/ THE WAKE

The Wake released their first single on their own Scan 45 label, coupling together “On Our Honeymoon” and “Give Up”. This single eventually caught the attention of New Order manager Rob Gretton, who helped the band sign to Factory Records in 1982 and record an LP (Harmony) at Strawberry Studio in Stockport. This was followed by a number of singles on Factory and its Belgian sister label Factory Benelux. In 1983, The Wake toured with New Order, and thus received critical attention but were often unfavourably compared to their more celebrated labelmates. Gillespie was asked to leave in 1983, subsequently playing drums with The Jesus and Mary Chain and achieving fame with his own band Primal Scream. Alexander ‘Mac’ Macpherson replaced Gillespie in 1983. That same year the band recorded a session on John Peel’s BBC Radio 1 programme. The band toured extensively and scored an indie hit with their 1984 single “Talk About The Past” which featured Vini Reilly of Durutti Column on piano. The recording and release of their seminal 1985 album Here Comes Everybody marked the apex of their career. Further releases were few and far between: one more single “Of The Matter” emerged in 1985 before their last release for Factory, a 4-track EP entitled “Something That No One Else Could Bring” finally appeared in 1987.

In 1988, disillusioned with the lack of proper promotion and indeed apathy from Factory Records, The Wake left the label and signed to Bristol’s legendary Sarah Records, releasing two singles and two LPs, the last being 1994′s Tidal Wave of Hype. By this point, once again down to a three piece featuring McInulty, Allen and Steven, they also shared personnel with another Glasgow-based band on Sarah, The Orchids, with whom they had also played a few live gigs. When Sarah shut down in 1995, The Wake effectively dissolved.

Former bassist Alex Macpherson formed The Cat Club and signed to Jive Records. The Cat Club released “One Last Kiss / Wild” in 1987. Macpherson later formed Opium, releasing material on the Neuropa label.

For a few years, McInulty concentrated on other activities outside of recording music – notably writing scripts for plays that featured Allen in an acting role. McInulty and Allen eventually took up writing music again, and after a few tentative demos for possible new material later hooked up with Bobby Wratten ( The Field Mice / Northern Picture Library / Trembling Blue Stars ) under the name The Occasional Keepers. They released an album “The Beauty Of An Empty Vessel” on James Nice’s LTM record label in 2005, which also incidentally reissued the entire Wake, Field Mice and Orchids back catalogue on remastered CDs containing all the original albums and single/EP cuts collected together.

/ IN THE STORE