The Wolf
  • The Seer Pt. 1
  • The Seer Pt. 2
  • The Seer Returns

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  • // XENO & OAKLANDER ‘VIGILS’ LP

    // XENO & OAKLANDER ‘VIGILS’ LP

    Xeno & Oaklander
    ‘Vigils’ LP
    CT-Picks / WIERD RECORDS (VR019)

    Wierd Records is proud to announce the release of a vinyl edition of Xeno & Oaklander’s Vigils EP, originally self-released by the band as a limited edition CDR in 2006, here remastered with a previously unavailable bonus track. Merging the cold, cinematic aesthetics of artist Liz Wendelbo with the architectural exactitude of Sean McBride (a.k.a. Martial Canterel), Xeno & Oaklander have been the sharpest spearheads of twenty-first-century minimal synth since their formation in 2004. Using analogue synthesizers and instruments exclusively, the duo record all of their songs live in the studio, a challenge to the common practice of cut and paste recording where immediacy is often sacrificed in favor of a far-removed drag and drop electronic pop.

    Recorded in one continuous take on October 1st, 2006, and played to loving death by all of the DJs at the weekly Wierd party for the past four years, Vigils has long been a cornerstone and inspiration to a new young generation of electronic bands in the Brooklyn synth scene and beyond. Uptempo, echo-laden synthesizers and drum machines provide a spacious backdrop for Miss Liz’s ephemeral vocal presence. Their melodic, mournful oeuvre is an invocation of a lost future that was abandoned years ago in favor of something less human. These eight tracks are both fragile and psychedelic, suggesting an electronic equivalent of the British shoegaze bands while maintaining the wildly aggressive, stripped-down, raw, and unmediated spirit of punk and the seminal industrial noise groups that informed the ideals of the original wave of European minimal electronic bands.

  • An Introduction
  • Départ
  • Zurück
  • Blue Flower
  • Non Senti
  • Vigils
  • Two Eyes
  • Ransack
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  • // XENO & OAKLANDER ‘SENTINELLE’ LP

    // XENO & OAKLANDER ‘SENTINELLE’ LP

    Xeno & Oaklander
    ‘Sentinelle’ LP
    CT-Picks / WIERD RECORDS (VR008)

    Functioning as the absolute core of the electronic wing of the Wierd world since their beginnings in 2004, Miss Liz Wendelbo and Sean McBride here present a carefully composed, restrained and complex form of moody electronic pop music that is simultaneously romantically melancholic and affirmatively aggressive.

    Recorded entirely live in the studio with exclusively analogue instruments, Sentinelle situates itself as a series of highly crafted cinematic vignettes which takes as its vantage point a fictitious era in a long-passed distant age: a time of wandering desert travelers, forgotten underwater cities, and exquisitely sculptural objects; of arid land, sea-farers and ferrymen, blinding light and lonely rooms, precious metals and poisonous corrosion. Themes of paranoia and disaffection associated with the transformation felt during the industrial revolution (a stand-in for our contemporary digital malaise), as well as odes to the many gifts of its legacy – motion pictures, cameras, synthesizers, and voltage control – are traversed throughout the epic journey of this minimal electronic masterpiece, allowing the listener to gaze out of the frozen cold window onto the many radical paradigm shifts of the twentieth century, and is a true sonic portrait of this eminently fragile era in transition.

  • Saracen
  • 4th Wall
  • Preuss
  • Move 1
  • Toho Picture
  • Nuit
  • Shadow World
  • Sentinelle
  • Rendez-Vous d’Or
  • Werke
  • Vagabond
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  • // JULIA HOLTER ‘EKSTASIS’ 2xLP

    // JULIA HOLTER ‘EKSTASIS’ 2xLP

    Julia Holter
    ‘Ekstasis’ LP
    CT-Picks / RVNGNL14

    “Julia Holter second album, Ekstasis, is a collection of songs written and recorded across the span of three years in Los Angeles, California.

    Holter’s songwriting stems from a mythological reverence of that which is incomprehensibly beautiful. Her Eating the Stars EP (2007) was a first attempt at musically transcribing this beauty, while discovering the honest enjoyment of unadulterated creativity. The anonymous authorship and shimmering gold detail of medieval illuminated manuscripts particularly inspired the ornately-orchestrated pop song mystery of Stars. Holter’s debut album Tragedy (Leaving Records, 2011) embraced similar strains of shimmer, but used sparser textures in a narrative context.

    Ekstasis marks a return to the playful searching of Stars, but guided by newly-learned disciplines, slightly better technology, and nearly limitless home recording time. Formative experiences at Cal Arts studying with Michael Pisaro and in India singing with harmonium under guru Pashupati nath Mishra marked a slight detour for Holter in what started as a more traditional composition route. The trajectory leading to the creation of Ekstasis suggests her thirst for knowledge and experience.

    While Ekstasis reflects the conventions of her classical training, the album is also uncannily, if unknowingly, poppy. Holter’s approach to crafting the songs of Ekstasis centered around what she describes as, “open ear decisions: what seemed to sound best for that moment.” This blindness to reference unintentionally steers Ekstasis along the experimental pop spectrum most commonly associated to New York’s Downtown music micro-universe of the 80s, specifically the works of Laurie Anderson and Arthur Russell.

    With the blindness that leads Ekstasis, there are also many compositional methods at play. “Marienbad” was built while playing around on a Fender Rhodes with imagined imagery of topiary gardens and scenes from the song’s film namesake in mind. The entirety of “Boy in the Moon” – the Casio SK-1 noodles, melody, and lyrics – was improvised over a seven minute catharsis. The melody and lyrics for “Four Gardens” were written spontaneously while rearranging an older song on a loop pedal for a live performance. “This is Ekstasis” contains a bass line built from a medieval isorhythm technique, allowing it to maintain a sense of repetition, but shift slightly with every turn.

    There is a unique story and approach with each song, but all are united by the magnetism of the medieval manuscripts and Holter’s “desire to get outside of my body and find what I can’t define.” It took Holter stepping outside of her solely self-written and recorded body of music to engage fellow Los Angeles musician and friend Cole M. Greif-Neill in the final phase of Ekstasis. Greif-Neil added perspective and brought out the greatest sonic potential that each song secretly contained. Holter says, “The first time I heard his mix of ‘Marienband” the garden became so rich. Suddenly there were bright greens, the statues’ edges defined, the fountains pouring…”

    Ekstasis is an album indulged in these beautiful, simple, unfolding life mysteries. “All of these fleeting images and muses are so important,” says Holter. “As with the manuscripts, when I see them, I hear voices. I am continually following the voices in the gold leaf. I can’t know them, but I will follow their beautiful song.” RVNG Intl.

  • Marienbad
  • Our Sorrows
  • Für Felix
  • Moni Mon Amie
  • Goddess Eyes I
  • Four Gardens
  • Boy in the Moon
  • Goddess Eyes II
  • In the Same Room
  • This Is Ekstasis
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  • // ATAQUE DE CASPA ‘ATAQUE DE CASPA’

    // ATAQUE DE CASPA ‘ATAQUE DE CASPA’

    Ataque De Caspa
    ‘s/t’ LP
    CT-Picks / Gramaciones Grabofónicas (GRGR 15)

    Formed in the early 1980′s in Madrid Ataque de Caspa were a female fronted post punk band who played a handful of shows, one TV appearance before vanishing. Some 30 years later a collaboration with Yo-Yo industries see’s the original six tracks that were recorded re-mastered and released with the same six songs covered by artists that surrounded their sound.

  • Nigeria
  • Lalala
  • La Pesca
  • Crónica China
  • La Militar
  • Viaje A Egipto
  • Nigeria (Gran Aparato Eléctrico)
  • Lalala (Klaus & Kinski)
  • La Pesca (Linda Mirada)
  • Crónica China (Prisma En Llamas)
  • La Militar (Triángulo De Amor Bizarro )
  • Viaje A Egipto (Los Punsetes)

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  • // TONY CAREY ‘EXPLORER AND YELLOW POWER’ 2xLP

    // TONY CAREY ‘EXPLORER AND YELLOW POWER’ 2xLP

    Tony Carey
    ‘Explorer and Yellow Power’ LP
    CT Picks // MEDICAL 016LP

    “Tony Carey needs no introduction, but for the uninitiated, he is a keyboard whiz originally from California. He is clearly most famous for his work as keyboardist in the 1970s band Rainbow (alongside Ritchie Blackmore and Ronnie James Dio) up to 1977. He then embarked on a solo career with multiple charting records under his own name. In the mid-late 1970′s, he took up residence in Germany and began working in Peter Hauke’s studio. Carey embarked on a period of intense experimentation and mastery of various studio equipment, songwriting, and the like. Influenced by what Tony referred to as ‘euro-electronica,’ the product of these enlightening sessions became Explorer, No Human, TCP, Heaven, and Yellow Power. Though both LPs have similar tracks, the overall mixes and feel of the two LPs are vastly different. Instrumental and very catchy, Explorer is more stripped down almost proto-techno meets synthed out Italo disco while Yellow Power has a more polished, well-rounded and produced sound with a different array of instrumentation and alteration in mood. Released in a sturdy gatefold jacket with ‘montaged’ new artwork on the front and back but preserved original covers in the inside of the gatefold, this is a gorgeous reissue. Released on double colored 160 gram vinyl (LP1 is green and LP2 is baby blue) in limited edition of 1000 hand-numbered copies. Release also includes a special bonus insert with a retrospective and interview by Dave Segal. Fans of proto-techno, early synth-based disco, and left-field wave/electronica will need this gem in their collection.”

  • Enjaw J
  • Transit To Nowhere
  • No. 8
  • Megawar
  • Queen Of Scots
  • Blue Fusion
  • Dynamite
  • Rabbits
  • No. 14
  • Yellow Power
  • Hai Samurai
  • Tojo
  • Queen Of Scots
  • Megawar
  • Blue Fusion
  • Train To Nowhere
  • Yellow Power
  • Peking Duck
  • Radio Tokyo
  • Dynamite


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  • // PALAIS SCHAUMBURG ‘PALAIS SCHAUMBURG’ 2xLP

    // PALAIS SCHAUMBURG ‘PALAIS SCHAUMBURG’ 2xLP

    Palais Schaumburg
    ‘S/T’ LP
    CT Picks // MEDICAL 016LP

    Now available as a standard double LP. After the deluxe vinyl edition of the release of this classic German underground album (BB 100LTD-LP) sold out within a few months, Bureau B now makes a standard version of the vinyl album available. Still as a double LP in a fold-out cover on 180 gram vinyl, but without the bonus 7″ and the extensive booklet that accompanied the deluxe edition. Therefore this version is also slightly less expensive than the former deluxe edition. The influential German post-punk electronic pop band Palais Schaumburg has reunited in the classic line-up. Since its release in 1981, their debut album has remained in a league of its own: fleet-footed and peculiar, abstract and pop, amateurish and savvy, it showed real alternatives to the then-pervasive crude search for identity found in the “new German wave.” The band, which consisted entirely of divergent personalities, has reunited in this formation to rediscover their common ground, further develop, and to perform live. In this post-sampling era, with the current, dynamic changes in the creation and reception of music, their statement has lost none of its fascination. Anyone who sees and hears the combination of idiosyncratic bass riffs (Blunck), bizarre yet catchy rhythms (Hertwig, Blunck), Fehlmann’s shrill horn and synthesizer fanfares, and Hiller’s seemingly atonal staccato guitar work and oblique lyrical conglomerates, will immediately comprehend the influence of this band. Therefore, Bureau B are very pleased to reissue the important original works of Palais Schaumburg in an appropriate format. In 1980, two students met at the Hamburg Art Academy: Thomas Fehlmann, who appreciated art and music and wanted to connect them, and the musician Holger Hiller, who had escaped the fractious Hamburg alternative scene, preferring the art school’s Conservatory of Music. The spirit of the early New German Wave blew through the country, the first independent labels vied for innovative artists, and the West German post-punk scene began to take shape. Hiller and Fehlmann brought in FM Einheit (from the band Abwärts) on drums and the Californian Chris Lunch on bass. But only shortly after the first single, with Timo Blunck’s bass riffs and the adept drumming of Ralf Hertwig, did the band establish its classic line-up. Palais Schaumburg played numerous gigs in this line-up and recorded a second single — then on the indie label Zick Zack. The recording of the album was enhanced by the British producer David Cunningham (Flying Lizards). Soon the music giant Phonogram came along waving a contract. Though it was predictable that the album would not exactly be a commercial success, its special position in German pop music soon became clear. The attention the album received was considerable, given the “awkwardness” of the music. These days, alongside the central works of the famous Krautrock bands, it is one of the most sought-after albums of German avant-garde music internationally.

    LP1:

  • Wir bauen eine neue Stadt
  • Die Freude
  • Gute Luft
  • Ahoi, nicht traurig sein
  • Grünes Winkelkanu
  • Morgen wird der Wald gefegt
  • Deutschland kommt gebräunt zurück
  • Hat Leben noch Sinn?
  • Eine Geschichte
  • Madonna
  • LP2:

  • Rote Lichter (1980)
  • Glücklich wie nie (1980)
  • Kinder, der Tod (Version) (1982)
  • Telefon (1981)
  • Kinder, der Tod (1981)
  • Aschenbecher (1982)
  • Gute Luft (live 1982)
  • Hat Leben noch Sinn (live 1982)
  • Herzmuskel (live 24.1.1982)
  • Morgen wird der Wald gefegt (live 1982)
  • Ahoi, nicht traurig sein (live 1982)
  • Rote Lichter (live 1982)


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  • // PULP ‘THE DEMOS 1981-1984′ LP

    // PULP ‘THE DEMOS 1981-1984′ LP

    Pulp
    “The Demos 1981-1984″ LP
    CT-Picks

    This 14-track collection of early demo recordings spans the years from their very first recording session in 1981 to the demos for their 1984 debut LP , “It.” Included are the synth- punk “What Do You Say?,” a great early version of “I Want You,” and the garage snarls of “Maureen” and “Back to LA.” Silkscreened cover art, limited pressing. ‘Not on Label’

  • Prove Myself
  • Mary Is A Dyke
  • Bad Night
  • Can’t Stand It No More
  • Love
  • Midnight Train
  • What Is This Feeling Called Love
  • Tv
  • Lost Boy
  • Johnny Piss Off
  • After Midnight
  • Fade
  • Bitch
  • Roadrunner
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  • // MAZZY STAR ‘SO TONIGHT THAT I MIGHT SEE’ LP

    // MAZZY STAR ‘SO TONIGHT THAT I MIGHT SEE’ LP

    Mazzy Star
    ‘So Tonight That I Might See’ LP
    CT Picks // PLAIN 118LP

    “Mazzy Star’s second album, originally released in 1993 and featuring the classic hit ‘Fade Into You,’ is the band’s near-universally accepted high water mark. A beautiful, gently psychedelic, folk-rock album and one of the greatest ‘alternative’ records of the 1990s, featuring Hope Sandoval’s ethereal vocals and the fine guitar work of David Roback.” 180 gram vinyl housed in a full-color printed inner sleeve.” -Forced Exposure

  • Fade Into You
  • Bells Ring
  • Mary Of Silence
  • Five String Serenade
  • Blue Light
  • She’s My Baby
  • Unreflected
  • Wasted
  • Into Dust
  • So Tonight That I Might See

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  • // WIRE ’1976 DEMOS’ LP

    // WIRE ’1976 DEMOS’ LP

    Wire
    ’1976 Demo’ LP
    CT-Picks

    Their very first studio demo, recorded in 1976 when they were still a 5-piece that included 2nd guitarist George Gill, who later formed THE BEARS. Sound and production are pretty good for a mid-’70s punk demo, but these fast and furious tracks (all previously unreleased) bear little resemblance to the art-punk and post-punk that would appear on their LPs: “Prove Myself,” “Mary is a Dyke,” “Bad Night,” “Can’t Stand It No More,” “Love,” “Midnight
    Train,” “What is This Feeling Called Love,” “TV,” “Lost Boy,” “Johnny Piss Off,” “After Midnight,” “Fade,” “Bitch,” and “Roadrunner.” Good looking 2-color cover art, 180 gram vinyl pressing, UK import. ‘Not on label’

  • Prove Myself
  • Mary is A Dyke
  • Bad Night
  • Can’t Stand It No More
  • Love
  • Midnight Train
  • What’s This Feeling Called
  • Love
  • Lost Boy
  • Jhonny Piss Off
  • After Midnight
  • Fade
  • Bitch
  • Roadrunner


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  • // ASHRAE FAX ‘STATIC CRASH’ LP

    // ASHRAE FAX ‘STATIC CRASH’ LP

    Ashrae Fax
    ‘Static Crash’ LP
    CT Picks // HR 027LP

    “Reissue of the cult classic album from 2003, first time on vinyl, by the great under-heralded Greensboro NC band. This is a record out of time, an essential, intense, highly listenable haunted mix of synth pop, ethereal vocals with touches of ambient and cold electronic noise. Highly recommended if you are into any of these sounds.” -Forced Exposure

  • Unndup
  • Daddystitch
  • Pointbreak
  • Ultravaca
  • Uprlxrq
  • Armpit
  • Dynamite Dust
  • Ectome

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  • // ECHO & THE BUNNYMEN ‘BBC TAPES’ LP

    // ECHO & THE BUNNYMEN ‘BBC TAPES’ LP

    Echo & The Bunnymen
    ‘BBC Radio Tapes’ LP
    CT-Picks

    A collection of BBC radio sessions from 1979 and 1980, including their first ever recordings with drum machine programming by David Balfe of THE TEARDROP EXPLODES. Raw, powerful versions of songs that were eventually released on the “Crocodiles” and “Heaven Up Here” albums, this features “A Show of Strength,” “Pictures on My Wall,” “All That Jazz,” “Heaven Up Here,” “All My Colours,” “Over the Wall,” “Villiers Terrace,” “I Bagsy Yours,” “Read It in Books,” and “Ashes to Ashes.” Packaged in a silkscreened jacket, this is a limited pressing of 500 numbered copies.

  • A Show of Strength
  • Pictures On My Wall
  • All That Jazz
  • Heaven Up Here
  • All My Colors
  • Over The Wall
  • Villiers Terrace
  • I Bagsy Yours
  • Read It In Books
  • Ashes To Ashes

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  • // TALKING HEADS ‘CBS DEMOS 1975′ LP

    // TALKING HEADS ‘CBS DEMOS 1975′ LP

    Talking Heads
    ‘CBS Demos 1975′ LP
    CT-Picks

    Un-releaed demo’s from 1975, the first time the band ever recorded in a studio as a demo for CBS Records. Recorded right around the time the Village Voice refereed to Byrne as a ‘Skinny, neurasthenic Roy Orbison with the voice of a psychotic fifteen-year old and he isn’t even fifteen’. It’s as early as the Heads get, keeping in mind Tina Weymouth learnt to play bass in the cab ride to the studio.

  • Psycho Killer
  • Sugar On My Tongue
  • Thank You For Sending Me An Angel
  • I Want To Live
  • I Wish You Wouldn’t Say That
  • The Girls Want To Be With The Girls
  • Who Is It
  • With Our Love
  • Stay Hungry
  • Tentative Decisions
  • Warning Sign
  • I’m Not In Love
  • The Book I Read
  • Love Goes to Building On Fire
  • No Compassion
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  • // CRISPY AMBULANCE ‘PLATEAU PHASE’ LP

    // CRISPY AMBULANCE ‘PLATEAU PHASE’ LP

    Crispy Ambulance
    ‘Plateau Phase’ LP
    CT-Picks
  • Are You Ready?
  • Travel Time
  • The Force And The Wisdom
  • The Wind Season
  • Death From Above
  • We Move Through The Plateau Phase
  • Bardo Plane
  • Chill
  • Federation
  • Simon’s Ghost

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  • // WAKE, THE ‘HARMONY’ LP

    // WAKE, THE ‘HARMONY’ LP

    The Wake
    ‘Harmony’ LP
    CT-Picks

    First out in 1982 on the Factory label, this seminal album is an important link between the darkness of first-wave postpunk and the later dance-pop sound that eventually led to the rave scene. Includes the 12″ single track “Something Outside” as a bonus. Original artwork, limited 180 gram vinyl pressing. (Drastic Plastic)

  • Judas
  • Testament
  • Patrol
  • The Old Men
  • Favour
  • Heartburn
  • An Immaculate
  • Conception
  • Something Outside

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  • // JESUS & MARY CHAIN ‘SEND ME AWAY’ (EARLY DEMOS) LP

    // JESUS & MARY CHAIN ‘SEND ME AWAY’ (EARLY DEMOS) LP

    Jesus & Mary Chain
    ‘Send Me Away’ LP
    CT-Picks

    Before their classic debut “Psychocandy,” these demos were recorded with an unparalleled raw energy. The two earliest tracks here, from 1983, show them forming their indomitable sound with a less trashy approach than their debut. Drenched in violence and splashing with echo, the 1984 tracks that follow are unnerving. This is a version of the band you’ve never heard. Pressing limited to 500 copies.

  • Up Too High
  • On The Wall
  • Never Understand
  • Taste The Floor
  • Upside Down
  • In A Hole
  • Something’s Wrong
  • Inside Me
  • It’s So Hard
  • Send Me Away
  • Just Out Of Reach
  • Vegetable Man

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  • // SIOUXSIE AND THE BANSHEES ‘FROM THE VOID’ LP

    // SIOUXSIE AND THE BANSHEES ‘FROM THE VOID’ LP

    Siouxsie & Banshees
    ‘From the Void’ LP
    CT-Picks

    A collection of absolutely prime, 100% killer studio tracks recorded for the BBC from 1977 to 1979 (with the majority from before the release of their 1978 debut LP “The Scream”), we find Siouxsie and her band at their most primal and powerful punk stage, equal parts raw and jagged, melodic and refined. With completely excellent sound quality, this includes versions of “Love in a Void,” “Mirage,” “Metal Postcard,” “Suburban Relapse,” “Overground,”"Hong Kong Garden,” “But Not Them,” “Playground Twist,” “Carcass ,” “Helter Skelter,” and “Placebo Effect.” Play this fucker loud! Limited pressing of 500 in a 2-color silkscreen sleeve.

  • Love In A Void
  • Mirage
  • Metal Postcard
  • Suburban Relapse
  • Overground
  • Hong Kong Garden
  • But Not Them
  • Playground Twist
  • Carcass
  • Helter Skelter
  • Placebo Effect

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  • // PIXIES ‘DOOLITTLE DEMOS’ LP

    // PIXIES ‘DOOLITTLE DEMOS’ LP

    The Pixies
    ‘Doolittle Demos’ LP
    CT-Picks

    Demo’s from the Pixies influential LP ‘Doolittle’. Recorded in the mid-1988 in the basement of a hair salon in Boston the band extensively demoed ‘Doolittle’ under the working title ‘Whore’. Includes 18 tracks which went on to help form ‘Doolittle’ in 1989.

  • Tame
  • Debaser
  • I Bleed
  • Wave Of Mutilation
  • Crackity Jones
  • Bailey’s Walk
  • Mr. Grieves
  • Dead
  • Gouge Away
  • Manta Ray
  • Santo
  • La La Love You
  • No. 13 Baby
  • There Goes My Gun
  • Silver
  • Monkey Gone To Heaven
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  • // CREME SODA ‘TRICKY ZINGERS’ LP

    // CREME SODA ‘TRICKY ZINGERS’ LP

    Creme Soda
    ‘Tricky Zingers’ LP
    CT Picks

    “Exact repro of this utterly cool US album from 1975. Championed by the great Greg Shaw of Bomp Records, Creme Soda were one of those amazing anomalies: a band from 1975 playing garage-psych music which sounded straight from 1966-67. A very eclectic album which runs the gamut from psych-fuzz rockers to mellow deamy psych, garage R&B and Velvet Underground influenced acid-psych. Not forgetting the killer ‘Chewing Gum,’ a proto-punk track which sounds like early Cramps! Perfect remastered sound, original artwork and labels.” -Forced Exposure

  • Give It Up (Man)
  • Tonight
  • Numero Uno
  • (I’m) Chewin’ Gum
  • Deep In A Dream
  • The Nazz Are Blue
  • Keep It Heavy
  • Roses All Around
  • And That Is That
  • The Beat Song
  • When The Sun Shines
  • Daydreamin’

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  • // PULP ‘THIS IS HARDCORE’ 2xLP

    // PULP ‘THIS IS HARDCORE’ 2xLP

    Pulp
    ‘THIS IS HARDCORE’ LP
    CT Picks

    180 gram vinyl, gatefold with full-color glossy innersleeves. “Originally released in 1998, Pulp’s This Is Hardcore, was at once the artistic pinnacle of ’90s Brit-pop, and the genre’s comedown record, marking the end of an era with its ruminations on growing old (Jarvis Cocker wrote and recorded the album at the age of 33, which may also explain the album’s Jesus fixation), fearful, and bitter. Drawing influence from Bowie and Roxy Music, rather than the Stones and Beatles, Cocker crafted one of the darkest yet anthemic albums of all time. An absolute masterpiece.” -Forced Exposure

  • The Fear
  • Dishes
  • Party Hard

  • Help the Aged

  • This Is Hardcore
  • TV Movie

  • A Little Soul

  • I’m a Man
  • Seductive Barry

  • Sylvia

  • Glory Days

  • The Day After the Revolution
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  • // MISTY HUSH REVIVAL ‘YOUR HEART IS BROKEN’ LP

    // MISTY HUSH REVIVAL ‘YOUR HEART IS BROKEN’ LP

    Misty Hush Revival
    ‘Your Heart Is Broken’ LP
    CT Picks

    “One of the most obscure U.S. private pressings from the late ’60s/early ’70s. For many years, The Misty Hush Revival name was only a rumor whispered in collector’s circles, with only a handful of copies known of the original album around today. Like The Bachs or The Index, this is one of those hard-to-describe albums which seems to live in a world of its own. Despite the late 1972 release date, the music here sounds more late ’60s than early ’70s and the whole album has a cool, lost-in-time atmosphere. The group were in fact a club band from New Jersey, but surprisingly all the tracks are originals — no cover versions — and they range from fragile, dreamy pop-psych numbers to raw garage, fuzzed-out jams and teen-beat sounds. Like Patrick Lundborg says in Acid Archives: “A cool, atmospheric trip for fans of the tri-state late ’60s club sound.” First time-ever reissue, remastered on 24-bit. Includes the original artwork and an insert with rare pictures and liner notes by Jack D. Fleischer.” –Forced Exposure

  • Singer To Singer
  • Summer Means New Love
  • Your Heart Is Broken
  • Tell Me Baby
  • Look My Way
  • Gone Away
  • Danny’s Home Made Jam
  • Now I Need You
  • Till I Get Back Home
  • 3 AM
  • Summer Means New Love (Instr./Flashback)


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  • // BERLIN SUPER 80 ‘MUSIC UNDERGROUND WEST BERLIN 1978-1984′ 2xLP

    // BERLIN SUPER 80 ‘MUSIC UNDERGROUND WEST BERLIN 1978-1984′ 2xLP

    Berlin Super 80
    ‘Music Underground West Berlin 1978-1984′ 2xLP
    CT Picks // CDHW 065

    “2011 repress, originally released in 2005. This double LP compilation presents insights into the outstanding artistic means of expression of late-70s/early ’80s Berlin, which left their mark on subsequent generations of artists and bands alike, bringing the walled-in city’s special attitude back to life. 16 groundbreaking tracks that speak across the Germanic spectrum, from performance art/noise to post-punk/new wave, post-industrial, post-prog electronic, etc.” -Forced Exposure

  • Mona Mur – My Lie
  • Malaria! – Thrash Me
  • Die Tödliche Doris – Tanz Im Quadrat
  • Christiane F. – Wunderbar
  • P1/E – 49 Sec. Romance
  • Mono – Romance Adieu
  • Sprung Aus Den Wolken – Akcam La
  • Kosmonautentraum – Stolze Menschen
  • Valie Export & Monsti Wiener – Bananen
  • Alexander Von Borsig – Hiroshima
  • DIN A Testbild – No Repeat
  • Flucht Nach Vorn – Nahost
  • Frieder Butzmann – Schmusewolle
  • Sentimentale Jugend & Einstürzende Neubauten – Wollt Ihr Die Totale Befriedigung
  • Einstürzende Neubauten – Tanz Debil
  • MDK – Berlin
  • Die Unbekannten – Radio War

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  • // CULTURE ‘TWO SEVENS CLASH’ LP

    // CULTURE ‘TWO SEVENS CLASH’ LP

    Culture
    Culture ‘Two Sevens Clash’ LP
    // CT PICKS

    Culture “Two Sevens Clash” was a major hit in Jamaica and in reggae circles around the world. Based on a prophecy that New Years Day, 1977 would bring about the Judgement Day (when the two sevens clash), the song had such an effect that stores and school’s around Jamaica closed on that day. One of the best written albums of the genre with the unbelievable lead vocals of Joseph Hill (RIP), this is a record that cemented Joe Gibbs as one of the greatest producers of the era.

  • 1. Calling Rasta Far I
  • 2. I’m Alone in the Wilderness
  • 3.Pirate Days
  • 4. Two Sevens Clash
  • 5. I’m Not Ashamed
  • 6. Get Ready to Ride the Lion to Zion
  • 7. Black Starliner Must Come
  • 8. Jah Pretty Face
  • 9. See Them a Come
  • 10. Natty Dread Taking Over

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  • // OCTOPUS ‘RESTLESS NIGHT’ LP

    // OCTOPUS ‘RESTLESS NIGHT’ LP

    Octopus
    ‘Restless Night’ LP
    CT-PICKS/GUERSSEN RECORDS

    This LP is for anyone who loves “Ram” era McCartney or Kinks’ “Arthur” and early Badfinger. Really, really great pop with a tinge of psych from ’70 UK. Originals go for $700+

  • The River
  • Summer
  • Council Plans
  • Restless Night
  • Thief – Queen And The Pauper
  • I Say
  • Johns’ Rock
  • Rainchild
  • Tide
  • Laugh At The Poor Man (Bonus Track)


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  • // GRAY ‘SHADES OF…’ LP

    // GRAY ‘SHADES OF…’ LP

    Gray
    ‘Shades of…’ LP
    CT-PICKS/PLUSH SAFE RECORDS

    Limited LP version, first released on CD in 2011. In downtown New York City, in 1979, painter Jean-Michel Basquiat and performance artist Michael Holman founded their industrial-sound band, Gray. Jean named the band after Gray’s Anatomy (the human anatomy textbook), an important reference source for his paintings and the perfect name to capture the haunting, machine-like ambient music the band wrote and performed. In the Whitney Museum’s catalog for Basquiat’s 1991 Retrospective, Robert Farris Thompson, professor of Anthropology at Yale, wrote this about Gray: “They worked the Mudd Club, CBGB’s, and Hurrah’s in New York, where Blondie and the Talking Heads were at that time emerging. They performed, in other words, at the epicenter of New Wave. Here they contended for space and recognition with a style that, in Basquiat’s own words, was ‘incomplete, abrasive, and oddly beautiful.’” In an Interview magazine review (Jan. 1981) Glenn O’Brien wrote: “Gray became an industrial sound effects band. They played on scaffolds … Lately, they’ve really developed their own groove… it’s sort of an easy listening bebop industrial sound effects lounge ensemble.” Besides Basquiat and Holman, other members of the original group were Nicholas Taylor, Justin Thyme and Vincent Gallo. Just after Jean-Michel Basquiat’s passing in 1988, Holman, Taylor, Thyme and Gallo re-united as Gray and performed at Basquiat’s Memorial at St. Peter’s Lutheran Church in the Citicorp Building. In 1996, the making of the MiraMax feature production Basquiat brought Gray’s three original members (Holman, Taylor & Thyme) back together as they reenacted one of their legendary gigs at the Mudd Club with Tony Award-winning actor Jeffrey Wright playing Jean-Michel Basquiat. While reenacting their Mudd Club gig, the members of Gray realized that 1990′s pop/ambient music sounded a lot like what Gray was doing in the past. Inspired by their own historic sound, the band decided to return to the studio to create and record new music. This “new” Gray sound evolved from industrial bebop to electronica with poetic vocals and groovy beats. Michael Holman and Nicholas Taylor have now reunited once again to produce the first Gray album ever, titled, Shades Of… on their own label, Plush Safe Records, that harkens back to Gray’s sonic roots — industrial noise melded with electronic atmospheres. This multi-track compilation includes and involves sample tracks from Gray’s earliest recordings and performances, with samples of Basquiat’s music and voice. The other tracks range from Stockhausen-inspired fugues, to trip-hop lanced throw-downs. Holman & Taylor were fortunate to work with John Cale’s drummer Dean Anthony on this new music, as well as fabled Tubes drummer, Prairie Prince and downtown scenester/drummer, Lenny Ferraro. Shades Of… is not only a living piece of New York history, it’s also an audio interpretation of a journey to where Taylor & Holman see the future of music. #’d edition of 1000, all copies signed by Michael Holman & Nick Taylor. -Forced Exposure

  • Suicide Hotline
  • Wig
  • Suicide Hotline (cont.)
  • Cut It Up High Priest
  • Suicide Hotline (cont.)
  • Pillar Of Salt
  • The Mysterious Ashley Bickerton
  • The Man Who
  • Suicide Hotline (cont.)
  • Drum Mode
  • Suicide Hotline (cont.)
  • Dan Asher (I Saw You Liking Everything?)
  • I Know
  • Gauntlet Of Wriggly’s
  • Suicide Hotline (cont.)
  • Eight Hour Religion
  • Mockingbird
  • Doktor Dhoom
  • Figure It Out For Yourself
  • Suicide Hotline (cont.)
  • Washington, DC 20013
  • Suicide Hotline (cont.)
  • Bad Fool (Red Skelton)
  • Suicide Hotline (cont.)
  • Life On The Streets
  • Suicide Hotline (cont.)
  • Ba Da Da


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  • // KALEIDOSCOPE ‘FAINTLY BLOWING’ LP

    // KALEIDOSCOPE ‘FAINTLY BLOWING’ LP

    Kaleidoscope
    ‘Faintly Blowing’ LP
    CT Picks // Sunbeam Records
  • Faintly Blowing
  • Poem
  • Snapdragon
  • Story From Tom Bitz
  • (Love Song) For Annie
  • If You So Wish
  • Opinion
  • Bless The Executioner
  • Black Fjord
  • Feathered Tiger
  • I’ll Kiss You Once
  • Music

  • Sunbeam Records is delighted to present a definitive collector’s vinyl edition from cornerstones of British psychedelia, Kaleidoscope. This is their second album originally released by Fontana in 1969. Produced with the full involvement of the band, this LP comes housed in a gatefold sleeve complete with lovingly-reproduced artwork, as well as lavish 12-page, full-color, large-format booklet packed with original trade ads, memorabilia and contemporary press cuttings, and with exclusive sleevenotes by the quartet’s leader Peter Daltrey, telling the story of the band in full detail. The result is simply essential for all connoisseurs of British psychedelia. -Forced Exposure


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  • // KALEIDOSCOPE ‘TANGERINE DREAM’ LP

    // KALEIDOSCOPE ‘TANGERINE DREAM’ LP

    Kaleidoscope
    ‘Tangerine Dream’ LP
    CT Picks // Sunbeam Records
  • Kaleidoscope
  • Please Excuse My Face
  • Dive Into Yesterday
  • Mr. Small the Watch Repairer Man
  • Flight From Ashiya
  • The Murder of Lewis Tollani
  • (Further Reflections) In the Room of Percussions
  • Dear Nellia Goodrich
  • Holiday Maker
  • A Lesson Perhaps
  • The Sky Children

  • 2012 repress. Sunbeam Records is delighted to present a definitive collector’s vinyl edition from cornerstones of British psychedelia, Kaleidoscope. This is their debut album originally released by Fontana in 1967. Produced with the full involvement of the band, this LP comes complete with lovingly-reproduced artwork, as well as a lavish 12-page, full-color, large-format booklet packed with original trade ads, memorabilia and contemporary press cuttings, and with exclusive sleevenotes by the quartet’s leader Peter Daltrey, telling the story of the band in full detail. The result is simply essential for all connoisseurs of British psychedelia. -Forced Exposure


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  • // PSYCHIC TV ‘DREAMS LESS SWEET’ LP

    // PSYCHIC TV ‘DREAMS LESS SWEET’ LP

    Psychic TV
    ‘Dreams Less Sweet’ LP
    CT Picks // Angry Love Productions
  • Hymn 23
  • The Orchids
  • Botanica
  • Iron Glove
  • Always Is Always
  • White Nights
  • Finale
  • Eleusis
  • Medmenham
  • Ancient Lights
  • Proof of Survival
  • Survival
  • Eden 1 Eden 2 Eden 3
  • Clouds Without Water
  • Black Moon
  • Silver and Gold
  • In the Nursery
  • Circle

  • “Angry Love Productions is proud to present Psychic TV’s 1983 classic Dreams Less Sweet, back on vinyl for the first time in over 20 years. Holophonic audio from the original UK vinyl masters with meticulously restored artwork. Features early PTV classics ‘The Orchids’ & ‘White Nights.’ Officially licensed through Sony UK.”

    CURRENTLY UNAVAILABLE

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    CURRENTLY UNAVAILABLE

  • // STEREOLAB ‘REFRIED ECTOPLASM’ 2xLP

    // STEREOLAB ‘REFRIED ECTOPLASM’ 2xLP

    Stereolab
    ‘Refried Ectoplasm’ 2xLP
    CT Picks // Drag City
  • Harmonium
  • Lo Boob Oscillator
  • Mountain
  • Revox
  • French Disko
  • Exploding Head Movie
  • Eloge D’Eros
  • Tone Burst (Country)
  • Animal Or Vegetable (A Wonderful Wooden Reason)
  • John Cage Bubblegum
  • Sadistic
  • Farfisa
  • Tempter

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  • // MAYO THOMPSON ‘CORKY’S DEBT TO HIS FATHER’ LP+7″

    // MAYO THOMPSON ‘CORKY’S DEBT TO HIS FATHER’ LP+7″

    Mayo Thompson
    ‘Corky’s Debt To His Father ‘ LP
    CT Picks // Drag City

    2012 repress. LP version with bonus 7″; one of the great Drag City releases (and one of the great American music solo albums) finally on vinyl again. “In 1970, Mayo Thompson (once-and-future leader of The Red Krayola) recorded an album entitled Corky’s Debt To His Father. Walt Andrus’ Texas Revolution label released the record — but just barely, selling a few hundred LPs with no promotion to speak of. The copies that made it into shops became the treasured objects of taste-makers around the globe — which made Corky’s Debt To His Father an influential record down the years. As punk rock, new wave, post-punk and all the rest came along, it was inevitable that this lost classic of independent music would be discovered by a wider audience. In 1988, the album was reissued on the UK Glass Records imprint but went out-of-print again in short order. Then in 1994, Drag City brought Corky’s Debt To His Father back to the USA, as well as to the CD format for the first time. Additionally, a third pressing of the vinyl was made. The CD has been a perennial favorite ever since — but after just a few months of robust sales, the LP artwork and jackets were destroyed in a fire, thus putting the end to the life of Corky’s Debt To His Father on vinyl once again. Wrapped in a jacket that recalls the halcyon days of solid LP dominance, this new pressing comes with a 7″ single featuring the instrumental ‘Woof,’ which was recorded at the same sessions but not released until The Red Krayola’s 2004 compilation CD Singles. The B-side of this single is a never-before heard take on John Cage’s ’4’33″‘ played by fellow traveller Sergei McUgly.”

  • The Lesson
  • Oyster Thins
  • Horses
  • Dear Betty Baby
  • Venus In The Morning
  • To You
  • Fortune
  • Black Legs
  • Good Brisk Blues
  • Around The Home
  • Worried Worried
  • Woof (7″)
  • 4’33″(7″)

  • CURRENTLY UNAVAILABLE

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  • // SHOES ‘BLACK VINYL SHOES’ LP

    // SHOES ‘BLACK VINYL SHOES’ LP

    SHOES
    ‘Black Vinyl Shoes’ LP
    WAH WAH RECORDS / WDLX 004LP

    “Here is, reissued in full 180 gr. audiophile glory and with faithful reproduction of the original album art, one of the biggest examples of the DIY philosophy in the history of North American music. Shoes issued Black Vinyl Shoes on their own Black Vinyl Records back in 1977, setting the path so many indie bands have followed since then. The album is a classic late seventies American power pop blast that drinks from the works of Big Star, The Byrds, and others. For our reissue we counted on the help of the Shoes members, especially Jeff Murphy who provided liners notes for the lavish 4-page insert that is included. It also features a reproduction of the original round sticker and an ironable transfer to make yourself a cool Shoes t-shirt! The sound has been remastered from the original tapes and pressed into quality 180 gr. heavy black vinyl. Limited to only 500 copies.” -Forced Exposure

  • Boys Don’t Lie
  • Do You Wanna Get Lucky?
  • She’ll Disappear
  • Tragedy
  • Writing A Postcard
  • Not Me
  • Someone Finer
  • Capital Gain
  • Fatal
  • Running Start
  • Okay
  • It Really Hurts
  • Fire For Awhile
  • If You’d Stay
  • Nowhere So Fast
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  • // SHOES ‘BAZOOKA’ LP

    // SHOES ‘BAZOOKA’ LP

    Shoes
    ‘Bazooka’ LP
    NUMERO GROUP / NJR 002LP

    “The sophomore album that never was. 1975′s power pop scorcher Bazooka was tracked at home not long after the Shoes debut, but was shelved due to a lack of funds. Never available on LP, Bazooka has been remastered from the original analog tapes and molded in 150 gram vinyl for your listening pleasure.”

  • Pinheads
  • Move It Or Lose It
  • Rock Your Own
  • Along With Love
  • Love Took A Turn
  • Alone But Satisfied
  • New Meat
  • I’m Broken
  • The Atlantic
  • My Anisette
  • Snap!
  • Educated
  • Like I Told You
  • CURRENTLY UNAVAILABLE

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  • // SHOES ‘ONE IN VERSAILLES’ LP

    // SHOES ‘ONE IN VERSAILLES’ LP

    Complex
    ‘Complex’ LP
    GUERSSEN RECORDS / GUESS 102LP

    “Originally issued in a quantity of 300 hand-pasted and assembled LPs, Shoes’ debut album One in Versailles is finally back on its intended format. This replica 150 gram vinyl edition includes facsimiles of lyric and photo inserts included in the 1976 issue. Remastered from the original analog tapes for optimum fidelity: this is the definitive Versailles.”

  • Dance In Your Sleep
  • Do I Get So Shy
  • Un Dand Versailles
  • Kristine
  • Something I Can’t See
  • Eggroll Rock
  • Song For Her
  • One Night
  • No, I Don’t
  • The Sun
  • One In Versailles
  • Banjo
  • CURRENTLY UNAVAILABLE

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  • // BARK PSYCHOSIS ‘HEX’ LP

    // BARK PSYCHOSIS ‘HEX’ LP

    Bark Psychosis
    ‘Hex’ LP
    VINILISSSIMO / MRSSS 519LP

    Formed in 1986 by East London school friends Graham Sutton and John Ling, Bark Psychosis started as a teenage band into 1980s hardcore noise practitioners such as Sonic Youth, Napalm Death, Big Black, and Swans. However, after the permanent addition to the line-up of Mark Simnett and Daniel Gish, the band released a succession of EPs and singles between 1988 and 1992 over which they found their own sound veering towards a more restrained and experimental style, similar to the path taken by latter day Talk Talk and AR Kane, which included elements of free-jazz, ambient, sampling, and programming. It was a fascinating evolution that peaked during the arduous recording of their first LP, which took most of 1993. Released the following year, Hex features eight tracks with perfect dynamics individually and as a whole. The music manages to sound loose and tight at the same time, and although the instrumentation is varied (vibraphone, trumpet, flute, and djembe players plus a string quartet joined the band), the approach is succinct and every element reaches a powerful effect. The mood is tense, solemn and emotionally-charged, but the album feels comforting and engaging. The concise vocals, while not following any kind of verse and chorus structure, fit hauntingly within these brilliantly structured tracks and the captivating development of the LP culminates in the outstanding ambient ten minutes of “Pendulum Man.” Hex prompted journalist Simon Reynolds to mention the term “post-rock” in its review of the album, thus creating a label that would be used in the following years to describe the music of other contemporary bands such as Tortoise, Disco Inferno, Labradford, Laika, and others. However, Bark Psychosis didn’t get to enjoy the relative media attention this new scene received. Gish had left the band during the recording of the album and Ling parted after it was finished. Released in the early spring of 1994 and almost 20 years after its conception, Hex remains one of the lost great records of the ’90s. The experience of listening to it is as extremely rewarding as ever. On 180 gram vinyl.

  • The Loom
  • A Street Scene
  • Absent Friend
  • Big Shot
  • Fingerspit
  • Eyes & Smiles
  • Pendulum Man
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  • // COMPLEX ‘THE WAY WE FEEL’ LP

    // COMPLEX ‘THE WAY WE FEEL’ LP

    Complex
    ‘The Way We Feel’ LP
    WOODEN HILL / WH 009CD

    1999 release. “First-ever CD issue of 1971 second album from legendary UK psych private pressing exponents, this release features two bonus tracks taken from an EMI audition test held shortly before the LP was recorded. Booklet includes the band’s story, previously-unseen photos, etc.”

  • Every Time I Hear That Song
  • Am I
  • We Don’t Exist
  • Lemon Pie Fair
  • The Way I Feel
  • Moving Moor
  • Jeananette
  • Hey Girl You’ve Got Style
  • If You Are My Love
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  • // COMPLEX ‘COMPLEX’ LP

    // COMPLEX ‘COMPLEX’ LP

    Complex
    ‘Complex’ LP
    GUERSSEN RECORDS / GUESS 102LP

    Legendary private album from the UK, just 99 copies were released in 1970. Vintage ’67-’68 sounding psychedelic pop and underground psychedelia with fuzz-wah guitars, organ, and vocal harmonies, including some of the best examples of British psychedelia ever recorded on tracks like “Witch’s Spell” and “Self Declaration.” Carefully remastered sound, 180 gram vinyl, original artwork and color insert featuring rare pictures and extensive liner notes by David Wells.

  • Funny Feeling
  • Message From The Year 2000
  • Green-eyed Lucy
  • Josie
  • Witch’s Spell
  • Norwegian Butterfly
  • Self Declaration
  • Images Blue
  • Storm On Way
  • Madamoiselle Jackie
  • Live For The Minute
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  • // GREAT UNWASHED, THE ‘CLEAN OUT OF OUR MINDS’ LP

    // GREAT UNWASHED, THE ‘CLEAN OUT OF OUR MINDS’ LP

    The Great Unwashed
    ‘Clean Out Of Our Minds’ LP
    EXILED / EX 002LP

    “After The Clean broke up the first time, David and Hamish Kilgour acquired a 4 track and recorded their bedroom psych-pop masterpiece, Clean Out of Our Minds. Recorded in the spring of 1983, it was originally released on Flying Nun. Slightly more experimental (and relaxed) than The Clean, they utilize lots of acoustic instruments and tap into a kind of Syd Barrett vibe. From the glorious pop of ‘Hold Onto the Rail’ to the restrained psychedelia of ‘Toadstool Blues’. Exiled Records is proud to issue this on vinyl for the first time since 1983. Comes in a heavy duty Stoughton ‘tip on’ sleeve with original artwork.” -Forced Exposure

  • Hello Is Ray There?
  • Meanwhile
  • Small Girl
  • Thru’ The Trees
  • Yesterday Was
  • Toadstool Blues
  • What You Should Be Now
  • It’s A Day
  • Hold On To The Rail
  • What You’re Thinking Now
  • Obscurity Blues
  • Quickstep
  • What Happened Ray?

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  • // DAVID KILGOUR ‘HERE COME THE CARS’ LP

    // DAVID KILGOUR ‘HERE COME THE CARS’ LP

    David Kilgour
    ‘Here Come the Cars’ LP
    DE STIJL / DESTIJL 121LP

    I used to have this on CD as there were no vinyl copies pressed when it originally came out. Such a great, classic pop record that still sounds totally fresh.

    “A year after the Clean’s reunion LP Vehicle (also their first proper album ever) put them back on the international-pop radar in 1990, guitarist David Kilgour retreated with his new Revox tape machine (which he’d been singing about rapturously in his side-project Stephen and elsewhere: ‘Have you seen my new tape machine?!’) and cut his first solo album, Here Come The Cars, issued by Flying Nun in 1991. From the jarring cover image of David through to the last note,Here Come The Cars is a special pop album, even on a label that had no shortage of them. A sparkling gem cloaked in achingly atmospheric production (courtesy of Nick Roughan), Here Come The Cars has haunted us since its release — it’s just one of those albums that exists outside of time, the opening chords of the title track never fail to draw you out of the world you’re in and into its own magical space. The album was remastered and rereleased on CD by Flying Nun in 2004, but has never before been on vinyl — which De Stijl is happy to rectify here in 2012.” -De Stigl

  • Here Come The Cars
  • Fine
  • You Forget
  • Shivering
  • Spasm
  • Splash Your Jewels
  • Sometimes
  • Kills All My Fun
  • Spins You Round
  • Blueprint
  • Uplift
  • Because It Was You
  • Nothing Vol. 1

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  • // ROCKIN HORSE ‘YES IT IS’ LP

    // ROCKIN HORSE ‘YES IT IS’ LP

    Rockin Horse
    ‘Yes It Is’ LP
    CT Picks // Sing Sing Records

    Rockin’ Horses’ “Yes It Is” has been critically hailed as one of the true lost British power pop relics. When the late Greg Shaw (Bomp Records & Magazine) created his Voxx subsidiary, the first single he decided to reissue was Rockin’ Horses’ 1971 magnum opus single, “The Biggest Gossip in Town.” Shaw declared that the single was the greatest power pop song of all time – heady stuff.

    The power pop sounds of “Yes It Is” have been favorably compared to the best of The Beatles’ “Let it Be” era and Badfinger’s early 1970 efforts. As an homage, the band’s name was drawn from The Beatles’ “Lucy in the Sky With Diamonds” and the album title itself from The Beatles B-side of “Ticket to Ride.”

    Rockin’ Horse was formed in 1971 by lifelong best friends Jimmy Campbell (The Kirkbys/23rd Turnoff) and Billy Kinsley (The Merseybeats/The Merseys) after the end of their respective Liverpool bands had split. Joining the Liverpool core duo were hired studio guns: Bobby Falloon (guitar), Stan Gorman (drums) and Michael Snow (keyboards).

    Having been schooled in the very same musical influences as the Fab Four, the end result is eerily similar to the sound the Beatles were creating at the end of their career during 1968-1970. The album was not an attempt to “ape” The Beatles’ sound, but more the end product of having grown up as contemporaries of The Beatles in Liverpool and listening to the same records and playing the same circuits . How could they not end up sounding similar?

    Locating a copy of the original album is close to impossible and very expensive. Now you can own one of the greatest power pop recordings of all time on vinyl with its original Hipgnosis sleeve design.

  • Biggest Gossip In Town
  • Oh Carol, I’m So Sad
  • You’re Spending All My Money
  • Baby Walk Out With Your Darlin’ Man
  • Don’t You Think I Ever Cry
  • Yes It Is
  • Stayed Out Late Last Night
  • Delicate Situation
  • Son, Son
  • Golden Oppurtunity
  • I’m Trying To Forget You
  • Julian The Hooligan

  • CURRENTLY UNAVAILABLE

    Price: $14.00


    CURRENTLY UNAVAILABLE

  • // CLAP ‘HAVE YOU REACHED YET?’ LP

    // CLAP ‘HAVE YOU REACHED YET?’ LP

    Clap
    ‘Have You Reached Yet?’ LP
    CT Picks // Sing Sing Records

    Like most followers of rare seventies rock esoterica I first heard about HAVE YOU REACHED YET? via the pages of the now-legendary BOMP fanzine. It was the surf issue if I recall correctly, and editor Greg Shaw, in the course of a pretty positive review, mentioned Clap’s ability to mix up what seemed like a healthy late-sixties punk rock attitude with the prevailing hard rock winds of the early-seventies from whence this album came, going so far as to mention the album’s track “Only Just An Act” for its use of the opening theme of “Stairway to Heaven” as its basic riff. Not that I was exactly impressed any…after all I was reading this review in 1981 and hard/glam rock seemed like a bad ten-year-old memory I would have preferred to have forgotten entirely along with the “Flaccid Rock” FM sounds that were continuing to take the entire tri-state area by storm (much to the derision of real high energy rock & rollers everywhere!). And judging from the grumbles of disgust emanating from a large part of the listening population out there I certainly was not alone.

    Fast forward a few years and I happen across a mention of Clap in the premier issue of the equally-legendard BACK DOOR MAN fanzine, this time within the course of a South Bay Scene Report which mentioned how lead vocalist Steve Morrison looked like Sky Saxon and had dressed up like a nazi going so far as to even attack a wheelchair-bound plant in the audience making me reconsider my original opines regarding this group! Coincidentally the album was making its rounds amongst the “serious collector” circuit in a reissue of dubious legality on the “Phaze II” label, and although the price was typically inflated given how the original edition was costing a pretty penny (that is, whenever a copy would come up for sale or auction) I willfully dished out my $15 for my very own copy and spent a good portion of the latter part of the eighties spinning this and many other sixties/seventies reissued gems that were finally being made available to the general populace too poor or stupid to latch onto it the first time around.

    The album was a charm with the hefty Rolling Stones influences so common of the day being reshaped by a strong Shadows of Knight snarl all filtered through an early seventies heavy metal consciousness giving us…a sound and style that although part and parcel to the stoner seventies mentality had a totally unique and refreshing approach that sounded as if it could stand on its own not only in 1972 but 1966 or even 1987 for that matter. It was teenage rock & roll that continued to sound so long after the entire teen mystique of the sixties and seventies shriveled away, yet it was hard enough for even the most experienced pothead at the supermarket to roll joints to during his coffee break (though I don’t know if this ever did come out on 8-track!).

    Somehow I’m reminded of the Fleshtones. You might think of some other group of fame who did what Clap laid down on these ten numbers via this new, legitimate reissue which should do for a new generation of rock & roll fans what previous spins did for their elders. Nice package and fantastic sound accompany this one, and though some might think that the improvement in the aural ballistics deters from the cheap studio feeling I think it only adds a certain new dimension of quality, Plus you can hear Morrison’s post-Jagger twang a whole lot better and the instruments do have that certain stand-out spark to ‘em. So for you youngsters here’s an example of what “do it yourself” rock used to mean when you pretty much had to create your own fun, energies, and lives even from scratch and for your oldsters, now’s the time to drag out the boas, the mascara and the nylons and re-live the post-Vietnam era the right way. Of course if you get arrested don’t come complain’ to me, but then again wouldn’t that only add to the overall glam/slam effect so common during those rather peculiar times?

  • Out Of The Shadows
  • My Imagination
  • Middle Of The Road
  • Get It While You Can
  • Have You Reached Yet
  • Sweet Smell Of Success
  • Stop Torturing Me
  • Bluff ‘Em All
  • Only Just An Act
  • Mornin’ Thought

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  • // LEOPARDS ‘KANSAS CITY SLICKERS’ LP

    // LEOPARDS ‘KANSAS CITY SLICKERS’ LP

    LEOPARDS
    ‘Kansas City Slickers’ LP
    CT Picks // Sing Sing Records

    By 1977, the year of Kansas City Slickers’ release, most bands had happily ensconced themselves in one niche or another–one was either Punk or Power Pop or New Wave or —- (fill in the trend of your choice), but The Leopards fell into no such handy category. Kansas City Slickers was unique for its time–certainly no other record of its day sounds remotely like it–and remains so today.

    Back then its uniqueness baffled critics who, in the few places where the album was actually reviewed, did little more than point to the album’s Kinks influence. While the influence of The Kinks, The Beach Boys, The Easybeats and other Sixties groups is indeed evident on the album, such a superficial assessment does not begin to do justice to the cornucopia of sound on Kansas City Slickers. Herein rock n’ roll meets ragtime, old Hollywood musicals and other forms of early 20th Century American music, a delightfully original melange you will not taste elsewhere.

    Recorded and mixed at Moon Studios–ie, the basement of Dennis Pash’s parents’ house on Maggie Lane in Kansas City, Kansas–the production and muscianship reaches a level of sophistication not often associated with basement recordings. Even so, protected by lack of technology from slick by-the-rote machinations of the professional studio, Kansas City Slickers retains its basement charm.

    When Dennis Pash and Kevin Sanders first decided to release privately pressed records as The Leopards in 1975 it was quite a revolutionary strategy, the DIY ethos of punk still a few years in the future. The world would simply have to catch up at some point in time. Judging by the appreciative audience Kansas City Slickers has grown over the years–this despite its exceeding rarity (only 1,000 copies of the album were pressed)–that time may very well be now.

  • Road To Jamaica
  • Mind Of My Own
  • Dancing In The Snow
  • 57 Chevy
  • Bugle Boy
  • I Wonder If I’ll Ever See You Again
  • Recess
  • It Must Be Love
  • I’m On My Way
  • Raggedy Andy Raggedy Ann
  • Summer’s Gone

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  • // McELROY BROS ‘CAN’T YOU SEE ME SMILIN” LP

    // McELROY BROS ‘CAN’T YOU SEE ME SMILIN” LP

    McElroy Bros
    ‘Can’t You See Me Smilin’ LP
    CT Picks // Sing Sing Records

    The McElroy Bros.’ Can’t You See Me Smilin’ LP is a private-press pop masterpiece recorded in 1977 in rural Vermont by identical twin brothers, Brian and Bruce McElroy. Using familiar 60′s British-invasion song structures, the album is somehow instantly familiar while the recording and instrumentation are both totally unique — perhaps, it’s the unrivaled keyboard playing… or the harmonizing vocals that only twins could deliver. Whatever it is, this album is extremely sought after by pop and powerpop fans alike and has managed to eluded many others for too long now!

  • I’d Love To
  • Why The Rainbow’s Gold Id Never Found
  • If You Lose
  • Can’t You See Me Smilin’
  • Bangin’ My Head
  • Nobody Loves Me
  • Glinda
  • She’s So Fine / The Great Big Dream
  • Not Tomorrow
  • Ego Of The Grave

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  • // SLEAZE ‘SLEAZE’ LP

    // SLEAZE ‘SLEAZE’ LP

    SLEAZE
    ‘Sleaze’ LP
    CT Picks // Sing Sing Records

    *1975 pre-Adverts LP from punk legend TV Smith. Originally released in an edition of only 50 copies.*

    14th June, 1975. It was a studio, a proper studio – just like the ones the proper bands recorded in. At least, it was the nearest I’d ever been to one and now my band Sleaze, that had so far had to make do with playing support slots at local clubs and discos – as well as the occasional “headline” gig in local school halls – was about to record some of our songs, just like a proper band.

    Torquay in the mid seventies was not the easiest place and time to have a band, particularly a band that performed all its own material. The only group that anyone knew who’d ever made it out of this tourist backwater in the South West of England to any kind of international success was a rock band called Wishbone Ash, and the local audiences wanted to boogie away their evenings to music like that – or live bands playing covers of Status Quo or Free – not us, with our peculiar lengthy songs that sounded like a crossover between glam à la Bowie or Cockney Rebel and prog bands like Genesis or Van Der Graaf Generator. Around these parts, such pretensions were frowned upon.

    But here we were, determined to get our music down on record whether anyone was interested or not. The family of our rhythm guitarist owned a large house in nearby Newton Abbot and for the preceding months had tolerated us taking over their music room for regular rehearsals. We were tight, we’d played a few gigs and now it was time to make a record. I’d spotted an advert in the local paper for a recording studio in Torquay being run by an ex-BBC engineer that looked like it could be what we needed. Even better, the studio could be hired for just a short period rather than a whole day, which made it just about affordable. We set up our equipment, the engineer placed the microphones and recorded a few minutes to check the sound, then we put the whole album straight onto tape, song by song, playing live with no overdubs. Two hours recording time, twenty pounds for the lot, plus another half hour for the engineer’s time splicing the tracks together, and the price of the two reels of tape. All in all, the Sleaze album cost the princely sum of £38.88. We went on to press up fifty copies onto vinyl, most of which we gave away to family and friends.

    If we’d been a bit more savvy, we might have pressed more copies and tried to sell them at gigs, although as it turned out the band wasn’t to play many more of those. To be honest, we knew that this record was to be more of a swan song than the launch of a career. I’d gone to Torquay Polytechnic at the end of summer 1974, straight out of school, to take a year-long Art Foundation course and had been spending most of my time forming and playing with Sleaze rather than doing the course work, but the fact was that the college year was nearing the end, and soon the individual band members would be going their separate ways. In addition, I’d met a new girlfriend in the art department and not only did she have the same Iggy and New York Dolls records in her collection as I did, she’d shown an interest in learning bass guitar and wanted me to teach her. Within a year we’d moved to London together and started rehearsing a new band, she’d changed her name to Gaye Advert…and the rest is history. I was no longer a solitary musical rebel pushing against a door that refused to budge. I was one of a multitude of rebels who felt the same way I did. This record is the sound of that rebellion trying to find its way, the door creaking against its hinges – a year before punk exploded, the door finally blew open and the music scene changed forever.

  • Showbiz Kid
  • Dum de Dum
  • Piss Artists
  • Hollywood
  • Listen Don’t Think

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  • // COLOURED BALLS ‘BALL POWER’ LP

    // COLOURED BALLS ‘BALL POWER’ LP

    Coloured Balls
    ‘Ball Power’ LP
    CT Picks // Sing Sing Records

    Coloured Balls were one of the best pure rock n roll groups to emerge from the early 70s Australian scene. Sure, The Saints and Radio Birdman stayed together longer and released a slew of fine albums during the punk era but it was the Coloured Balls who pioneered the proto punk sound earlier in the decade. Their wildcard was Lobby Loyde, Australia’s premier guitar hero whose pivotal roles in beat/psych/blues rock groups The Purple Hearts, The Wild Cherries and Billy Thorpe’s Aztecs made him a major home-grown star down under. Ball Power is full of raw, hard guitar rock and proto-punk. It’s not only the Coloured Balls’ greatest album but also the finest music of Lobby Loyde’s long, fabled career. (Rising Storm)

  • Flash
  • Mama Don’t You Get Me Wrong
  • Won’t You Make Up Your Mind
  • Something New
  • B.P.R.
  • Human Being
  • Whole Lotta Shakin’
  • Hey What’s Your Name
  • That’s What Mama Said

  • CURRENTLY UNAVAILABLE

    Price: $19.00


    CURRENTLY UNAVAILABLE

  • // CONGOS ‘HEART OF THE CONGOS’ LP

    // CONGOS ‘HEART OF THE CONGOS’ LP

    CLASSIC REGGAE PICKS
    Congos “Heart of the Congos” LP
    // CT PICKS

    Congos “Heart of the Congos” is perhaps the greatest LP recorded at the Black Ark by Lee Perry. Conscious lyrics, psychedelic instrumentation, beautiful harmonies and brilliant production techniques involving echoed drum machines and nyabinghi drumming permeate this classic, recently re-invigorated by RVNG’s project with the group. I scored an original copy of this when I worked at Princeton Record Exchange for $8.00 in the late 90′s. It completely changed my opinion of Jamaican music.

  • 1. Fisherman
  • 2. Congoman
  • 3. Open Up the Gate
  • 4. Children Crying
  • 5. La La Bam-Bam
  • 6. Can’t Come In
  • 7. Sodom and Gomorrow
  • 8. The Wrong Thing
  • 9. Ark of the Covenant
  • 10. Solid Foundation

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  • // M.WOMEN ‘FAITHFUL’ LP

    // M.WOMEN ‘FAITHFUL’ LP

    M.WOMEN
    Faithful LP
    CS-001
  • Tense Hands Talk
  • Faithful
  • Square Park
  • Bed Rest
  • Lifetimes
  • Dark Space
  • In Meadows
  • Sacred Ground
  • Mackerel Ground
  • Fist
  • Gardenias


  • After a handful of small run cassette releases and 2009’s Audrey 7”, M. Women introduce Faithful, their debut LP. Recorded at a cabin built by McKibben’s great-grandfather near the mountains of Rainier National Park, Faithful’s PNW-induced soundscapes are captured by engineer Christopher Ando (Talbot Tagora), resulting in a vibe that cannot avoid being a product of its own environment. An environment explicated in distorted pre-grunge tendencies; misanthropic noisy aesthetics – hold the misanthropy; intricate and stuttering drum rhythms; and, in each of the three singers’ voices, a deep sentimentality implicated in the sonic distance and depth of their voices; these are songs of peace and power. While the influence of Faithful’s sound on can be traced back to PNW progenitors such as Beat Happening, The Wipers, Nirvana, et al, M. Women are not simply engaging with their music as a form of idol worship. In a cultural era obsessed with nostalgia, most artists with an eye toward the past aspire to place themselves upon the same mantle as their heroes, for M. Women’s sake, their aspiration is not to reproduce any particular aesthetic but to expand the sonic groundwork laid by their antecedents by creating a different road altogether. Edition of 300.

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  • DE-033 / ADN’ CKRYSTALL – JAZZ’MAD LP

    DE-033 / ADN’ CKRYSTALL – JAZZ’MAD LP

    ADN’ CKRYSTALL
    Jazz’Mad LP
    DE-033
  • Cocaina Vitamina
  • Pour L’Amour D’Un Cygne / Puckies’ Power
  • Les Blues De Fille Aux Jambes De Jeans
  • Golden Age
  • The Rock Drill
  • Cold Expression
  • Red Suit
  • In The Image Of Youth
  • Meltdown


  • Dark Entires is honored to reissue the long out of print debut album “Elevator to Eden” by Lives of Angels. Lives of Angels was the brainchild of Gerald O’Connell from London, England. In 1974 he worked at CBS studios mastering recordings from tape to disc. By 1977 he joined his first band Mystery Plane, led by school mate Mark Harvey and later joined by his soon-to-be wife Catherine. Gerald branched off in 1980 forming Lives of Angels as an outlet for his own compositions. He recorded, produced and played all of the instruments on “Elevator to Eden” between 1981 and 1983, using a primitive set up of drum machines, one keyboard, guitar and a tape echo. Influenced by the Krautrock sounds of Neu! and Amon Duul II as well as US psychedelic rock, Lives of Angles crafted their own unique post-punk sound. “Elevator to Eden” was originally released in 1983 on cassette by Color Tape Records, the label started by Gary Ramon of Modern Art. Then in 1986 Fire Records remixed and re-released the album on vinyl but the band was not happy with the mixes. This reissue features the original 4-track cassette mixes of “Elevator To Eden” on vinyl for the first time ever. The LP includes 9 songs featured on the original Color Tapes release. All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley directly from the original master tapes. Each LP comes with unreleased photos, original artwork and a lyrics for all songs.


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  • // LIVES OF ANGELS ‘ELEVATOR TO EDEN’ LP

    // LIVES OF ANGELS ‘ELEVATOR TO EDEN’ LP

    Lives of Angels
    Elevator to Eden LP
    CT-PICKS / DE-032
  • Pavilion
  • Ascension
  • Imperial Motors
  • Golden Age
  • The Rock Drill
  • Cold Expression
  • Red Suit
  • In The Image Of Youth
  • Meltdown


  • Dark Entires is honored to reissue the long out of print debut album “Elevator to Eden” by Lives of Angels. Lives of Angels was the brainchild of Gerald O’Connell from London, England. In 1974 he worked at CBS studios mastering recordings from tape to disc. By 1977 he joined his first band Mystery Plane, led by school mate Mark Harvey and later joined by his soon-to-be wife Catherine. Gerald branched off in 1980 forming Lives of Angels as an outlet for his own compositions. He recorded, produced and played all of the instruments on “Elevator to Eden” between 1981 and 1983, using a primitive set up of drum machines, one keyboard, guitar and a tape echo. Influenced by the Krautrock sounds of Neu! and Amon Duul II as well as US psychedelic rock, Lives of Angles crafted their own unique post-punk sound. “Elevator to Eden” was originally released in 1983 on cassette by Color Tape Records, the label started by Gary Ramon of Modern Art. Then in 1986 Fire Records remixed and re-released the album on vinyl but the band was not happy with the mixes. This reissue features the original 4-track cassette mixes of “Elevator To Eden” on vinyl for the first time ever. The LP includes 9 songs featured on the original Color Tapes release. All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley directly from the original master tapes. Each LP comes with unreleased photos, original artwork and a lyrics for all songs.


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  • // DIABO, TOM ‘DARK STAR’ LP

    // DIABO, TOM ‘DARK STAR’ LP

    Tom Diabo
    Dark Star
    Original Pressing
  • Suspicious
  • Nothing Is Real
  • Alone On The Top
  • The End Of The Line
  • Heaven
  • Back To The Hearts
  • Dead End Street
  • Life Is No Fun
  • Son Of Thunder
  • Love Is A Nice Dream
  • Girl
  • New Ted In Town
  • Barstool Blues
  • Stage Of Fools
  • So Long


  • Tom Diabo was late-70s/early80s punk musician from Wuppertal, Germany. He played in several bands, most notably Western Force and X 112 For Dancing, and also curated a series of legendary local cassettes called “Talfahrt”. Diabo passed away from cancer in 1988 shortly after his 30th birthday. He left behind a cache of home-recorded songs that eventually came out posthumously as an LP called “Dark Star” that same year. An expanded edition will be released on Body Double in 2013.

    *These are original copies. None of the sleeves are perfect. They all have dings, but the LP’s are unplayed.

    CURRENTLY UNAVAILABLE

    Price: $25.00


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  • RHB-106 // MILK N COOKIES – 2x LP

    RHB-106 // MILK N COOKIES – 2x LP

    MILK N COOKIES
    2xLP
    RHB-106
  • (Dee, Dee You’re) Stuck On A Star
  • Little, Lost And Innocent
  • Six Guns
  • We Go On Dancing
  • Rabbits Make Love
  • Not Enough Girls (In The World)
  • Chance To Play
  • The Last Letter
  • Just A Kid
  • Ready Steady
  • Nots
  • Broken Melody


  • Milk N’ Cookies blended elements of Sparks-influenced Glam with Micky Most / Chin & Chapman-esque Glitter Gum and delivered it with a punk edge that was all New York. Simply a one of a kind LP that has long topped the waant wists of everyone from punk, glam and power pop collectors to twee poppers. Too bad hardly any bands followed their lead until quite recently. This Radio Heartbeat Double LP edition reproduces the original album artwork and adds a gatefold with rare photos, liner notes, 2 Full Color printed inner sleeves and a fold out poster. The first LP of the 2 record set is a faithful reissue of the original 1975 Island LP; the 2nd LP contains “Tinkertoy Tomorrow,” “Good Friends,” “Wok N’ Woll,” “Typically Teenage,” “Buy This Record” and an alternate version of “Not Enough Girls (In The World).”

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  • // CRUSHED BUTLER ‘UNCRUSHED’ LP

    // CRUSHED BUTLER ‘UNCRUSHED’ LP

    CRUSHED BUTLER
    UNCRUSHED LP
    CT-PICKS / RHB-109



    Many bands are called legendary, few are. Among them are Crushed Butler whose assualt on the UK prog rock scene in 69-70 layed out the dynamics that were to follow in the best punk, glam and pub rock records of the seventies. From the anthemic R&B classic “High School Dropout”, to the pure punk mayhem of “It’s My Life” and “Factory Grime” and the heavy Sabbath-esque psych of “Love Is All Around Me” this has long been a record deserving of wider accessibility. Radio Heartbeat Records is pleased to make that happen. The RHB LP edition adds a 2nd version of “High School Dropout” and an previously unreleased instrumental recording, “Let It Ring” to the 6 tracks first pressed on the Dig The Fuzz 10″ in the 90s to make this the definitive vinyl release with original cover art, inner sleeve and poster by Avi Spivak (Humanbeing Lawnmower) that contains the band’s complete surviving recordings.

  • It’s My Life
  • Factory Grime
  • My Son’s Alive
  • High School Dropout
  • Love Is All Around Me
  • Love Fighter
  • Let It Ring
  • High School Dropout (Ver.2)

  • Many bands are called legendary, few are. Among them are Crushed Butler whose assualt on the UK prog rock scene in 69-70 layed out the dynamics that were to follow in the best punk, glam and pub rock records of the seventies. From the anthemic R&B classic “High School Dropout”, to the pure punk mayhem of “It’s My Life” and “Factory Grime” and the heavy Sabbath-esque psych of “Love Is All Around Me” this has long been a record deserving of wider accessibility. Radio Heartbeat Records is pleased to make that happen. The RHB LP edition adds a 2nd version of “High School Dropout” and an previously unreleased instrumental recording, “Let It Ring” to the 6 tracks first pressed on the Dig The Fuzz 10″ in the 90s to make this the definitive vinyl release with original cover art, inner sleeve and poster by Avi Spivak (Humanbeing Lawnmower) that contains the band’s complete surviving recordings.

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  • RAXOLA ‘RAXOLA’ LP

    RAXOLA ‘RAXOLA’ LP

    RAXOLA
    LP
    RHB-104
  • 84′s Man
  • Old Rat
  • Wait For The War
  • Kill Your Son
  • Wildcat
  • Thalidomide Child
  • Anxious
  • Steal It
  • Who Do You Think You Are
  • Strip On My Mind
  • Panic In The Sewers
  • I Can Sleep
  • Am I Guilty


  • Raxola hailed from the same classic Belgian punk scene as The Kids and Hubble Bubble. Amazing that three groups all put out such staggering LPs! Long regarded as one of the all-time best European punk LPs, Raxola finally gets a legit repressing. Winners such as “84′s Man” “Wildcat” and “Old Rat” will continue to quench your sonic palette for years to come.

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  • // RADIO CITY ‘CLASS OF ’77′ LP/CD

    // RADIO CITY ‘CLASS OF ’77′ LP/CD

    RADIO CITY
    Class of ’77 LP/CD
    RHB-105
  • Don’t Mistake Love
  • Little Runaway
  • It’s Ok
  • She’s A Heartbreaker
  • Play It Like A Man
  • Bleecker Street
  • Tomorrow
  • Downtown
  • Fallen Angels
  • Little Runaway
  • So Easy
  • Get You In the Picture
  • Younger Than Yesterday


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  • // HUBBLE BUBBLE ‘HUBBLE BUBBLE’ LP

    // HUBBLE BUBBLE ‘HUBBLE BUBBLE’ LP

    HUBBLE BUBBLE
    LP
    CT-PICKS / RADIO HEARTBEAT
  • Big Star Rolling
  • Look Around (I Was So Upset)
  • New Promotion
  • I Wanna Die (But Not Right Now)
  • San Fransisco
  • Little Jeanie
  • Freaks … Out!
  • Sweet Rot
  • New Direction
  • Born a Woman
  • You’ll Be The One
  • My Cadillac
  • I’m Not Like Everybody Else
  • Pogo Pogo


  • You know the deal. Belgium 1978, Plastic Bertand and Co. created a monster. Languishing in the depths of want lists for years and years, Radio Heartbeat is more than happy to bring this classic back to vinyl in tandem with our pals at Daggerman Records. An impossible LP to explain in a few lines, it ranges from the raw anthemic pop of “Freak’s Out” to the wall of sound punk of “Big Star Rolling.”

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